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Jesus Paid It All
Author: Elvina M. Hall Meter: 6.6.7.7 with refrain Appears in 883 hymnals Topics: Pardon; Pardon First Line: I hear the Savior say Lyrics: 1 I hear the Savior say,
"Thy strength indeed is small.
Child of weakness, watch and pray,
find in me thine all in all."
Refrain:
Jesus paid it all,
all to him I owe;
sin had left a crimson stain,
he washed it white as snow.
2 Lord, now indeed I find
thy power, and thine alone
Can change the leper's spots
and melt the heart of stone. [Refrain]
3 For nothing good have I
whereby thy grace to claim;
I'll wash my garments clean
in the blood of Calvary's Lamb. [Refrain]
4 And when, before the throne,
I stand in him complete,
"Jesus died my soul to save,"
my lips shall still repeat. [Refrain] Scripture: Ezekiel 19 Used With Tune: ALL TO CHRIST
Jesus Paid It All
There's a Wideness in God's Mercy
Author: Frederick William Faber Meter: 8.7.8.7 Appears in 938 hymnals Topics: Pardon Lyrics: 1 There's a wideness in God's mercy
like the wideness of the sea;
there's a kindness in God's justice
which is more than liberty.
2 There is no place where earth's sorrows
are more felt than up in heaven;
there is no place where earth's failings
have such gracious judgement given.
3 There is plentiful redemption
in the blood that Christ has shed;
there is joy for all the members
in the sorrows of the Head.
4 Troubled souls, why will you scatter
like a crowd of frightened sheep?
Foolish hearts, why will you wander
from a love so true and deep?
5 For the love of God is broader
than the measures of the mind,
and the heart of the Eternal
is most wonderfully kind. Used With Tune: GOTT WILL'S MACHEN
There's a Wideness in God's Mercy
And Can It Be That I Should Gain?
Author: Charles Wesley Appears in 311 hymnals Topics: Pardon First Line: And can it be that I should gain Used With Tune: [And can it be that I should gain] (Ingalls)
And Can It Be That I Should Gain?
TO GOD BE THE GLORY
Meter: 11.11.11.11 Appears in 224 hymnals Composer and/or Arranger: William H. Doane Topics: Justifying Grace Pardon Tune Key: A Flat Major Incipit: 55671 51252 33464 Used With Text: To God Be the Glory
TO GOD BE THE GLORY
There Is Pardon at the Cross
Author: Fanny J. Crosby Hymnal: Jubilant Voices for Sunday Schools and Devotional Meetings #25 (1905) Topics: Pardon First Line: There is pardon at the cross where my Savior died Refrain First Line: Pardon sweet, pardon free Languages: English Tune Title: [There is pardon at the cross where my Savior died]
There Is Pardon at the Cross
Free Pardon and sincere Obedience; or, Confession and Forgivness
Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #56a (1786) Topics: Comfort, Holiness and Pardon; Confession of sin, repentance, and pardon; Pardon and confession; Repentance Confession and Pardon; Comfort, Holiness and Pardon; Confession of sin, repentance, and pardon; Pardon and confession; Repentance Confession and Pardon First Line: How blest the man to whom his God Lyrics: 1 How blest the man to whom his God
No more imputes his sin,
But wash'd in the Redeemer's blood
Hath made his garments clean!
2 And blest beyond expression he,
Whose debts are thus discharg'd;
And from the guilty bondage free
He feels his soul enlarg'd.
3 His spirit hates deceit and lies,
His words are all sincere:
He guards his heart, he guards his eyes,
To keep his conscience clear.
4 While I my inward guilt supprest,
No quiet could I find;
Thy wrath lay burning in my breast,
And rack'd my tortur'd mind.
5 Then I confess'd my troubled thoughts,
My secret sins reveal'd,
Thy pardoning grace forgave my faults,
Thy grace my pardon seal'd.
6 This shall invite thy saints to pray;
When like a raging flood
Temptations rise, our strength and stay
Is a forgiving God. Scripture: Psalm 32 Languages: English
Free Pardon and sincere Obedience; or, Confession and Forgivness
Repentance and Free Pardon; or, Justification and Sanctification
Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #56b (1786) Topics: Comfort, Holiness and Pardon; Confession of sin, repentance, and pardon; Pardon and confession; Repentance Confession and Pardon; Comfort, Holiness and Pardon; Confession of sin, repentance, and pardon; Pardon and confession; Repentance Confession and Pardon First Line: Blest is the man, forever blest Lyrics: 1 Blest is the man, forever blest,
Whose guilt is pardon'd by his God,
Whose sins with sorrow are confess'd,
And cover'd with his Saviour's blood.
2 Before his judgment seat the Lord
No more permits his crimes to rise;
He pleads no merit of reward,
And not on works but grace relies.
3 From guile his heart and lips are free,
His humble joy, his holy fear,
With deep repentance well agree,
And join to prove his faith sincere.
4 How glorious is that righteousness
That hides and cancels all his sins!
While a bright evidence of grace
Through all his life appears and shines. Scripture: Psalm 32 Languages: English
Repentance and Free Pardon; or, Justification and Sanctification
Louis Bourgeois
1510 - 1561 Topics: Pardon Composer of "GENEVAN 42" in The Worshiping Church Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation.
The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholarly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciated by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life.
Bert Polman
Louis Bourgeois
Richard Redhead
1820 - 1901 Topics: Pardon Sought; Prayer For Pardon Composer of "AJALON" in The Psalter Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
William Henry Monk
1823 - 1889 Person Name: William Henry Monk, 1823-1889 Topics: Forgiveness / Pardon Composer of "MERTON" in The Book of Praise William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
