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On Jordan's Stormy Bank I Stand
Author: Samuel Stennett, 1727-1795 Meter: 8.6.8.6 with refrain Appears in 1,331 hymnals Topics: End Time; End Time Refrain First Line: I am bound for the promised land Lyrics: 1 On Jordan's stormy bank I stand,
and cast a wishful eye
to Canaan's fair and happy land,
where my possessions lie.
Refrain:
I am bound for the promised land,
I am bound for the promised land;
oh, who will come and go with me?
I am bound for the promised land.
2 All o'er those wide extended plains
shines one eternal day;
there God the Son forever reigns
and scatters night away. [Refrain]
3 No chilling winds or pois'nous breath
can reach that healthful shore;
sickness and sorrow, pain and death,
are felt and feared no more. [Refrain]
4 When shall I reach that happy place
and be forever blest?
When shall I see my Savior's face
and in God's bosom rest? [Refrain] Used With Tune: PROMISED LAND
On Jordan's Stormy Bank I Stand
Jerusalem, My Happy Home
Author: F. B. P., 16th cent Meter: 8.6.8.6 Appears in 622 hymnals Topics: End Times Lyrics: 1 Jerusalem, my happy home,
When shall I come to thee?
When shall my sorrows have an end?
Thy joys when shall I see?
2 O happy harbor of the saints,
O sweet and pleasant soil!
In thee no sorrow may be found,
No grief, no care, no toil.
3 Thy gardens and thy gallant walks
Continually are green;
There grow such sweet and pleasant flow'rs
As nowhere else are seen.
4 There trees forevermore bear fruit
And evermore do spring;
There evermore the angels dwell
And evermore do sing.
5 Apostles, martyrs, prophets, there
Around my Savior stand;
And soon my friends in Christ below
Will join the glorious band.
6 O Christ, do Thou my soul prepare
For that bright home of love
That I may see Thee and adore
With all Thy saints above.
Scripture: Psalm 137:1-6 Used With Tune: LAND OF REST
Jerusalem, My Happy Home
Sing with All the Saints in Glory
Author: William J. Irons, 1812-1883 Appears in 106 hymnals Topics: End Times Lyrics: 1 Sing with all the saints in glory,
Sing the resurrection song!
Death and sorrow, earth’s dark story,
To the former days belong.
All around the clouds are breaking,
Soon the storms of time shall cease;
In God’s likeness, we awaken,
Knowing everlasting peace.
2 O what glory, far exceeding
All that eye has yet perceived!
Holiest hearts for ages pleading,
Never that full joy conceived.
God has promised, Christ prepares it,
There on high our welcome waits;
Ev’ry humble spirit shares it,
Christ has passed th'eternal gates.
3 Life eternal! heav’n rejoices:
Jesus lives who once was dead;
Shout with joy, O deathless voices!
Child of God, lift up your head!
Patriarchs from distant ages,
Saints all longing for their heaven,
Prophets, psalmists, seers, and sages,
All await the glory giv'n.
4 Life eternal! O what wonders
Crowd on faith; what joy unknown,
When, amid earth's closing thunders,
Saints shall stand before the throne!
O to enter that bright portal,
See that glowing firmament,
Know, with you, O God immortal,
Jesus Christ whom you have sent!
Scripture: 1 Corinthians 15:12-23 Used With Tune: HYMN TO JOY
Sing with All the Saints in Glory
WACHET AUF
Appears in 322 hymnals Composer and/or Arranger: Philipp Nicolai, 1556-1608 Topics: End Times Tune Sources: Württembergishes Neues Choralbuch, 1956 (Setting) Tune Key: C Major Incipit: 13555 56551 51232 Used With Text: Wake, Awake, for Night is Flying
WACHET AUF
Who Knows When Death
Author: Emilie Juliane, 1637-1706 Hymnal: Christian Worship (1993) #210 (1993) Meter: 9.8.9.8.8.8 Topics: End Time; End Time First Line: Who knows when death may overtake me! Refrain First Line: My God, for Jesus' sake I pray Languages: English Tune Title: WER WEISS, WIE NAHE
Who Knows When Death
Jerusalem, My Happy Home
Author: F. B. P., 16th century Hymnal: Christian Worship (1993) #215 (1993) Meter: 8.6.8.6 Topics: End Time; End Time Lyrics: 1 Jerusalem, my happy home,
When shall I come to thee?
When shall my sorrows have an end?
Thy joys when shall I see?
2 When shall these eyes thy heav'n-built walls
And pearly gates behold,
Thy bulwarks with salvation strong
And streets of shining gold?
3 Oh, when, thou city of my God,
Shall I thy courts ascend?
Where evermore the angels sing,
The Sabbath has no end.
4 Apostles, martyrs, prophets, there
Around my Savior stand,
And soon my friends in Christ below
Will join the glorious band.
5 O Christ, do thou my soul prepare
For that bright home of love
That I may see thee and adore
With all thy saints above. Languages: English Tune Title: LAND OF REST
Jerusalem, My Happy Home
Forever with the Lord
Author: James Montgomery, 1771-1854 Hymnal: Christian Worship (1993) #213 (1993) Meter: 6.6.8.6 Topics: End Time; End Time First Line: Forever with the Lord! Lyrics: 1 Forever with the Lord!
Amen! So let it be.
Life from the dead is in that word,
My immortality.
2 While time on earth is spent,
Absent from him I roam,
Yet nightly pitch my moving tent
A day's march nearer home.
3 My Father's house on high,
Home of my soul, how near
At times, to faith's foreseeing eye
The golden gates appear!
4 Lord, be at my right hand,
Then can I never fail.
If you uphold me, I shall stand;
With you I shall prevail.
5 So when my dying breath
Shall rend the veil in two,
By death I shall escape from death
To endless life with you.
6 I'll know as I am known;
How shall I love that word
And oft repeat before the throne,
"Forever with the Lord!" Languages: English Tune Title: SCHUMANN
Forever with the Lord
Edward Caswall
1814 - 1878 Person Name: Edward Caswall, 1814-78 Topics: End Times Translator of "Hark! A Thrilling Voice Is Sounding" in Lutheran Service Book Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
=====================
Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:—
(1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others.
(2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858.
(3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865.
(4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907)
======================
Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:—
1. Christian soul, dost thou desire. After Holy Communion.
2. Come, let me for a moment cast. Holy Communion.
3. O Jesu Christ [Lord], remember. Holy Communion.
4. Oft, my soul, thyself remind. Man's Chief End.
5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep."
6. The glory of summer. Autumn.
7. This is the image of the queen. B. V. M.
His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:—
1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii.
2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i.
3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158.
4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i.
5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii.
6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii.
7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i.
The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:—
IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865.
As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Caswall
Bland Tucker
1895 - 1984 Person Name: F. Bland Tucker, 1895-1984 Topics: End Time Author of "Awake, O Sleeper, Rise from Death" in Evangelical Lutheran Worship Francis Bland Tucker (born Norfolk, Virginia, January 6, 1895). The son of a bishop and brother of a Presiding bishop of the Episcopal Church, he was educated at the University of Virginia, B.A., 1914, and at Virginia Theological Seminary, B.D., 1920; D.D., 1944. He was ordained deacon in 1918, priest in 1920, after having served as a private in Evacuation Hospital No.15 of the American Expeditionary Forces in France during World War I.
His first charge was as a rector of Grammer Parish, Brunswick County, in southern Virginia. From 1925 to 1945, he was rector of historic St. John's Church, Georgetown, Washington, D.C. Then until retirement in 1967 he was rector of John Wesley's parish in Georgia, old Christ Church, Savannah. In "Reflections of a Hymn Writer" (The Hymn 30.2, April 1979, pp.115–116), he speaks of never having a thought of writing a hymn until he was named a member of the Joint Commission on the Revision of the Hymnal in 1937 which prepared the Hymnal 1940
Bland Tucker
Johann Crüger
1598 - 1662 Person Name: J. Crüger, 1598-1662 Topics: End Times Composer of "JESUS, MIENE ZUBERSICHT" in Evangelical Lutheran Hymnary Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
===============================
Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
=======================
Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
