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Teach Me, O Lord, Thy Way of Truth
Meter: 8.8.8.8 Appears in 24 hymnals
Teach Me, O Lord, Thy Way of Truth
ST. CRISPIN
Meter: 8.8.8.8 Appears in 272 hymnals Composer and/or Arranger: George J. Elvey Tune Key: E Flat Major Incipit: 33351 22355 51766 Used With Text: Teach Me, O Lord, Your Way of Truth
ST. CRISPIN
OLIVE'S BROW
Meter: 8.8.8.8 Appears in 351 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: A Flat Major Incipit: 55566 55511 12322 Used With Text: Teach Me, O Lord, Thy Way of truth
OLIVE'S BROW
Teach Me, O Lord, Thy Way of truth
Hymnal: Psalms and Hymns to the Living God #119E (2023) Meter: 8.8.8.8 Lyrics: 1 Teach me, O LORD, Thy way of truth,
and from it I will not depart;
that I may steadfastly obey,
give me an understanding heart.
2 In Thy commandments make me walk,
for in Thy law my joy shall be;
give me a heart that loves Thy will,
from discontent and envy free.
3 Turn now my eyes from vanity,
and cause me in Thy ways to tread;
O let Thy servant prove Thy word
and thus to godly fear be led.
4 Turn Thou away reproach and fear;
Thy righteous judgments I confess;
to know Thy precepts I desire,
revive me in Thy righteousness. Topics: Instruction Scripture: Psalm 119:33-40 Languages: English Tune Title: OLIVE'S BROW
Teach Me, O Lord, Thy Way of truth
Teach Me, O Lord, Thy Way of Truth
Hymnal: Psalter Hymnal (Red) #254 (1934) Meter: 8.8.8.8 Lyrics: 1 Teach me, O Lord, Thy way of truth,
And from it I will not depart;
That I may steadfastly obey,
Give me an understanding heart.
2 In Thy commandments make me walk,
For in Thy law my joy shall be;
Give me a heart that loves Thy will,
From discontent and envy free.
3 Turn Thou my eyes from vanity,
And cause me in Thy ways to tread;
O let Thy servant prove Thy Word
And thus to godly fear be led.
4 Turn Thou away reproach and fear;
Thy righteous judgments I confess;
To know Thy precepts I desire,
Revive me in Thy righteousness. Topics: Contentment; Covetousness; Discontent; Fear of God; Guidance of God, of Christ; Law of God; Obedience; Renunciation; Revival; Sanctification; Stedfastness; God our Teacher; Truth; Will of God; Wisdom Of Man; Witnessing; Word of God Scripture: Psalm 119 Languages: English Tune Title: BISHOP
Teach Me, O Lord, Thy Way of Truth
Teach Me, O Lord, Thy Way of Truth
Hymnal: Psalter Hymnal (Blue) #240 (1976) Meter: 8.8.8.8 Topics: Contentment; Covetousness; Discontent; Fear of God; Law of God; Renunciation; Stedfastness; Will of God; Teacher, God Our; Guidance, Divine; Wisdom Of Man Scripture: Psalm 119 Languages: English Tune Title: BISHOP
Teach Me, O Lord, Thy Way of Truth
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe The Elder 1740-1816 Composer of "MELCOMBE" in Praise! psalms hymns and songs for Christian worship Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
William B. Bradbury
1816 - 1868 Composer of "OLIVE'S BROW" in Psalms and Hymns to the Living God William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach, 1685-1750 Harmonizer of "EISENACH" in The Book of Praise Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
