Search Results

Text Identifier:"^oh_pobreza_fuente_de_riqueza$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Oh pobreza

Author: Hermano Roberto Appears in 2 hymnals Hymnal Title: Calvin Hymnary Project First Line: Oh pobreza, fuente de riqueza

Tunes

tune icon
Tune authorities

POBREZA

Appears in 2 hymnals Composer and/or Arranger: Jacques Berthier Hymnal Title: Mil Voces para Celebrar Tune Key: d minor or modal Incipit: 31275 13532 25575 Used With Text: Oh pobreza

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Oh pobreza

Author: Hermano Roberto Hymnal: Cáliz de Bendiciones #293 (1996) Hymnal Title: Cáliz de Bendiciones First Line: Oh pobreza, fuente de riqueza Topics: La Iglesia Llamiento a misión Languages: Spanish Tune Title: POBREZA

Oh pobreza

Author: Hermano Roberto Hymnal: Mil Voces para Celebrar #293 (1996) Hymnal Title: Mil Voces para Celebrar First Line: Oh pobreza, fuente de riqueza Topics: La Iglesia Llamiento a misión Languages: Spanish Tune Title: POBREZA

People

person icon
Authors, composers, editors, etc.

Brother Robert

Person Name: Hermano Roberto Hymnal Title: Cáliz de Bendiciones Author of "Oh pobreza" in Cáliz de Bendiciones

Jacques Berthier

1923 - 1994 Hymnal Title: Cáliz de Bendiciones Composer of "POBREZA" in Cáliz de Bendiciones Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.