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I-to Loh

b. 1936 Scripture: Psalms 1-150 Adapter of "O Give Thanks to the LORD (Yao gan-xie Shang-Zhu)" in Sound the Bamboo

b. 1948 Scripture: Psalms 1-150 Alterner (English) of "O Give Thanks to the LORD (Yao gan-xie Shang-Zhu)" in Sound the Bamboo C. Michael Hawn University Distinguished Professor of Church Music Director, Master of Sacred Music Program Education D.M.A., Southern Baptist Theological Seminary, 1975; M.C.M., Southern Baptist Theological Seminary, 1972; B.M.E., Wheaton College, 1970 Teaching Specialties Worship and music, worship and culture, Seminary Singers, hymnology Research Interests Global music and worship, cross-cultural worship, enlivening congregational song Selected Publications :: C. Michael Hawn, ed., New Songs of Celebration Render: Congregational Singing in the Twenty-First Century (Chicago: GIA Publications, Inc., 2013) :: C. Michael Hawn, contributor, Canterbury Dictionary of Hymnology (Norwich, UK: Canterbury Press, 2013), http://hymnology.imprezadev.co.uk/; 25 articles on global hymnody with a focus on sub-Saharan African hymns :: Gather into One: Praying and Singing Globally (Grand Rapids: Wm. B. Eerdmans, 2003). :: One Bread, One Body: Exploring Cultural Diversity in Worship (Bethesda, MD: The Alban Institute, 2003). :: C. Michael Hawn, author and compiler, Halle, Halle: We Sing the World Round (Garland, TX: Choristers Guild, 1999). Professional Distinctions Regional winner and national finalist, National Association of Teachers of Singing Artist Awards contest, 1974; Citation for Excellence in Teaching, Southeastern Baptist Theological Seminary, 1988; grant from Association of Theological Schools for sabbatical study in Nigeria and Kenya, 1989; Chair, Board of Directors, Children's Chorus of Greater Dallas, 1996-1998; Louisville Institute Sabbatical Research Grant, Lilly Foundation, 1998-1999; Worship Renewal Grant from the Calvin Institute of Christian Worship, Grand Rapids, MI, with funds provided by Lilly Endowment, Inc., 2000; Choristers Guild, President of the Board of Directors, 1990-92, 2001-03; Elected Fellow of the Hymn Society (2008); ordained Baptist minister (1980) --www.smu.edu/

Paul Wigmore

b. 1925 Person Name: Paul Wigmore, 1925- Scripture: Psalm 15 Paraphraser of "Lord, who may dwell within your house" in The Book of Praise Born 1925, London. Schools in Harrow, Bushey Heath and Barnstaple (N Devon). Many occupations between the ages of 14 and 42: apprentice mechanical engineer, shop assistant, junior clerk, photo lab trainee, National Service RAF photographer in India, Burma and UK, Kodak medical radiographer and haematology lab technician, then technical author. Publications and PR manager with air/sea lifesaving equipment manufacturer. PRO for the Christian Medical College and Brown Memorial Hospital, Ludhiana, Punjab. Freelance writer, graphic designer and photographer in Cambridge. Advertising editor and art director with Kodak UK from 1967 to early retirement in 1985. Wrote first verse at age ten in Port Isaac, Cornwall, getting as far as: Clouds race like tattered rags across Port Isaac Bay, ... and then stopping. During brief acquaintance with Penelope and John Betjeman from August 1982 until John's death in July, 1984, encouraged by the poet to keep writing verse. Two collections of light verse published in 1988 and 1990. First attempt at a hymn text written ('ÄòMay we, O Holy Spirit, bear your fruit'Äô) at the request of Jubilate Hymns Limited in compilation of Hymns for Today's Church. Something approaching 100 hymn texts now published, plus a couple of cantatas and one opera. The Jubilate Group

Julie Tennent

Scripture: Psalm 15 Author of "Who, LORD, May Dwell Within Your Holy Place" in Psalms and Hymns to the Living God

Timothy Tennent

Scripture: Psalm 15 Author of "Who, LORD, May Dwell Within Your Holy Place" in Psalms and Hymns to the Living God

David G Wilson

b. 1940 Person Name: David G. Wilson Scripture: Psalm 15 Composer of "WHAT KIND OF MAN" in Trinity Hymnal (Rev. ed.) English organist and composer. Dianne Shapiro

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S. Wesley (1810-1876) Scripture: Psalm 15:1 Composer of "LEAD ME LORD" in Les Chants du Pèlerin Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Michel Guimont

b. 1950 Person Name: Michel Guimont, 1950- Scripture: Psalm 15 Composer of "[O LORD, who may abide in your tent]" in Hymns for a Pilgrim People

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Scripture: Psalm 15 Arranger of "HERR JESU CHRIST DICH ZU UNS WEND" in Trinity Psalter Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)