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Topics:god creator

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Texts

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All Things Bright and Beautiful

Author: Cecil F. Alexander Meter: 7.6.7.6 with refrain Appears in 360 hymnals Topics: God Beyond All Name and Form God the Creator; God: Creator First Line: Each little flower that opens Lyrics: Refrain: All things bright and beautiful, all creatures great and small, all things wise and wonderful: in love God made them all. 1 Each little flower that opens, each little bird that sings, God made their glowing colors, and made their tiny wings. 2 The purple-headed mountain, the river running by, the sunset and the morning that brightens up the sky. 3 The cold wind in the winter, the pleasant summer sun, the ripe fruits in the garden, God made them every one. Scripture: Genesis 1:20-31 Used With Tune: ROYAL OAK
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Now, on Land and Sea Descending

Author: Samuel Longfellow Meter: 8.7.8.7.8.6.8.7 Appears in 127 hymnals Topics: God Creator Lyrics: 1 Now, on land and sea descending, Brings the night its peace profound; Let our vesper hymn be blending With the holy calm around. Jubilate! Jubilate! Jubilate! Amen! Let our vesper hymn be blending With the holy calm around. 2 Soon as dies the sunset glory, Stars of heaven shine out above, Telling still the ancient story— Their Creator's changeless love. Jubilate! Jubilate! Jubilate! Amen! Telling still the ancient story— Their Creator's changeless love. 3 Now, our wants and burdens leaving To His care who cares for all, Cease we fearing, cease we grieving: At His touch our burdens fall. Jubilate! Jubilate! Jubilate! Amen! Cease we fearing, cease we grieving: At His touch our burdens fall. 4 As the darkness deepens o'er us, Lo! eternal stars arise; Hope and faith and love rise glorious, Shining in the spirit's skies. Jubilate! Jubilate! Jubilate! Amen! Hope and faith and love rise glorious, Shining in the spirit's skies. Amen. Scripture: Genesis 1:16 Used With Tune: VESPER HYMN

Morning Has Broken

Author: Eleanor Farjeon Meter: 5.5.5.4 D Appears in 100 hymnals Topics: God the Father Creator; God-Creator Used With Tune: BUNESSAN

Tunes

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BUNESSAN

Appears in 276 hymnals Composer and/or Arranger: David Evans, 1874-1948 Topics: God the Creator Tune Sources: Gaelic melody Tune Key: C Major Incipit: 13512 76565 12356 Used With Text: Morning Has Broken
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OLD 113TH

Meter: 8.8.8.8.8.8 Appears in 135 hymnals Composer and/or Arranger: Matthäus Greiter Topics: God-Creator Tune Key: D Major Incipit: 11231 34554 32134 Used With Text: I'll Praise My Maker
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EARTH AND ALL STARS

Appears in 54 hymnals Composer and/or Arranger: David Johnson, 1922-1987; Dale Grotenhuis, 1931-2012 Topics: God as Creator Tune Key: G Major Incipit: 15613 17665 11132 Used With Text: Earth and All Stars

Instances

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Published text-tune combinations (hymns) from specific hymnals

Creator God We Sing (Cantemos al Creador)

Author: Carlos Rosas, 1937-; Dimas Planas-Belfort, 1934- Hymnal: Community of Christ Sings #114 (2013) Meter: 6.7.6.8 D with refrain Topics: God Creator First Line: Creator God we sing Refrain First Line: ¡Aleluya, aleluya! Cantemos al Creador Scripture: 1 Chronicles 16:23-29 Languages: English Tune Title: ROSAS

Creator God, Creating Still

Author: Jane Parker Huber Hymnal: Chalice Hymnal #62 (1995) Meter: 8.6.8.6 Topics: God Beyond All Name and Form God the Creator; God: Creator Languages: English Tune Title: ST. ANNE

Creator God, Creating Still

Author: Jane Parker Huber Hymnal: Celebrating Grace Hymnal #6 (2010) Meter: 8.6.8.6 Topics: God-Creator Languages: English Tune Title: ST. ANNE

People

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Authors, composers, editors, etc.

Federico J. Pagura

1923 - 2016 Person Name: Federico J. Pagura, 1923-2016 Topics: God Creator Translator (Spanish) of "All People That on Earth Do Dwell (Oh pueblos todos alabad)" in Santo, Santo, Santo Federico José Pagura was an Argentine Methodist bishop and author and translator of hymns. Leland Bryant Ross

Josiah Conder

1789 - 1855 Person Name: J. Conder Topics: God Creator; God Creator Author of "Psalm 19" in Laudes Domini Josiah Conder was born in London, in 1789. He became a publisher, and in 1814 became proprietor of "The Eclectic Review." Subsequently to 1824, he composed a series of descriptive works, called the "Modern Traveller," which appeared in thirty volumes. He also published several volumes of poems and hymns. He was the author of the first "Congregational Hymn Book" (1836). He died in 1855. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================== Conder, Josiah, fourth son of Thomas Conder, engraver and bookseller, and grandson of the Rev. John Conder, D.D., first Theological Tutor of Homerton College, was born in Falcon Street (City); London, Sept. 17, 1789, and died Dec. 27, 1855. As author, editor and publisher he was widely known. For some years he was the proprietor and editor of the Eclectic Review, and also editor of the Patriot newspaper. His prose works were numerous, and include:— The Modern Traveller, 1830; Italy, 1831; Dictionary of Ancient and Modern Geography, 1834; Life of Bunyan, 1835; Protestant Nonconformity, 1818-19; The Law of the Sabbath, 1830; Epistle to the Hebrews (a translation), 1834; Literary History of the New Testament, 1845, Harmony of History with Prophecy, 1849, and others. His poetical works are:— (1) The Withered Oak,1805; this appeared in the Athenceum. (2) The Reverie, 1811. (3) Star in the East, 1824. (4) Sacred Poems, Domestic Poems, and Miscellaneous Poems, 1824. (5) The Choir and the Oratory; or, Praise and Prayer, 1837. Preface dated Nov. 8, 1836. (6) Hymns of Praise, Prayer, and Devout Meditation, 1856. This last work was in the press at the time of his death, and was revised and published by his son, the Rev. E. R. Conder, M.A. He also contributed many pieces to the magazines and to the Associated Minstrels, 1810, under the signature of " C." In 1838, selections from The Choir and Oratory were published with music by Edgar Sanderson, as Harmonia Sacra. A second volume was added in 1839. To Dr. Collyer’s (q.v.) Hymns, &c, he contributed 3 pieces signed "C"; and to Dr. Leifchild's Original Hymns, 1843, 8 hymns. As a hymn-book editor he was also well known. In 1836 he edited The Congregational Hymn Book: a Supplement to Dr. Watts’s Psalms and Hymns (2nd ed. 1844). To this collection he contributed fifty-six of his own hymns, some of which had previously appeared in The Star in the East, &c. He also published in 1851 a revised edition of Dr. Watts's Psalms and Hymns, and in the game year a special paper on Dr. Watte as The Poet of the Sanctuary, which was read before the Congregational Union at Southampton. The value of his work as Editor of the Congregational Hymn Book is seen in the fact that eight out of every ten of the hymns in that collection are still in use either in Great Britain or America. As a hymn writer Conder ranks with some of the best of the first half of the present century. His finest hymns are marked by much elevation of thought expressed in language combining both force and beauty. They generally excel in unity, and in some the gradual unfolding of the leading idea is masterly. The outcome of a deeply spiritual mind, they deal chiefly with the enduring elements of religion. Their variety in metre, in style, and in treatment saves them from the monotonous mannerism which mars the work of many hymn writers. Their theology, though decidedly Evangelical, is yet of a broad and liberal kind. Doubtless Conder's intercourse with many phases of theological thought as Editor of the Eclectic Review did much to produce this catholicity, which was strikingly shewn by his embodying many of the collects of the Book of Common Prayer, rendered into verse, in his Choir and Oratory. Of his versions of the Psalms the most popular are "How honoured, how dear" (84th), and "O be joyful in the Lord" (100th). His hymns in most extensive use are," Bread of heaven, on Thee I feed; " “Beyond, beyond that boundless sea;" "The Lord is King, lift up thy voice" (this last is one of his best); "Day by day the manna fell;" "How shall I follow him I serve;" "Heavenly Father, to whose eye" (all good specimens of his subdued and pathetic style); and "O shew me not my Saviour dying." This last is full of lyric feeling, and expresses the too often forgotten fact that the Church has a living though once crucified Lord. The popularity of Conder's hymns may be gathered from the fact that at the present time more of them are in common use in Great Britain and America than those of any other writer of the Congregational body, Watts and Doddridge alone excepted. [Rev. W. Garrett Horder] In addition to the hymns named above and others which are annotated under their respective first lines, the following, including two already named (4,16), are also in common use:— i. From Dr. Collyer's Hymns, &c, 1812. 1. When in the hours of lonely woe. Lent. ii. From The Star in the East, &c, 1824. 2. Be merciful, O God of grace. Ps. lxvii. 3. For ever will I bless the Lord. Ps. xxxiv. 4. How honoured, how dear. Ps. lxxxiv. 5. Now with angels round the throne. Doxology. 6. O Thou God, Who hearest prayer. Lent. Dated Sept. 1820. Usually abbreviated. iii. From The Congregational Hymn Book, 1836. 7. Blessed be God, He is not strict. Longsuffering of God. 8. Followers of Christ of every name. Communion of Saints. 9. Grant me, heavenly Lord, to feel. Zeal in Missions desired. 10. Grant, 0 Saviour, to our prayers. Collect 5th S. after Trinity. 11. Head of the Church, our risen Lord. Church Meetings. 12. Holy, holy, holy Lord, in the highest heaven, &c. Praise to the Father. 13. Jehovah's praise sublime. Praise. 14. Leave us not comfortless. Holy Communion. 15. Lord, for Thv Name's sake! such the plea. In National Danger. 16. O be joyful in the Lord. Ps. c. 17. 0 breathe upon this languid frame. Baptism of Holy Spirit desired. 18. 0 give thanks to Him Who made. Thanksgiving for Daily Mercies. 19. 0 God, Protector of the lowly. New Year. 20. 0 God, to whom the happy dead. Burial. 21. 0 God, Who didst an equal mate. Holy Matrimony. 22. 0 God, Who didst Thy will unfold. Holy Scriptures. 23. 0 God, Who dost Thy sovereign might. Prayer Meetings. 24. 0 how shall feeble flesh and blood. Salvation through Christ. 25. 0 how should those be clean who bear. Purity desired for God's Ministers. 26. 0 say not, think not in thy heart. Pressing Onward. 27. 0 Thou divine High Priest. Holy Communion. 28. 0 Thou Who givest all their food. Harvest. 29. 0 Thou Whose covenant is sure. Holy Baptism. 30. Praise on Thee, in Zion-gates. Sunday. 31. Praise the God of all creation. Doxology 32. See the ransomed millions stand. Praise to Christ. 33. The heavens declare His glory. Ps. xix. 34. Thou art the Everlasting Word. Praise to Christ. 35. Thy hands have made and fashioned me. Thanks for Daily Mercies. 36. To all Thy faithful people, Lord. For Pardon. 37. To His own world He came. Ascension. 38. To our God loud praises give. Ps. cxxxvi. 39. Upon a world of guilt and night. Purification of B.V.M. 40. Welcome, welcome, sinner, hear. Invitation to Christ. 41. Wheresoever two or three. Continued Presence of Christ desired. iv. From The Choir and the Oratory, 1837. 42. Baptised into our Saviour's death. Holy Baptism. 43. In the day of my [thy] distress. Ps. xx. 44. 0 comfort to the dreary. Christ the Comforter. v. From Leifchild's Original Hymns, 1843. 45. I am Thy workmanship, 0 Lord. God the Maker and Guardian. 46. 0 Lord, hadst Thou been here! But when. The Resurrection of Lazarus. 47. 'Tis not that I did choose Thee. Chosen of God. This is altered in the Church Praise Book, N. Y., 1882, to “Lord, 'tis not that I did choose Thee," thereby changing the metre from 7.6 to 8.5. vi. From Hymns of Praise, Prayer, &c, 1856. 48. Comrades of the heavenly calling. The Christian race. When to these 48 hymns those annotated under their respective first lines are added, Conder’s hymns in common use number about 60 in all. --John Julian, Dictionary of Hymnology (1907) =================== Conder, Josiah, p. 256, i. Other hymns are:— 1. O love beyond the reach of thought. The love of God. 2. O Thou, our Head, enthroned on high. Missions. 3. Son of David, throned in light. Divine Enlightenment desired. 4. Thou Lamb of God for sinners slain. Christ the Head of the Church. From "Substantial Truth, 0 Christ, Thou art." These hymns are all from his Hymns of Praise, &c, 1856. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Christian H. Bateman

1813 - 1889 Person Name: Christian Henry Bateman Topics: God the Father, Creator Praise Author of "Come, Christians, Join to Sing" in Our Great Redeemer's Praise Bateman, Christian Henry, son of John Bateman, was born Aug. 9, 1813, at Wyke, near Halifax. After studying in the Moravian Church and exercising his ministry there for a time, he became, in 1843, minister of Richmond Place Congregational Church, Edinburgh. After 1846 he was successively Congregational minister at Hopton, in Yorkshire, and Beading, in Berkshire. On taking Holy Orders in the Church of England he became, 1869-71, curate of St. Luke's, Jersey, and Chaplain to the Forces; 1871-75, Vicar of All Saints, Childshill, Middlesex; 1877-84, curate of St. John's, Penymynydd, Hawarden. His hymns appeared mainly in:— The Sacred Song Book (Edin., Gall & Inglis, subsequently published as Sacred Melodies for Children; and as 200 Sacred Melodies for Sunday Schools and Families, was edited by himself, with the Rev. James Gall, and latterly with Mr. Robert Inglis, the publisher. First pub. 1843 as 25; enlarged by a second part, 1846, to 60; revised and enlarged, 1854, to 80; 1862, to 130; and 1872, to 200; it reached a circulation of a million and a half before 1862, four millions before 1872, and above six millions before 1881. It was for many years the hymnbook for Sabbath School use in Scotland. (2) The Children's Hymnal and Christian Year (London., J. Hodges, 1872), including 11 original hymns, with others from many sources. His best known hymn is: “Come, children, join to sing" (q. v.). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ======================= Bateman, C. H., p. 116, i. He finally resided at Carlisle without a charge, and died there in July, 1889. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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