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Elizabeth Poston

1905 - 1987 Person Name: E. P. Hymn tun prelude/canon of "LOWENSTERN" in The Cambridge Hymnal Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, and writer. See more in: Wikipedia

Francis Quarles

1592 - 1644 Person Name: Francis Quarles, 1592-1644 Author of "Thou art my Life : if thou but turn away" in The Cambridge Hymnal Quarles, Francis. The life of this "fine old English gentleman" and charming essayist and quaint singer, will be found in full in the present writer's collective and complete edition of his works in verse and prose (3 vols. 4°, 1880-81, Chertsey Worthies’ Library). His father was James Quarles, of Stewards, Esq., and his mother Joan Dalton. He was their third son and child. In the registers of Romford, Essex, is this entry, "1592, May 8. Baptizatus fuit Franciscus filius magistm Jacobi Quarrilus." He lost his father in 1599. His first school was Eomford and his first tutor William Tiehbournc, chaplain of Romford. He lost his mother in 1606. He proceeded to Christ's College, Cambridge, and later was of Exeter College, Oxford. It is to be regretted that the College registers furnish no exact data. He passed from the University to Lincoln's Inn, where his widow-biographer tells us— "He studied the laws of England; not po much out of desire to benefit himself thereby, as his friends and neighbours (showing therein his continual inclination to peace) by composing suits and differences amongst them." Some years advance us from 1608 (at Lincoln's Inn) to probably 1612-13, or his 21st year. His widow continues, "After he came to maturity he was not desirous to put himself into the world, otherwise he might have had greater preferments than he had. He was neither so unfit for Court preferment, or so ill-beloved there, but that he might have raised his fortunes thereby if he had had any inclination that way. But his mind was chiefly set upon his devotion and study; yet not altogether so much but that he faithfully discharged the place of cupbearer to the Queen of Bohemia." How long Quarles continued with the Queen is unknown. He accompanied Frederick and Elizabeth to Germany. He married Ursely [= Ursula] Woodgate, of St. Andrew's, Holborn, on May 28, 1618. In 1620 appeared the first and most characteristic of his poems, entitled, after the odd phrasing of the period, A Feast for Worms. In the epistle he says, "Wonder not at the title, for it is a Song of Mercy: what greater Feast than Mercy? and what are men but worms" (vol. ii. p. 5). Kindred with the Feast followed Hadassa, or the History of Queene Esther. In 1621 he was in Dublin. He dated hisArgalus and Parthenia," Dublin, 4th March, 1021. "He filled the office of Secretary to the illustrious Ussher, on whose death John Quarles composed a memorable elegy. Ussher wrote to Vossius highly laudatory of our Quarles. His successive books are practically the only landmarks of his remaining years. (The reader is referred to our Life and the Works, ut supra.) The Emblems appeared in 1634-35, and his Hieroglyphics in 1637. In 1639 ho was appointed "Chronologer" of the City of London, an office which he held till his death. From 1639 his various prose books were written, and became as popular as his poems. They are all in fine English. He was an out and out loyalist, and was with the king at Oxford. He had a numerous family. He died Sept. 8, 1644, and was buried in St. Olave's, Silver Street, London, "11 Sep. 1644." His title to a place in this work rests mainly on his versified Psalms. These appear in the famous Bay Psalter. [See Bay Psalter, p. 119, i.] Quarles's are Psalms xvi., xxv., li., lxxxviii., cxiii., cxxxvii. They were reclaimed by us for Quarles on the authority of John Josselyn's Account of Two Voyages to New England (1674). In the year 1638 he says, on his arrival in Massachusetts Bay, "Having refreshed myself for a day or two at Noodles Island, I crossed the bay in a small boat to Boston, which then was rather a village than a town, there not being above twenty or thirty houses, and presented myself to Mr. Winthorpe, the Governor, and to Mr. Cotton, the teacher of Boston Church, to whom I delivered from Mr. Francis Quarles, the poet, the translations of Nos. 16,25, 51, 88,113 and 137 Psalms into English metre for his approbation," &c. These "Psalms" are more curious than successful. But besides them the poetry of Francis Quarles is a virgin field for the capable hymnologist. It is a mystery and a sorrow that few only have been adapted and adopted. There are many of his verse-Emblems that fittingly married to music would be solemn and searching, and nobly displace accepted pious inanities. No. xii. of Book iii. of Emblems (vol. iii. pp. 75, 76), "Oh that Thou wouldst hide me in the grave," deserves a supreme effort of highest genius to mate it worthily. In delightful contrast in its vividness and sweetness is his "Like to the damask rose you see " (vol. iii. p. 285). Equally noticeable are his "Backsliding" (ibid. p. 66, xiv.), "Vain Physicians" (ibid, p. 189, iv.), "Waste not Life" (ibid. p. 194, xi.), "A Little While" (ibid, p. 196, xiv.). [Rev. A. B. Grosart, D.D., LL.D.] --John Julian, Dictionary of Hymnology (1907)

Monastery of Our Lady of the Rosary (Summit, N.J.)

Person Name: DNS Adapter of "Sing Pius, he whom Wisdom's holy lore" in The Summit Choirbook The Monastery of Our Lady of the Rosary is a Dominican convent in Summit, New Jersey. It was founded in 1919.

Matthäus Apelles von Löwenstern

1594 - 1648 Person Name: M. von Lowenstern, 1594-1648 Composer of "LOWENSTERN" in The Cambridge Hymnal Löwenstern, Matthäus Apelles von, was born April 20, 1594, at Neustadt, in the principality of Oppeln, Silesia, where his father was a saddler. He early distinguished himself by his musical abilities, was appointed in 1625, by Duke Heinrich Wenzel of Münsterberg, as his music director and treasurer at Bernstadt: in 1626, director of the princely school at Bernstadt; and in 1631 Rath and Secretary and also Director of finance. Thereafter he entered the service of the Emperors Ferdinand II. (d. 1637), and Ferdinand III. as Rath, and was ennobled by the latter. Fi¬nally he became Staatsrath at Oels to Duke Carl Friedrich of Münsterberg, and died at Breslau, April 11, 1648 (Koch, iii. 57-60 ; Allgemeine Deutsche Biog. xix. 318, &c). Lowenstern's hymns, thirty in all, are of very varied worth, many being written in imitation of antique verse forms, and on the mottoes of the princes under whom he had served. In the original editions they were accompanied with melodies by himself. When or where they were first published (cir. 1644) is not clear. They were bound up with the Breslau Kirchen und Haus-Music, 1644, and there bear the title: Symbola oder Gedenck-Sprüche IIIirer FFFürstl. GGGn. Hn. Carl Friedrikis Hertzogs zu Münsterberg .... dann auch anderer Erlauchter Fiirstlicher Personen. Zusanibt noch etlichen absondtrs beygesetzten Geistlichen Oden. Gestellet durch M. A. v. L. Three of these hymns have been translated:— i. Christe, du Beistand deiner Kreuzgemeine. [In time of War.] 164-4, No. xvii., in 4 stanzas of 4 lines, entitled "Sapphic Ode. For spiritual and temporal peace." Included in many later collections, and as No. 215 in the Unverfälschter Liedersegen, 1851. It was a favourite hymn of Niebuhr, and also of Bunsen, who included it in his Versuch , 1833, and concluded with it the preface to his Bibelwerk. The translations in common use are:— 1. Lord of our life, and God of our Salvation. Contributed by Philip Pusey to A. R. Reinagle's Psalm and Hymn Tunes, Oxford, 1840, p. 132, in 5 stanzas. It is rather founded on the German than a translation, stanzas i., ii. on stanzas i.; iii.-v. on ii.-iv. The tune to which it was set was marked by Bunsen as an "old Latin melody," and so the Pusey hymn has sometimes been erroneously called a tr. from a Latin hymn of the 8th century. From Reinagle it passed into the Salisbury Hymn Book, 1857, and has been repeated in Hymns Ancient & Modern, Sarum Hymnal, Hymnary, Church Hymns; and in America in the Evangelical Hymnal, N. Y., 1880, Laudes Domini, 1884, and others. 2. Blest aid of Thine afflicted congregation. In full, by A. T. Russell, as No. 99 in the Dalston Hospital Hymn Book, 1848. 3. Christ, Thou the champion of the band who own. A good and full translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 855, p. 105; repeated in Schaff's Christ in Song, 1869, and the Ohio Lutheran Hymnal, 1880. In the 2nd ed. of her Lyra Germanica, 1856, it begins, "Christ, Thou the champion of that war-worn host." 4. 0 Christ, the leader of that war-worn host. A good and full tr., based on Miss Winkworth, by W. Mercer in his Church Psalm & Hymn Book, 1857, No. 279 (Oxford ed., No. 391), and repeated in the American Sabbath Hymn Book, 1858. From the version of 1858 Mr. Windle seems to have altered the form in his Collection, No. 268. ii. Nun preiset alle. [Missions.] 1644, No. xii., in 5 st. of 6 1., entitled " Alcaic Ode." A fine hymn of Praise. In the Unverfälschter Liedersegen 1851, No. 717. The translation in common use is:-— Now let us loudly. In full, by Miss Winkworth in her Chorale Book for England , 1863, No. 177, set to Lowenstern's original melody. iii. Wenn ich in Angst und Noth. [Cross and Consolation .] 1644, No. viii., in 7 stanzas of 7 lines, entitled "The 121st Psalm." It is a fine version as a hymn of consolation in times of trouble. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 984. The translations in common use are:— 1. When in distress and woe I lift. A good translation, omitting stanza v., by H. J. Buckoll, in his Hymns from German, 1842, p. 19, repeated in the Dalston Hospital Hymn Book 1848. 2. When anguish'd and perplexed. A good translation, omitting stanzas v., vi., by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 70. In her Chorale Book for England, 1863, No. 142, altered and set to the original melody by Lowenstern. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

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