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Search Results

Topics:consecration

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Texts

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Entire Consecration

Author: Frances R. Havergal Appears in 1,285 hymnals Topics: Consecration First Line: Take my life, and let it be, consecrated Refrain First Line: Wash me in the savior's precious blood Used With Tune: [Take my life, and let it be, consecrated]
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Something for Jesus

Author: S. D. Phelps, D. D. Appears in 598 hymnals Topics: Consecration First Line: Saviour, Thy dying love Used With Tune: [Saviour, Thy dying love]
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Come, Thou Fount of Every Blessing

Author: Margaret Clarkson; Robert Robinson Meter: 8.7.8.7 D Appears in 2,306 hymnals Topics: Commitment and Consecration Lyrics: 1 Come, Thou Fount of every blessing, Tune my heart to sing Thy grace; Streams of mercy, never ceasing, Call for songs of loudest praise. Teach me some melodious sonnet, Sung by flaming tongues above; Praise His name - I'm fixed upon it - Name of God's redeeming love. 2 Hitherto Thy love has blest me; Thou hast bro't me to this place; And I know Thy hand will bring me Safely home by thy good grace. Jesus sought me when a stranger, Wandering from the fold of God; He, to rescue me from danger, Bought me with His precious blood. 3 O to grace how great a debtor Daily I'm constrained to be! Let Thy goodness, like a fetter, Bind my wandering heart to Thee: Prone to wander, Lord, I feel it, Prone to leave the God I love; Here's my heart, O take and seal it; Seal it for Thy courts above. Amen. Used With Tune: NETTLETON

Tunes

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[I'm pressing on the upward way]

Appears in 313 hymnals Composer and/or Arranger: Chas. H. Gabriel Topics: Consecration Incipit: 55133 21621 65131 Used With Text: Higher Ground
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LLANFAIR

Meter: 7.7.7.7 with alleluias Appears in 258 hymnals Composer and/or Arranger: Robert Williams, c. 1781-1821; John Roberts, 1822-1877 Topics: Consecration Tune Key: F Major Incipit: 11335 43254 34321 Used With Text: Praise the Lord, His Glories Show
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AUSTRIAN HYMN

Meter: 8.7.8.7 D Appears in 790 hymnals Composer and/or Arranger: Franz Joseph Haydn Topics: Aspiration and Consecration Tune Key: E Flat Major Incipit: 12324 32716 54323 Used With Text: We Are Called to Be God's People

Instances

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Published text-tune combinations (hymns) from specific hymnals
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In Faithful Consecration

Author: E. E. Hewitt Hymnal: The Finest of the Wheat No. 3 #84 (1904) Topics: Consecration First Line: Who will come in faithful consecration Refrain First Line: Who will gladly say Lyrics: 1 Who will come in faithful consecration, Who will hearken to the Master’s call? Who will offer love’s delightful service, From the morning to the evenfall? Refrain: Who will gladly say, Lord, here am I today? Take me, blessed Lord, thy wondrous grace afford; Lead me in thy way, Who will gladly say, Use me, O Lord, today? Who will gladly say, I’ll work for thee today? Help me, Lord, I pray. 2 Room for all among his willing labr’ers, Ev’ry gift for him may we employ; Sowing, reaping, gathering the harvest, They who weep shall come again with joy. [Refrain] 3 Hasten, then, to do the Master’s bidding, Follow where his blessed footprints lead; Lowly tasks shall glow with heav’nly beauty, His rich grace supplying all our need. [Refrain] 4 Come, O come, in faithful consecration, Yield yourself his holy will to do; Starry crowns, unfading crowns of glory, Wait on high his servants good and true. [Refrain] Tune Title: [Who will come in faithful consecration]
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In Faithful Consecration

Author: E. E. Hewitt Hymnal: The Redeemer's Praise #96 (1906) Topics: Consecration First Line: Who will come in faithful consecration Refrain First Line: Who will gladly say Tune Title: [Who will come in faithful consecration]
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Accept My Consecration

Author: E. S. L. Hymnal: Songs for Work and Worship #7 (1900) Topics: Consecration First Line: My body, soul, and spirit Lyrics: 1 My body, soul, and spirit, Dear Lord, to thee I bring; Tho’ paltry, weak, unworthy, Accept my offering. Chorus: Accept my consecration! O grant thy full salvation! This very hour thy peace and pow’r On me bestow. 2 Thy gifts of pow’r and blessing Shall still be all thine own; Thy glory, not my pleasure, Shall govern me alone. [Chorus] 3 Thy tho’ts alone to cherish, Thy blessed words to speak, Thy life to live—what blessing For one so prone and weak. [Chorus] 4 Accept my consecration, I would not aught withhold; Let thy will be my pleasure, My home thine inner fold. [Chorus] Languages: English Tune Title: [My body, soul, and spirit]

People

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Authors, composers, editors, etc.

Francis Pott

1832 - 1909 Topics: Church Building and Consecration Author of "Angel voices, ever singing" in The Hymnal Francis Pott studied at Brasenose College, Oxford, where he graduated B.A. in 1854, and M.A. in 1857. He was ordained Deacon in 1856, and Priest in 1857. He was Curate of Bishopsworth, Bristol, 1856; of Ardingley, Sussex, 1858; was appointed to Ticehurst in 1861; and is now incumbent of Northill, Bedfordshire. Mr. Pott has made many acceptable translations, and has edited "Hymns Fitted to the Order of Common Prayer, etc.;" a compilation of real merit. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ============ Pott, Francis, M.A., was born Dec. 29, 1832, and educated at Brasenose, College, Oxford, B.A. 1854; M.A. 1857. Taking Holy Orders in 1856 he was curate of Bishopsworth, Gloucestershire, 1856-8; Ardingly, Berks, 1858-61; Ticehurst, Sussex, 1861-66; and Rector of Norhill, Ely, 1866. His Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local Festivals, was published in 1861, and reprinted from time to time with a few additions. Mr. Pott contributed translations from the Latin and Syriac, and original hymns, including “Angel voices ever singing" (p. 68, ii.), and "Lift up your heads, eternal gates" (Ascension). These original hymns, together with his translations, have been received with much favour and are widely used. In several.…works, several translations from the Latin, and other hymnological work, are attributed to Archdeacon Alfred Pott. We are authorized to state that this ascription of authorship is an error. --John Julian, Dictionary of Hymnology (1907)

Timothy T'ingfang Lew

1891 - 1947 Person Name: Timothy Ting Fang Lew Topics: Occasional Services Dedication / Consecration / Anniversary Translator (into Chinese) of "All People That on Earth Do Dwell" in Psalms for All Seasons T'ingfang Lew was a leading Chinese educator, author, and editor. He was educated in China and at Columbia University in New York City (M.A.; Ph.D.). His Bachelor of Divinity degree was from Yale and he studied at Union Theological Seminary, New York City, where he also taught Christian education. Lew lectured throughout America at schools and colleges from 1926 to 1938 and received an S.T.D. degree from Oberlin College. In 1932, Lew began to chair the commission to prepare a Chinese Union hymnal. The resulting Hymns of Universal Praise was published in 1936. Its music editor was Bliss Wiant, a colleague of Lews's at Yenching University in Peking. Lew also edited the Union Book of Common Prayer which was used by four Protestant Chinese groups having approximately one-half million members. He represented China at the World Council of Churches meetings (1927-1939). He served as a member of the Chinese government's legislative body (1936-1941). Lew is remembered for his work with Chinese Christian organizations in China and America where he resided from 1941 to 1947. He died while teaching at the University of New Mexico. --The Presbyterian Hymnal Companion, 1993

Melchior Vulpius

1570 - 1615 Person Name: Melchoir Vulpius Topics: Occasional Services Dedication / Consecration / Anniversary Composer of "CHRISTUS, DER IST MEIN LEBEN" in Psalms for All Seasons Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman
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