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Search Results

Text Identifier:there_is_a_fold_whence_none_can_stray

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Texts

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There is a fold whence none can stray

Meter: 8.6.8.6 Appears in 91 hymnals Used With Tune: WILTSHIRE

Tunes

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DEDHAM

Appears in 174 hymnals Composer and/or Arranger: William Gardner Incipit: 12235 43223 21765 Used With Text: There is a Fold, Whence None Can Stray
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[There is a fold whence none can stray]

Appears in 103 hymnals Composer and/or Arranger: Henry W. Greatorex Incipit: 55315 55425 55311 Used With Text: There Is a Fold
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WOODLAND

Appears in 128 hymnals Composer and/or Arranger: N. D. Gould Incipit: 13353 23235 51233 Used With Text: There is a fold where none can stray

Instances

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Published text-tune combinations (hymns) from specific hymnals
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There Is a Fold Whence None Can Stray

Hymnal: Fount of Blessing #84 (1880) Refrain First Line: Oh, meet me, oh, meet me Languages: English Tune Title: [There is a fold whence none can stray]
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There Is a Fold Whence None Can Stray

Hymnal: Rescue Songs #129 (1890) Languages: English Tune Title: [There is a fold whence none can stray]
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There Is A Fold Whence None Can Stray

Author: John East Hymnal: The Cyber Hymnal #12322 Meter: 8.6.8.6 Lyrics: 1 There is a fold whence none can stray, And pastures ever green, Where sultry sun, or stormy day, Or night, is never seen. 2 Far up the everlasting hills, In God’s own light, it lies; His smile its vast dimension fills With joy that never dies. 3 One narrow vale, one darksome wave, Divides that land from this; I have a shepherd pledged to save, And bear me home to bliss. 4 Soon at His feet my soul will lie, In life’s last struggling breath; But I shall only seem to die, I shall not taste of death. 5 Far from this guilty world, to be Exempt from toil and strife; To spend eternity with Thee, My Savior, this is life! Languages: English Tune Title: ELIM

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Author of "There is a fold where none can stray" in Songs for the Service of Prayer In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Gardiner

1770 - 1853 Person Name: William Gardner Composer of "DEDHAM" in Gloria Deo William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

H. W. Greatorex

1813 - 1858 Person Name: Henry W. Greatorex Composer of "GEER" in The Voice of Thanksgiving Henry Wellington Greatorex United Kingdom 1813-1858. Born at Burton upon Trent, England, he received a thorough musical education from his father, Thomas Greatorex, who was for many years organist of Westminster Abbey, and conductor of the London concerts of ancient music. Henry became a composer, author, compiler, editor, and arranger of music. He emigrated to the U.S. In 1839. In 1849 he married artist Eliza Pratt, and they had four children: Elizabeth, Kathleen, Thomas, and Francis Henry. Prior to settling in New York City as a music teacher and organist at Calvary Church, he played at churches in Hartford, CT, including Center Church and St Johns Episcopal Church in West Hartford, CT. He frequently sang in oratorios and concerts. For some years he was also organist and conductor of the choir at St. Paul's Chapel. In 1853 he was an organist at St. Philip's Episcopal Church in Charleston, SC. He did much to advance the standard of sacred music in the U.S. In days when country singing school teachers imposed more rudimentary melodies on hymn books. He published a collection of “Psalm & hymn tunes, chants, anthems & sentences” (Boston 1851). He died of yellow fever in Charleston, SC. John Perry
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