Scripture References:
st. 1-3 = Luke 2, Matt. 2
st. 4 = Joel 3:2, Phil. 2:10
A writer of many Christian hymns, James Montgomery (PHH 72) composed this Christmas and Epiphany text and published it on Christmas Eve, 1816, in the Sheffield Iris, a newspaper he edited. Montgomery based the text in part on the French carol "Angels We Have Heard on High" (347); it was sung to that tune for over fifty years. Entitling it "Good Tidings of Great Joy to All People," Montgomery republished the text with small alterations in his Christian Psalmist (1825).
Perhaps because he knew the psalms so well, Montgomery expresses a cosmic sense in this text: he reaches from Christ's incarnation to the final great day. The text successively incorporates all creatures–the angels (st. 1), the shepherds (st. 2), the wise men (st. 3), all nations (st. 4), and all people (st. 5)–in the call to “come and worship Christ, the newborn King!”
The text was originally in five stanzas, although many hymnals now delete the fifth stanza. Stanzas 1-3 are from Montgomery's text, which was inspired by the Christmas stories in Luke 2 and Matthew 2. Stanza 4 comes from another Montgomery carol inspired by Philippians 2. Stanza 5 is a doxology (not written by Montgomery) from the Salisbury Hymn Book (1857).
Liturgical Use:
Christmas Day worship service; during the Christmas season and Epiphany (not only for the Christmas story, but also for the hymn's obvious mission focus in stanza 4).
--Psalter Hymnal Handbook
=====================
Angels from the realms of glory. J. Montgomery. [Christmas.] This hymn, which ranks as one of the most popular of the author's compositions, first appeared in his Iris newspaper [Sheffield], Dec. 24, 1816, in 5 stanzas of 6 lines, and entitled "Nativity." In the 8th edition of Cotterill's Selection, 1819, it was repeated without alteration, and again in the 9th ed., 1820. On its republication by Montgomery in his Christian Psalmist, 1825, No. 487, the title was, "Good tidings of great joy to all people," and the following changes were introduced:—
stanza ii. line 2, “flock" to "flocks”.
stanza iv. line 2, “Waiting" to "Watching”.
stanza v. line 3, "repeals " to revokes”.
These changes (together with the new title) were retained in his Original Hymns, 1853, No. 239; and must be regarded as the authorised text. By many compilers the closing stanza:—
"Sinners, wrung with true repentance,
Doom'd for guilt to endless pains," &c.
has been, in some instances, omitted, and in others a doxology has been substituted. That given in A Hymn Book for the Services of the Church, &c, by the Rev. Isaac Gregory Smith, 1855, reads:—
"Lord of heaven, we adore Thee,
God the Father, God the Son,
God the Spirit, One in glory,
On the same eternal throne.
Hallelujah!
Lord of heaven, Three in One."
Another found in the Salisbury Hymn Book, 1857, and others, including the Society for Promoting Christian Knowledge Church Hymns and Thring's Collection is:—
"Saints and angels join in praising
Thee; the Father, Spirit, Son!
Evermore their voices raising
To the eternal Three in One.
Come ye, worship;
Worship Christ, the new-born King."
Of the first four stanzas a rendering into Latin:—“Angeli, sancta regione lucis," by the Rev. R. Bingham, appeared in his Hymnologia Christiana Latina, 1871, pp. 79-81.
The use of this hymn in various forms in English-speaking countries is extensive, abbreviations being the rule. Amongst American Hymnals, the Hymns of the Church, 1869, and the Baptist Praise Book, 1871, give the full revised and authorised text of 1825 and 1853.
-- John Julian, Dictionary of Hymnology (1907)
Notes
Scripture References:
st. 1-3 = Luke 2, Matt. 2
st. 4 = Joel 3:2, Phil. 2:10
A writer of many Christian hymns, James Montgomery (PHH 72) composed this Christmas and Epiphany text and published it on Christmas Eve, 1816, in the Sheffield Iris, a newspaper he edited. Montgomery based the text in part on the French carol "Angels We Have Heard on High" (347); it was sung to that tune for over fifty years. Entitling it "Good Tidings of Great Joy to All People," Montgomery republished the text with small alterations in his Christian Psalmist (1825).
Perhaps because he knew the psalms so well, Montgomery expresses a cosmic sense in this text: he reaches from Christ's incarnation to the final great day. The text successively incorporates all creatures–the angels (st. 1), the shepherds (st. 2), the wise men (st. 3), all nations (st. 4), and all people (st. 5)–in the call to “come and worship Christ, the newborn King!”
The text was originally in five stanzas, although many hymnals now delete the fifth stanza. Stanzas 1-3 are from Montgomery's text, which was inspired by the Christmas stories in Luke 2 and Matthew 2. Stanza 4 comes from another Montgomery carol inspired by Philippians 2. Stanza 5 is a doxology (not written by Montgomery) from the Salisbury Hymn Book (1857).
Liturgical Use:
Christmas Day worship service; during the Christmas season and Epiphany (not only for the Christmas story, but also for the hymn's obvious mission focus in stanza 4).
--Psalter Hymnal Handbook
=====================
Angels from the realms of glory. J. Montgomery. [Christmas.] This hymn, which ranks as one of the most popular of the author's compositions, first appeared in his Iris newspaper [Sheffield], Dec. 24, 1816, in 5 stanzas of 6 lines, and entitled "Nativity." In the 8th edition of Cotterill's Selection, 1819, it was repeated without alteration, and again in the 9th ed., 1820. On its republication by Montgomery in his Christian Psalmist, 1825, No. 487, the title was, "Good tidings of great joy to all people," and the following changes were introduced:—
stanza ii. line 2, “flock" to "flocks”.
stanza iv. line 2, “Waiting" to "Watching”.
stanza v. line 3, "repeals " to revokes”.
These changes (together with the new title) were retained in his Original Hymns, 1853, No. 239; and must be regarded as the authorised text. By many compilers the closing stanza:—
"Sinners, wrung with true repentance,
Doom'd for guilt to endless pains," &c.
has been, in some instances, omitted, and in others a doxology has been substituted. That given in A Hymn Book for the Services of the Church, &c, by the Rev. Isaac Gregory Smith, 1855, reads:—
"Lord of heaven, we adore Thee,
God the Father, God the Son,
God the Spirit, One in glory,
On the same eternal throne.
Hallelujah!
Lord of heaven, Three in One."
Another found in the Salisbury Hymn Book, 1857, and others, including the Society for Promoting Christian Knowledge Church Hymns and Thring's Collection is:—
"Saints and angels join in praising
Thee; the Father, Spirit, Son!
Evermore their voices raising
To the eternal Three in One.
Come ye, worship;
Worship Christ, the new-born King."
Of the first four stanzas a rendering into Latin:—“Angeli, sancta regione lucis," by the Rev. R. Bingham, appeared in his Hymnologia Christiana Latina, 1871, pp. 79-81.
The use of this hymn in various forms in English-speaking countries is extensive, abbreviations being the rule. Amongst American Hymnals, the Hymns of the Church, 1869, and the Baptist Praise Book, 1871, give the full revised and authorised text of 1825 and 1853.
-- John Julian, Dictionary of Hymnology (1907)
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James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missio… Go to person page >
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