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John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Composer of "MELITA" in The Hymnary of the United Church of Canada As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Dmitriĭ Stepanovich Bortnianskiĭ

1751 - 1825 Person Name: Dmitri Bortniansky Composer of "ST. PETERSBURG" in The Service Hymnal Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry

Frank Mason North

1850 - 1935 Author of "O Master Of The Waking World" in Clayton's Collection of Choir Melodies No. 2 North, Frank Mason, D.D., b. at New York, Dec. 3, 1850, graduated at Wesleyan University 1872, and entered the ministry of the Methodist Episcopal Church 1872. In 1892 he became Correspondence Secretary of the New York City Church Extension and Missionary Society, and is now (1905) editor of The Christian City. His hymns in common use include:— 1. Jesus, the calm that fills my breast. [Peace.] In The Plymouth Hymnal,1894; Sursum Corda, 1898; The Methodist Hymnal, 1905, &c. 2. When cross the crowded ways of life. [City Missions.] In The Methodist Hymnal, 1905. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================= North, Frank Mason, D.D. (December 3, 1850--December 17, 1935). The Appendix Index reference, p.1607 in Julian, to Dr. North is to John Post Attwater who used "Frank North" as his nom de plume. In addition to the information included in the short biographical sketch at p.1677 it should be added that Dr. North continued his studies at Wesleyan University, advancing to the M.A. degree in 1875, later being honored by that institution's D.D., 1894, and L.L.D., 1918. He was a member of the New York East Conference of the Methodist Episcopal Church and served several pastorates in New York State and City as well as one at Middletown, Connecticut, 1887-1892. During the years 1892-1912, while Corresponding Secretary of the New York City Extension and Missionary Society and the editor of The Christian City, he was also Corresponding Secretary of the National City Evangelical Union of the Methodist Episcopal Church. From 1912 to 1924 he was the Secretary of the Board of Foreign Missions of his church and through these years he served as Chairman of its Executive Committee. He was also Secretary, Chairman of the Executive Committee, and President of the Federal Council of the Churches of Christ in America. It was largely through his efforts and influence that the Federal Council was organized. Trustee and member of governing boards of numerous institutions in the United States, China, and Japan, among the additional honors which came to him were Chevalier Legion of Honor and "Officer de l'Instruction Publique," France; Officer of the Royal Order of George I, Greece. He was one of the great Protestant leaders of his generation. The leading article in The Hymn, 30 April 1950, was an excellent appreciation of Dr. North and his work. Sources: Handbooks of various hymnals; Who Was Who I; Foote, Henry Wilder, Three Centuries of American Hymnody; Ninde, Edward S., Story of the American Hymn; Bailey, ALbert E., The Gospel in Hymns; Pratt, John Barnes, Present Day Hymns; correspondence. --Robert G. McCutchan, DNAH Archives

Henri F. Hemy

1818 - 1888 Composer of "ST. CATHERINE" in The New Church Hymnal Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music. John Perry

William Henry Monk

1823 - 1889 Person Name: William H. Monk Composer of "ST. MATTHIAS" in Christian Worship and Praise William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

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