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See, the Conqueror Mounts in Triumph

Author: Christopher Wordsworth Meter: 8.7.8.7 D Appears in 198 hymnals Topics: Christians Triumph of Lyrics: 1 See, the Conqu'ror mounts in triumph; see the King in royal state, riding on the clouds, his chariot, to his heav'nly palace gate: Hark! the choirs of angel voices joyful Alleluias sing, and the portals high are lifted to receive their heav'nly King. 2 Who is this that comes in glory, with the trump of jubilee? Lord of battles, God of armies, he has gained the victory; he who on the cross did suffer, he who from the grave arose, he has vanquished sin and Satan, he by death has spoiled his foes. 3 You have raised our human nature in the clouds to God's right hand; there we sit in heav'nly places, there with you in glory stand: Jesus reigns, adored by angels, man with God is on the throne; mighty Lord, in your ascension we by faith behold our own. Scripture: Psalm 68:18 Used With Tune: RUSTINGTON
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Lo! He Comes with Clouds Descending

Author: Charles Wesley; John Cennick; Martin Madan Meter: 8.7.8.7.8.7 Appears in 768 hymnals Topics: Christians Triumph of Lyrics: 1 Lo! he comes, with clouds descending, once for favored sinners slain; thousand thousand saints attending swell the triumph of his train. Alleluia! Alleluia! God appears on earth to reign. 2 Ev'ry eye shall now behold him, robed in dreadful majesty; those who set at naught and sold him, pierced, and nailed him to the tree, deeply wailing, deeply wailing, shall the true Messiah see. 3 Ev'ry island, sea, and mountain, heav'n and earth, shall flee away; all who hate him must, confounded, hear the trump proclaim the day: Come to judgment! Come to judgment! Come to judgment, come away! 4 Now Redemption, long expected, see in solemn pomp appear! All his saints, by man rejected, now shall meet him in the air. Alleluia! Alleluia! See the day of God appear! 5 Yea, amen! let all adore thee, high on thine eternal throne; Savior, take the pow'r and glory, claim the kingdom for thine own: O come quickly, O come quickly; alleluia! come, Lord, come. Scripture: Revelation 1:7 Used With Tune: HOLYWOOD
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Jerusalem the Golden

Author: Bernard of Cluny, 12th cent.; John Mason Neale Meter: 7.6.7.6 D Appears in 910 hymnals Topics: Christians Triumph of Lyrics: 1 Jerusalem the golden, with milk and honey blest, beneath your contemplation sink heart and voice oppressed. I know not, O I know not, what joys await us there; what radiancy of glory, what bliss beyond compare. 2 They stand, those halls of Zion, all jubilant with song, and bright with many an angel, and all the martyr throng. The Prince is ever in them, the daylight is serene; the pastures of the blessed are decked in glorious sheen. 3 There is the throne of David; and there, from care released, the song of them that triumph, the shout of them that feast; and they who with their Leader have conquered in the fight, forever and forever are clad in robes of white. 4 O sweet and blessed country, the home of God's elect! O sweet and blessed country, that eager hearts expect! Jesus, in mercy bring us to that dear land of rest; who art, with God the Father and Spirit, ever blest. Scripture: Revelation 21:18 Used With Tune: EWING

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LENOX

Meter: 6.6.6.6 with refrain Appears in 454 hymnals Composer and/or Arranger: Louis Edson Topics: Christians Triumph of Tune Key: A Flat Major Incipit: 11156 55123 21135 Used With Text: Blow Ye the Trumpet, Blow!
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SLANE

Meter: 10.10.10.10 Appears in 251 hymnals Composer and/or Arranger: David Evans Topics: Christians Triumph of Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Be Thou My Vision
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ST. KEVIN

Meter: 7.6.7.6 D Appears in 195 hymnals Composer and/or Arranger: Arthur S. Sullivan Topics: Christians Triumph of Tune Key: F Major or modal Incipit: 33321 34512 34322 Used With Text: Let Our Choir New Anthems Raise

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Hark, the song of jubilee

Author: Montgomery Hymnal: Hymns for Christian Devotion #305 (1871) Topics: Triumph of Christianity Languages: English
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Sound the full chorus, let praises ascend

Author: J. G. Adams Hymnal: Hymns for Christian Devotion #309 (1871) Topics: Christian's Song of Triumph; Triumph of Christianity Languages: English
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O thou Sun of glorious splendor

Hymnal: Hymns for Christian Devotion #320 (1871) Topics: Triumph of Christianity Languages: English

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Charles Wesley

1707 - 1788 Topics: Christians Triumph of Author (stanzas 1-2, 5) of "Lo! He Comes with Clouds Descending" in Trinity Hymnal (Rev. ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Anonymous

Topics: Christians Triumph of Author (st. 1-2) of "Praise the Lord: Ye Heavens Adore Him" in Trinity Hymnal (Rev. ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William T. Sleeper

1819 - 1904 Person Name: W. T. Sleeper Topics: Christians Triumph of Author of "Out of My Bondage, Sorrow, and Night" in Trinity Hymnal (Rev. ed.) Sleeper, W. T. is given in I. D. Sankey’s Sacred Songs & Solos, 1881, as the author of “A ruler once came to Jesus by night” (Need for the New Birth). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =============== William T. Sleeper (1819-1904)] Born: Feb­ru­a­ry 9, 1819, Dan­bu­ry, New Hamp­shire. Died: Sep­tem­ber 24, 1904, Well­es­ley, Mass­a­chu­setts. Sleeper at­tend­ed Phill­ips-Ex­e­ter Acad­e­my, the Un­i­ver­si­ty of Ver­mont, and the An­do­ver The­o­lo­gic­al Sem­in­a­ry. Af­ter or­din­a­tion, he con­duct­ed home min­is­try work in Mass­a­chu­setts and Maine. He lat­er be­came pas­tor of the Sum­mer Street Con­gre­ga­tion­al Church in Wor­ces­ter, Mass­a­chu­setts, where he served over 30 years. His works include: The Re­ject­ed King, and Hymns of Je­sus, 1883. -- www.hymntime.com