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Text Identifier:"^to_our_redeemers_glorious_name$"

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To our Redeemer's glorious name

Author: Anne Steele Appears in 369 hymnals Hymnal Title: Book of Worship with Hymns and Tunes Lyrics: 1 To our Redeemer's glorious name Awake the sacred song! Oh, may His love, immortal flame, Tune every heart and tongue. 2 His love what mortal thought can reach! What mortal tongue display! Imagination's utmost stretch In wonder dies away. 3 Jesus, who left His throne on high, Left the brighter realms of bliss, And came to earth to bleed and die-- Was ever love like this? 4 Dear Lord, while we adoring pay Our humble thanks to Thee, May every heart with rapture say, "The Saviour died for me." 5 Oh, may the sweet, the blissful theme Fill every heart and tongue, Till strangers love Thy charming name, And join the sacred song. Amen. Topics: Christ Love of; Christ Praise to; Christ Redeemer; Praise To Christ Used With Tune: BRADFORD

Tunes

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BRADFORD

Appears in 195 hymnals Composer and/or Arranger: George F. Handel Hymnal Title: Book of Worship with Hymns and Tunes Incipit: 51321 64343 51276 Used With Text: To our Redeemer's glorious name
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APHEKA

Appears in 4 hymnals Hymnal Title: Carmina Sacra Used With Text: To our Redeemer's glorious name
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SWANWICK

Appears in 34 hymnals Composer and/or Arranger: James Lucas Hymnal Title: Evangelical Lutheran hymnal Tune Key: A Major Incipit: 51131 27134 21653 Used With Text: To our Redeemer's glorious Name

Instances

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Published text-tune combinations (hymns) from specific hymnals

To our Redeemer's glorious name, awake the sacred song

Author: Anne Steele Hymnal: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth #d805 (1844) Hymnal Title: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth Languages: English
Text

Praise to the Son of GOD

Author: Steele Hymnal: A Collection of Evangelical Hymns #XLI (1793) Meter: 8.6.8.6 Hymnal Title: A Collection of Evangelical Hymns First Line: To our Redeemer's glorious name Lyrics: 1 To our Redeemer's glorious name, Awake the sacred song! O may his love (immortal flame!) Tune every heart and tongue. 2 His love, what mortal thought can reach? What mortal tongue display? Imagination's utmost stretch In wonder dies away. 3 He left his radiant throne on hight, Left the bright realms of bliss, And came to earth to bleed and die! Was ever love like this! 4 Dear Lord, while we adoring pay Our humble thanks to thee, May every heart with rapture say, The Saviour dy'd for me. 5 O may the sweet, the blissful theme Fill every heart and tongue, Till strangers love thy charming name, And join the sacred song. Topics: Son Languages: English
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Praise to the Redeemer

Hymnal: A Collection of Hymns and Prayers, for Public and Private Worship #127 (1845) Meter: 8.6.8.6 Hymnal Title: A Collection of Hymns and Prayers, for Public and Private Worship First Line: To our Redeemer's glorious name Lyrics: 1 To our Redeemer's glorious name Awake the sacred song! O may his love (immortal flame!) Tune every heart and tongue. 2 His love what mortal thought can reach! What mortal tongue display! Imagination's utmost stretch In wonder dies away. 3 He left his radiant throne on high, Left the bright realms of bliss, And came to earth to bleed and die!-- Was ever love like this? 4 Dear Lord, while we adoring pay Our humble thanks to thee. May every heart with rapture say, "The Savior died for me." 5 O may the sweet, the blissful theme, Fill every heart and tongue: Till strangers love thy charming name, And join the sacred song. Topics: Christ Salvation Through Him Languages: English

People

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Authors, composers, editors, etc.

James Lucas

b. 1726 Hymnal Title: American Lutheran Hymnal Composer of "SWANWICK" in American Lutheran Hymnal The exact birth & death dates of this person are largely unknown. We know he composed at least two hymn tunes, LUCAS and STANWICK, the latter of which might be sometimes conflated with a tune titled STANICK.

George Frideric Handel

1685 - 1759 Person Name: George F. Handel Hymnal Title: Book of Worship with Hymns and Tunes Composer of "BRADFORD" in Book of Worship with Hymns and Tunes George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Hugh Wilson

1766 - 1824 Hymnal Title: Evangelical Lutheran hymnal Composer of "AVON" in Evangelical Lutheran hymnal Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman
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