
Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825
Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy… Go to person page >| Title: | ST. PETERSBURG |
| Composer: | Dmitriĭ Stepanovich Bortnianskiĭ (1825) |
| Meter: | 8.8.8.8.8.8 |
| Incipit: | 53451 21715 61653 |
| Key: | B♭ Major/C Major |
| Source: | Russian |
| Copyright: | Public Domain |
Dmitri Stephanovich Bortnianski (b. Gloukoff, Ukraine, 1751; d. St. Petersburg, Russia, 1825) was a Russian composer of church music, operas, and instrumental music. His tune ST. PETERSBURG (also known as RUSSIAN HYMN) was first published in J. H. Tscherlitzky's Choralbuch (1825).
The tune is supposedly from a Mass composed in 1822, though that work is not extant. Tchaikovsky included ST. PETERSBURG as the setting for a Russian hymn in his 1884 edition of Bortnianski's compositions for church use. The tune is named after the city where Bortnianski studied, worked, and died. Shaped in to a strict bar form (AAB), this tune has a third line that brings a fine climax and resolution to the entire melody.
Bortnianski began his musical study as a chorister in the imperial chapel choir at the age of eight. With financial aid from Catherine the Great, he went to Venice in 1768 to study music; he also studied in Rome and Naples. After returning to Russia, he assumed the directorship of the imperial chapel choir in St. Petersburg. His choral music was published by Tchaikovsky (c. 1884) and continues to be used both in the Russian Orthodox Church and in western churches.
--Psalter Hymnal Handbook, 1987
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