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Rowland Hugh Prichard

1811 - 1887 Composer of "HYFRYDOL" in TTT-Himnaro Cigneta Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell. Bert Polman

H. Elliot Button

1861 - 1961 Composer of "SURSUM VOCES" in TTT-Himnaro Cigneta Born: August 8, 1861, Clevedon, Somerset, England. Died: Circa August 1925, Hampstead, England. Button’s father was master of a private school, and excelled as an organist. Elliot was a self taught musician, and besides being solo alto at Holy Trinity Church, Upper Chelsea, was a pianist, organist, and violinist. He was also at one time was an editor for the Novello publishing company. He harmonized a number of tunes in The Primitive Methodist Hymnal Supplement with Tunes (London: Primitive Methodist Publishing House, 1912), and edited the third series of the Bristol Tune Book. Sources: Cowan, p. 201 © The Cyber Hymnal™. Used by permission. (www.hymntime.com)

Anonymous

Person Name: Anonima Author of "Ho anĝeloj, la Sinjoron adoradu en ĉiel'(o)" in TTT-Himnaro Cigneta In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn Composer of "AUSTRIA" in TTT-Himnaro Cigneta Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

John Bacchus Dykes

1823 - 1876 Composer of "St. Oswald" in Adoru kantante As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "REX GLORIAE" in TTT-Himnaro Cigneta Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Clarence Bicknell

1842 - 1918 Translator of "Ho anĝeloj, la Sinjoron adoradu en ĉiel'(o)" in TTT-Himnaro Cigneta Clarence Bicknell (27 October 1842-17 July 1918) was a British amateur botanist, painter and archaeologist, with a doctorate in mathematics, and an Anglican priest (in Italy, from 1877 until he left the Church, date unknown). He was born in Herne Hill, England, on October 27, 1842, and died in Tenda (then in Italy, but since 1947 in France) on July 17, 1918. Arriving in Italy in 1877 to work as an Anglican vicar, he built a museum ("Museo Biblioteca Clarence Bicknell") in Bordighera to house his botanical and archaeological collections. He became noted for his identification of the plants and petroglyphs of the Ligurian Riviera. His writings included Flowering Plants of the Riviera and Neighboring Mountains (1885) and Guide to the Prehistoric Rock Engravings of the Italian Maritime Alps (1913). In addition to his own museum, his collections were archived at the University of Genoa. A Volapükist, he left that language for Esperanto in 1897. He attended the first international Esperanto convention, at Boulogne-sur-mer, France, in 1905. He produced a number of hymns that are still in use (seven translations and one original in Adoru Kantante (1971), and nine texts in Adoru (2001). He was active in work on behalf of the blind, and transcribed many Esperanto books into braille. In addition to his hymnic work, he wrote many original poems in, and translated secular poetry into, Esperanto, including Macaulay's "Horacio", 1906; Tennyson's "Gvinevero", 1907; pieces by Sturgis; Giacosa's "Ŝakludo", 1915. He also provided monetary support to many Esperanto activities, and founded and led until his death the local Esperanto club in Bordighera. Regrettably, the date, reason, and nature of his "leaving the church" is not explained in the sources consulted (mainly the English, Italian, and Esperanto Wikipedias and the author indexes of the Esperanto hymnals). See also http://www.clarencebicknell.com/index.php?option=com_content&view=article&id=16&Itemid=157&lang=en at clarencebicknell.com, the website of the Clarence Bicknell Association. Leland Bryant Ross

David N. Johnson

1922 - 1987 Composer of "DANIEL'S TUNE" in TTT-Himnaro Cigneta David Johnson (b. San Antonio, TX, 1922; d. Phoenix, AZ, 1987), former music department chairman at St. Olaf College, composed EARTH AND ALL STARS and published it in his Twelve Folksongs and Spirituals (1968). Johnson studied at Trinity, University, San Antonio, Texas, and received his master's and doctoral degrees in music from Syracuse University, New York. In addition to St. Olaf, he taught at Syracuse University; Alfred University, Alfred, New York; and Arizona State University. Johnson was organist at Syracuse University and organist and choir director at Trinity Episcopal Cathedral in Phoenix. His publications include Instruction Book for Beginning Organists and Organ Teacher's Guide; his compositions number over three hundred and include hymn tunes, varied harmonizations, and hymn preludes. Bert Polman