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Topics:promise+of+god

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Texts

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Text authorities

Veni Creator Spiritus

Author: Rabanus Maurus, 776-865 Meter: 8.8.8.8 Appears in 82 hymnals Topics: Promise of God Scripture: John 14:24-26 Used With Tune: VENI CREATOR SPIRITUS
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Amazing Grace! (Sublime Gracia)

Author: John Newton, 1725-1827; John Rees, fl. 1859; Cristóbal E. Morales, 1898-1981; Carlos P. Lopez Meter: 8.6.8.6 Appears in 1,580 hymnals Topics: Promise of God First Line: Amazing grace! how sweet the sound (Sublime gracia del Señor) Scripture: Psalm 142:6 Used With Tune: NEW BRITAIN
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O Jesus, I Have Promised

Author: John Ernest Bode Meter: 7.6.7.6 D Appears in 649 hymnals Topics: Trusting in the Promises of God Lyrics: 1 O Jesus, I have promised to serve you to the end; be now and always near me, my Master and my friend; I shall not fear the battle if you are by my side, nor wander from the pathway if you will be my guide. 2 O let me feel you near me! The world is ever near: I see the sights that dazzle; the tempting sounds I hear. My foes are ever near me, around me and within; but, Jesus, draw still nearer and shield my soul from sin. 3 O let me hear you speaking in accents clear and still, above the storms of passion, the murmurs of self-will; O speak to reassure me, to hasten or control; O speak, and make me listen, true guardian of my soul. 4 O Jesus, you have promised to all who follow you that where you are in glory your servant shall be too. And, Jesus, I have promised to serve you to the end; now give me grace to follow, my Master and my friend. Scripture: 1 Samuel 3:10 Used With Tune: NYLAND

Tunes

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VILLE DU HAVRE

Meter: 11.8.11.9 with refrain Appears in 398 hymnals Composer and/or Arranger: Philip P. Bliss Topics: Trusting in the Promises of God Tune Key: D Flat Major Incipit: 55433 23465 43517 Used With Text: When Peace like a River (It Is Well with My Soul)
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ASSURANCE

Meter: 9.10.9.9 with refrain Appears in 807 hymnals Composer and/or Arranger: Phoebe Palmer Knapp Topics: Trusting in the Promises of God Tune Key: D Major Incipit: 32155 45655 35177 Used With Text: Blessed Assurance, Jesus Is Mine!
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LAFFERTY

Meter: Irregular Appears in 94 hymnals Composer and/or Arranger: Karen Lafferty Topics: Choruses Scripture and Praise; Closing of Service Hymns and Songs; Commitment and Consecration; God Guidance and Care; Obedience; Promises Tune Key: E Flat Major Incipit: 33453 21612 34543 Used With Text: Seek Ye First

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Standing on the Promises

Author: R. Kelso Carter Hymnal: The Worshiping Church #306 (1990) Meter: 11.11.11.9 with refrain Topics: Promises of God First Line: Standing on the promises of Christ my King Refrain First Line: Standing, standing, Lyrics: 1 Standing on the promises of Christ my King, through eternal ages let his praises ring-- "Glory in the highest," I will shout and sing, standing on the promises of God. [Refrain:] Standing, standing, standing on the promises of Christ my Savior; standing, standing, I'm standing on the promises of God. 2 Standing on the promises that cannot fail, when the howling storms of doubt and fear assail, by the living Word of God I shall prevail, standing on the promises of God. (Refrain) 3 Standing on the promises of Christ the Lord, bound to him eternally by love's strong cord, overcoming daily with the Spirit's sword, standing on the promises of God. (Refrain) 4 Standing on the promises I cannot fall, listening every moment to the Spirit's call, resting in my Savior as my all in all, standing on the promises of God. (Refrain) Scripture: 2 Corinthians 7:1 Languages: English Tune Title: PROMISES
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Standing on the Promises

Author: R. Kelso Carter Hymnal: Glory to God #838 (2013) Meter: 11.11.11.9 with refrain Topics: Trusting in the Promises of God First Line: Standing on the promises of Christ my king Refrain First Line: Standing, standing Lyrics: 1 Standing on the promises of Christ my king, through eternal ages let his praises ring; glory in the highest, I will shout and sing, standing on the promises of God. Refrain: Standing, standing, standing on the promises of God my Savior; standing, standing, I’m standing on the promises of God. 2 Standing on the promises that cannot fail, when the howling storms of doubt and fear assail, by the living Word of God I shall prevail, standing on the promises of God. [Refrain] 3 Standing on the promises of Christ the Lord, bound to him eternally by love’s strong cord, overcoming daily with the Spirit’s sword, standing on the promises of God. [Refrain] 4 Standing on the promises I cannot fall, listening every moment to the Spirit’s call, resting in my Savior as my all in all, standing on the promises of God. [Refrain] Scripture: Joshua 21:45 Languages: English Tune Title: PROMISES

Standing on the Promises

Author: R. Kelso Carter Hymnal: The Sing! Hymnal #142 (2025) Meter: 11.11.11.9 Topics: Promises of God First Line: Standing on the promises of Christ my King Refrain First Line: standing on the promises of God Scripture: Psalm 18:2 Languages: English Tune Title: PROMISES

People

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Authors, composers, editors, etc.

Edward Mote

1797 - 1874 Topics: Trusting in the Promises of God Author of "My Hope Is Built on Nothing Less" in Glory to God Mote, Edward, was born in Upper Thames Street, London, Jan. 21, 1797. Through the preaching of the Rev. J. Hyatt, of Tottenham Court Road Chapel, he underwent a great spiritual change; and ultimately he became a Baptist minister. For the last 26 years of his life he was pastor at Horsham, Sussex, where he died Nov. 13, 1874. Mr. Mote published several small pamphlets; and also:- Hymns of Praise. A New Selection of Gospel Hymns, combining all the Excellencies of our spiritual Poets, with many Originals. By E. Mote. London. J. Nichols, 1836. The Originals number nearly 100. Concerning the authorship of one of these original hymns much uncertainty has existed. The hymn is:— 1. Nor earth, nor hell my soul can move. [Jesus All in All.] In 6 stanzas of 4 lines, with a refrain. Mr. Mote's explanation, communicated to the Gospel Herald, is:— "One morning it came into my mind as I went to labour, to write an hymn on the ‘Gracious Experience of a Christian.' As I went up Holborn I had the chorus, ‘On Christ the solid Rock I stand, All other ground is sinking sand.’ In the day I had four first verses complete, and wrote them off. On the Sabbath following I met brother King as I came out of Lisle Street Meeting . . . who informed me that his wife was very ill, and asked me to call and see her. I had an early tea, and called afterwards. He said that it was his usual custom to sing a hymn, read a portion, and engage in prayer, before he went to meeting. He looked for his hymnbook but could find it nowhere. I said, ‘I have some verses in my pocket; if he liked, we would sing them.' We did; and his wife enjoyed them so much, that after service he asked me, as a favour, to leave a copy of them for his wife. 1 went home, and by the fireside composed the last two verses, wrote the whole off, and took them to sister King. . . As these verses so met the dying woman's case, my attention to them was the more arrested, and I had a thousand printed for distribution. I sent one to the Spiritual Magazine, without my initials, which appeared some time after this. Brother Rees, of Crown Street, Soho, brought out an edition of hymns [1836], and this hymn was in it. David Denham introduced it [1837] with Rees's name, and others after... . Your inserting this brief outline may in future shield me from the charge of stealth, and be a vindication of truthfulness in my connection with the Church of God." The form in which the hymn is usually found is:— 2. My hope is built on nothing less (st. ii.), sometimes in 4 stanzas, and at others in 5 st., and usually without the refrain. The original in the author's Hymns of Praise, 1836, is No. 465, and entitled, "The immutable Basis of a Sinner's hope." Bishop Bickersteth calls it a "grand hymn of faith." It dates circa 1834, and is in extensive use. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

E. A. Hoffman

1839 - 1929 Person Name: Elisha A. Hoffman Topics: Trusting in the Promises of God Author of "What a Fellowship, What a Joy Divine (Leaning on the Everlasting Arms)" in Glory to God Elisha Hoffman (1839-1929) after graduating from Union Seminary in Pennsylvania was ordained in 1868. As a minister he was appointed to the circuit in Napoleon, Ohio in 1872. He worked with the Evangelical Association's publishing arm in Cleveland for eleven years. He served in many chapels and churches in Cleveland and in Grafton in the 1880s, among them Bethel Home for Sailors and Seamen, Chestnut Ridge Union Chapel, Grace Congregational Church and Rockport Congregational Church. In his lifetime he wrote more than 2,000 gospel songs including"Leaning on the everlasting arms" (1894). The fifty song books he edited include Pentecostal Hymns No. 1 and The Evergreen, 1873. Mary Louise VanDyke ============ Hoffman, Elisha Albright, author of "Have you been to Jesus for the cleansing power?" (Holiness desired), in I. D. Sankey's Sacred Songs and Solos, 1881, was born in Pennsylvania, May 7, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==============

A. J. Showalter

1858 - 1924 Person Name: Anthony J. Showalter Topics: Trusting in the Promises of God Composer of "SHOWALTER" in Glory to God Anthony Johnson Showalter USA 1858-1924/ Born in Cherry Grove, VA, he became an organist, gospel music composer, author, teacher, editor, and publisher. He was taught by his father and in 1876 received training at the Ruebush-Kieffer School of Music, Dayton, VA. He also attended George Root’s National Normal school at Erie, PA, and Dr Palmer’s International Normal at Meadville, PA. He was teaching music in shape note singing schools by age 14. He taught literary school at age 19, and normal music schools at age 22, when he also published his first book. In 1881 he married Lucy Carolyn (Callie) Walser of TX, and they had seven children: Tennie, Karl, Essie, Jennie, Lena, Margaret, and Nellie. At age 23 he published his “Harmony & composition” book, and years later his “Theory of music”. In 1884 he moved to Dalton, GA, and in 1890 formed the Showalter Music Company of Dalton. His company printed and published hymnals, songbooks, schoolbooks, magazines, and newspapers, and had offices in Texarkana, AR, and Chattanooga, TN. In 1888 he became a member of the M T N A (Music Teachers National Association) and was vice-president for his state for several years. In 1895 he went abroad to study methods of teachers and conductors in Europe. He held sessions of his Southern Normal Music Institute in a dozen or more states. He edited “The music teacher & home magazine” for 20 years. In 1895 he issued his “New harmony & composition” book. He authored 60+ books on music theory, harmony, and song. He published 130+ music books that sold over a million copies. Not only was he president of the A J Showalter Music Company of Dalton, GA, but also of the Showalter-Patton Company of Dallas, TX, two of the largest music publishing houses in the American south. He was a choir leader and an elder in the First Presbyterian Church in Dalton (and his daughter, Essie, played the organ there). He managed his fruit farm, looking after nearly 20,000 trees , of which 15,000 are the famous Georgia Elberta peaches, the rest being apples, plums, pecans, and a dozen other varieties of peaches. He was also a stockholder and director of the Cherokee Lumber Company of Dalton, GA, furnishing building materials to a large trade in many southern, central and eastern states. He died in Chattanooga, TN, and is buried in Dalton, GA. He loved hymns, and kept up with many of his students over the years, writing them letters of counsel and encouragement. In 2000 Showalter was inducted into the Southern Gospel Music Hall of Fame. Note: Showalter received two letters one evening from former music students, both of who were grieving over the death of their wives. He had heard a sermon about the arms of Moses being held up during battle, and managed to form a tune and refrain for a hymn, but struggled to find words for the verses that fit. He wrote to his friend in OH, Rev Elisha Hoffman, who had already composed many hymns and asked if he could write some lyrics, which he gladly did. John Perry
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