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In Our Day of Thanksgiving
Author: William H. Draper Meter: 13.12.13.11 Appears in 24 hymnals Hymnal Title: Calvin Hymnary Project First Line: In our day of thanksgiving one psalm let us offer Text Sources: "In Remembrance of Past Worshipers"
In Our Day of Thanksgiving
WAS LEBET WAS SCHWEBET
Meter: Irregular Appears in 60 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Christian Worship Tune Sources: Choral-Buch var Johann Heinrich Reinhardt, Üttingen, 1754 Tune Key: C Major Incipit: 51123 35432 33321 Used With Text: In Our Day of Thanksgiving
WAS LEBET WAS SCHWEBET
ST CAHTERINE'S COURT
Meter: 12.11.12.11 Appears in 10 hymnals Composer and/or Arranger: Richard Strutt, 1848-1927 Hymnal Title: Common Praise Tune Key: D Flat Major Incipit: 12312 31234 56567 Used With Text: In our day of thanksgiving one psalm let us offer
ST CAHTERINE'S COURT
[In our day of thanksgiving one psalm let us offer]
Appears in 4 hymnals Composer and/or Arranger: Thomas Tallis Hymnal Title: Hymns of Hope and Courage Incipit: 51177 71111 76666 Used With Text: In our day of thanksgiving one psalm let us offer
[In our day of thanksgiving one psalm let us offer]
In our day of thanksgiving
Author: William H. Draper Hymnal: Anglican Hymns Old and New (Rev. and Enl.) #356a (2008) Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Languages: English Tune Title: WAS LEBET
In our day of thanksgiving
In our day of thanksgiving
Author: Henry Draper Hymnal: Anglican Hymns Old and New (Rev. and Enl.) #356b (2008) Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Languages: English Tune Title: ST. CATHERINE'S COURT
In our day of thanksgiving
In Our Day of Thanksgiving
Author: William H. Draper, 1855-1933 Hymnal: Christian Worship #891 (2021) Meter: Irregular Hymnal Title: Christian Worship First Line: In our day of thanksgiving one psalm let us offer Lyrics: 1 In our day of thanksgiving one psalm let us offer
for the saints who before us have found their reward;
when the shadow of death fell upon them, we sorrowed,
but now we rejoice that they rest in the Lord.
2 In the morning of life, and at noon, and at evening,
he called them away from our worship below,
but not till his love, at the font and the altar,
had clothed them with grace for the way they should go.
3 These stones that have echoed their praises are holy,
and dear is the ground where their feet have once trod;
yet here they confessed they were strangers and pilgrims,
and still they were seeking the city of God.
4 Sing praise, then, for all who here sought and here found him,
whose journey is ended, whose perils are past;
they believed in the light; and its glory is round them,
where the clouds of earth’s sorrows are lifted at last.
Topics: Church Triumphant Languages: English Tune Title: WAS LEBET WAS SCHWEBET
In Our Day of Thanksgiving
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Christian Worship Arranger of "WAS LEBET WAS SCHWEBET" in Christian Worship Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Anonymous
Hymnal Title: CPWI Hymnal Arranger of "WAS LEBET (DRAPER)" in CPWI Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Richard Strutt
1848 - 1927 Person Name: Richard Strutt, 1848-1927 Hymnal Title: Evangelical Lutheran Worship Composer of "ST. CATHERINE'S COURT" in Evangelical Lutheran Worship
Richard Strutt
