My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
This Is the Night, Dear Friends
Author: Peter Abelard; Richard Lyman Sturch Meter: 11.10.11.10 Appears in 8 hymnals Hymnal Title: Hymns and Devotions for Daily Worship First Line: This is the night, dear friends, the night for weeping Topics: Lent; Holy Week Maundy Thursday Scripture: Matthew 26:36-56 Used With Tune: INTERCESSOR
This Is the Night, Dear Friends
INTERCESSOR
Meter: 11.10.11.10 Appears in 47 hymnals Composer and/or Arranger: C. H. H. Parry, 1848-1918 Hymnal Title: Common Praise Tune Key: a minor Incipit: 17655 61332 11765 Used With Text: This is the night, dear friends, the night for weeping
INTERCESSOR
MY NEIGHBOR
Meter: 11.10.11.10 Appears in 1 hymnal Composer and/or Arranger: Margaret R. Tucker Hymnal Title: Glory to God Tune Key: f minor Used With Text: This Is the Night
MY NEIGHBOR
This is the night, dear friends, the night for weeping
Author: Peter Abélard (1079-1142); Richard Sturch (b. 1936) Hymnal: Ancient and Modern #173 (2013) Meter: 11.10.11.10 Hymnal Title: Ancient and Modern Lyrics: 1 This is the night, dear friends, the night for weeping,
when powers of darkness overcome the day,
the night the faithful mourn the weight of evil
whereby our sins the Son of Man betray.
2 This night the traitor, wolf within the sheepfold,
betrays himself into his victim's will;
the Lamb of God for sacrifice preparing,
sin brings about the cure for sin's own ill.
3 This night Christ institutes his holy supper,
blest food and drink for heart and soul and mind;
this night injustice joins its hands to treason's,
and buys the ransom-price of humankind.
4 This night the Lord by slaves shall be arrested,
he who destroys our slavery to sin;
accused of crime, to criminals be given,
that judgement on the righteous Judge begin.
5 O make us sharers, Saviour, of your Passion,
that we may share your glory that shall be;
let us pass through these three dark nights of sorrow
to Easter's laughter and its liberty. Topics: Atonement; Church Year Maundy Thursday; Holy Communion; Jesus Names and images for; Maundy Thursday Scripture: Matthew 26:14-68 Languages: English Tune Title: INTERCESSOR
This is the night, dear friends, the night for weeping
This is the night, dear friends, the night for weeping
Author: Peter Abelard (1079-1142); Richard Lyman Sturch (b. 1936) Hymnal: Church Hymnary (4th ed.) #375 (2005) Meter: 11.10.11.10 Hymnal Title: Church Hymnary (4th ed.) Lyrics: 1 This is the night, dear friends, the night for weeping,
when powers of darkness overcome the day,
the night the faithful mourn the weight of evil
whereby our sins the Son of Man betray.
2 This night the traitor, wolf within the sheepfold,
betrays himself into his victim's will;
the Lamb of God for sacrifice preparing,
sin brings about the cure for sin's own ill.
3 This night Christ institutes his holy supper,
blest food and drink for heart and soul and mind;
this night injustice joins its hand to treason's,
and buys the ransom-price of humankind.
4 This night the Lord by slaves shall be arrested,
he who destroys our slavery to sin;
accused of crime, to criminals be given,
that judgement on the righteous Judge begin.
5 O make us sharers, Saviour, of your Passion,
that we may share your glory that shall be;
let us pass through these three dark nights of sorrow
to Easter's laughter and its liberty. Topics: Life in Christ Christ Incarnate - Passion and Death; Christian Year Maundy Thursday Scripture: 1 Corinthians 11:23-26 Languages: English Tune Title: INTERCESSOR
This is the night, dear friends, the night for weeping
This is the night, dear friends, the night for weeping
Author: Peter Abelard, 1079-1142; Richard Sturch, b. 1936 Hymnal: Common Praise #134a (2000) Meter: 11.10.11.10 Hymnal Title: Common Praise Lyrics: 1 This is the night, dear friends, the night for weeping,
when powers of darkness overcome the day,
the night the faithful mourn the weight of evil
whereby our sins the Son of Man betray.
2 This night the traitor, wolf within the sheepfold,
betrays himself into his victim’s will,
the Lamb of God for sacrifice preparing,
sin brings about the cure for sin’s own ill.
3 This night Christ institutes his holy supper,
blest food and drink for heart and soul and mind;
this night injustice joins its hand to treason’s,
and buys the ransom-price of humankind.
4 This night the Lord by slaves shall be arrested,
he who destroys our slavery to sin;
accused of crime, to criminals be given,
that judgement on the righteous Judge begin.
5 O make us sharers, Saviour, of your Passion,
that we may share your glory that shall be;
let us pass through these three dark nights of sorrow
to Easter’s laughter and its liberty. Topics: Maundy Thursday; Maundy Thursday Scripture: 1 Corinthians 10:23-26 Languages: English Tune Title: INTERCESSOR
This is the night, dear friends, the night for weeping
C. Hubert H. Parry
1848 - 1918 Person Name: Charles Hubert Hastings Parry (1848-1918) Hymnal Title: Church Hymnary (4th ed.) Composer of "INTERCESSOR" in Church Hymnary (4th ed.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
Peter Abelard
1079 - 1142 Person Name: Peter Abelard, 1079-1142 Hymnal Title: Common Praise Author of "This is the night, dear friends, the night for weeping" in Common Praise Abelard, Peter, born at Pailais, in Brittany, 1079. Designed for the military profession, he followed those of philosophy and theology. His life was one of strange chances and changes, brought about mainly through his love for Heloise, the niece of one Fulbert, a Canon of the Cathedral of Paris, and by his rationalistic views. Although a priest, he married Heloise privately. He was condemned for heresy by the Council of Soissons, 1121, and again by that of Sens, 1140; died at St. Marcel, near Chalons-sur-Saône, April 21, 1142. For a long time, although his poetry had been referred to both by himself and by Heloise, little of any moment was known except the Advent hymn, Mittit ad Virginem, (q.v.). In 1838 Greith published in his Spicihgium Vaticanum, pp. 123-131, six poems which had been discovered in the Vatican. Later on, ninety-seven hymns were found in the Royal Library at Brussels, and pub. in the complete edition of Abelard's works, by Cousin, Petri Abelardi Opp., Paris, 1849. In that work is one of his best-known hymns, Tuba Domini, Paule, maxima (q.v.). Trench in his Sacra Latina Poetry, 1864, gives his Ornarunt terram germina (one of a series of poems on the successive days' work of the Creation), from Du Meril's Poesies Popul. Lat. du Moyen Age, 1847, p. 444.
-John Julian, Dictionary of Hymnology (1907)
Peter Abelard
Richard Sturch
b. 1936 Person Name: Richard Sturch, b. 1936 Hymnal Title: Common Praise Translator of "This is the night, dear friends, the night for weeping" in Common Praise
Richard Sturch
