Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 9 of 9Results Per Page: 10 20 50

D. B. Towner

1850 - 1919 Person Name: Daniel Brink Towner Arranger of "NAVARRE" in The Cyber Hymnal Used pseudonyms Robert Beverly, T. R. Bowden ============================== Towner, Daniel B. (Rome, Pennsylvania, 1850--1919). Attended grade school in Rome, Penn. when P.P. Bliss was teacher. Later majored in music, joined D.L. Moody, and in 1893 became head of the music department at Moody Bible Institute. Author of more than 2,000 songs. --Paul Milburn, DNAH Archives

César Malan

1787 - 1864 Person Name: C. Malan Composer of "HENDON" in Better Than Pearls Rv Henri Abraham Cesar Malan, 1787-1864. Born in Geneva, Switzerland, into a bourgeois family that moved to Switzerland to escape religious persecution during the French Revolution, he attended the university in Marseilles, France, intending to become a businessman. Although having some grounding in religious faith by his mother, he decided to attend the Academy at Geneva (founded by Calvin) in preparation for ministry. He was ordained in 1810, after being appointed a college master (teaching Latin) in 1809. Malan was in accord with the National Church of Geneva as a Unitarian, but the Reveil Movement caused him to become a dissident (evangelical) instead of a proponent of the Reformed Church (believing works, not faith, was what mattered). In 1811 he married (wife’s name not found). They had at least two children (one son was Solomon, referenced below). From 1813 on Malan slowly became an evangelical, after being given an understanding of true salvation through grace (not works) in 1816 by two German Lutherans from Geneva. He became saved upon this realization and was so changed that he burned his prized collection of classical authors and manuscripts. In 1817 he preached around Geneva, and one sermon in particular, “Man only justified by faith alone” created a firestorm and brought him into conflict with religious authorities of the region. From then on he wished to help reform the national church from within, but the forces of the Venerable Company were too strong for him and excluded him from the pulpits and caused his dismissal from his regentsship at the college in 1818. Others in agreement with Malan were Charles Spurgeon, Robert Wilcox, Robert Haldane, and Henry Drummond. In 1820 he built a chapel in his garden and obtained the license of the State for it as a separatist place of worship. He preached in that chapel 43 years. In 1823 he was formally deprived of his status as a minister of the national Church. Various events caused his congregation to diminish over the next few years, and he began long tours of evangelization subsidized by religious friends in his land, Belgium, France, England and Scotland. He often preached to large congregations. Malan also authorized a hymn book, “Chants de Sion” (1841). A strong Calvinist, Malan lost no opportunity to evangelize. On one occasion an old man he visited pulled Malan’s hymnal out and told him he had prayed to see the author of it before he died. On a visit to England Malan also inspired author, Charlotte Elliott, to write the hymn lyrics for “Just as I am”, when seeking an answer to her conversion she asked and he advised her to come to Christ ‘just as she was’. Malan published a score of books and also produced many religious tracts and pamphlets largely on questions in dispute between the National and evangelical churches of Rome. He also wrote articles in the “Record” and in American reviews. His hymns were set to his own melodies. He was an artist, a mechanic, a carpenter, a metal forger, and a printer. He had his own workshop, forge and printing press. One of his greatest joys was the meeting of the evangelical alliance at Geneva in 1861 which helped change church views. He retired to his home, Vandoeuvres, in the countryside near Geneva in 1857, dying there seven years later.. He was honored by a visit from the Queen of Holland two years before his death. He is mainly remembered as a hymn writer, having written 1000+ hymn lyrics and tunes. One son, Solomon, a gifted linguist and theologian, became Vicar of Broadwindsor. About a dozen of his hymns appeared translated in the publication “Friendly visitor” (1826). He was an author, creator, composer, editor, correspondent, contributor, translator, owner, and performer. John Perry ================= Malan, Henri Abraham César. The family of Malan traces its origin to the valleys of Piedmont. A branch of it settled at Mérindol, in Dauphiné, but was driven from France by the persecutions that followed the Revocation of the Edict of Nantes. Pierre Malan [Cesar's father], after seeing his sister fall a victim to persecution, left Mérindol (1714), and arrived at Geneva (1722). Henri Abraham César Malan was born at Geneva in 1787. After an education at the College, he went to Marseilles, with the intention of learning business: but, soon after, entered the Academy at Geneva, as a preparation for the ministry, to which he was ordained in 1810. He had been appointed one of the masters at the College in the previous year. The National Church of Geneva was at that time almost Unitarian, and Malan's convictions were in accord with it. But the great movement known as the Réveil, of which the first products were the dissident church of Bourg de Four and at a later date that founded by Malan himself, and which finally imbued the whole Swiss Church with its spirit, was silently preparing itself. The germ of the movement may be traced in the Société des Amis (1810), of which Empeytaz and A. Bost were leaders; and in Malan's independent attainment to the doctrines of the Divinity of the Saviour and the free gifts of salvation through Him (1816). But the human agency, which gave it force, and determined its Calvinistic direction, was the visit of Robert Haldane (in the autumn of 1816), to whom not only these pioneers of the movement, but F. Monod, E. Rieu, Guers, Gonthier, Merle d'Aubigné, and others, always pointed as their spiritual father. Empeytaz and others sought to attain enfranchisement by the establishment of the "petite Eglise of Bourg de Four." Malan wished to reform the national Church from within: and a sermon at Geneva, which brought on him the obloquy of the professors and theologians that composed his audience, and which Haldane characterized as a republication of the Gospel, was his first overt act (Jan. 19, 1817). But the opposing forces were far too strong for him. The Venerable Company excluded him from the pulpits, and achieved his dismissal from his regentship at the College (1818). In 1820 he built a chapel (Chapelle du Temoignage) in his garden, and obtained the licence of the State for it, as a separatist place of worship. In 1823 he was formally deprived of his status as a minister of the national Church. The seven years that succeeded were the palmy days of the little chapel. Strangers, especially from England, mingled with the overflowing Swiss congregation. But (in 1830) a secession to Bourg de Four, and then the foundation of the Oratoire and the Société Evangelique, which in 1849 absorbed the congregation of Bourg de Four under the title of the Église Evangélique, thinned more and more the number of his adherents. His burning zeal for the conversion of souls found a larger outlet in long tours of evangelization, subsidized by religious friends, in his own land and Belgium and France, and also in Scotland and England, where he had friends among many religious bodies, and where he preached to large congregations. The distinguishing characteristic of these tours was his dealing with individuals. On the steamboat or the diligence, in the mountain walk, at the hotel, no opportunity was lost. On one occasion an old,man whom he visited drew from under his pillow a copy of his great hymnbook, Chants de Sion, 1841, and told him how he had prayed to see the author of it before he died. It is as the originator of the modern hymn movement in the French Reformed Church that Malan's fame cannot perish. The spirit of his hymns is perpetuated in the analysis of Christian experience, the never-wearied delineation of the hopes and fears, the joys and sorrows of the believer's soul, which are still the staple of French Protestant hymns. To this was added, in Malan himself, a marked didactic tone, necessitated by the great struggle of the Réveil for Evangelical doctrine; and an emphatic Calvinism, expressing itself with all the despondency of Newton and Cowper, but, in contrast with them, in bright assurance, peace and gladness. French criticism has pronounced his hymns unequal, and full of literary defects; but their unaffected freshness and fervent sincerity are universally allowed. In the Chants de Sion, hymns 20, ”Hosanna! Béni soit"; 165, “Mon coeur joyeux, plein d'espérance"; 199, "Du Rocher de Jacob"; 200, "Agneau de Dieu"; 239, "Trois fois Jehovah," are in every Protestant French hymnbook; and several others are very widely used. Besides his hymns Malan produced numberless tracts and pamphlets on the questions in dispute between the National and Evangelical Churches and the Church of Rome, as well as articles in the Record and in American reviews. He was a man of varied acquirements. His hymns were set to his own melodies. He was an artist, a mechanic: his little workshop had its forge, its carpenter's bench, its printing press. To the end of his life his strong Calvinism, and his dread of mere external union in church government, kept him distinct from all movements of church comprehension, though freely joining in communion with all the sections of Evangelical thought in Geneva and Scotland. At one time there seemed a prospect of his even rejoining the national Church, which had driven him from her. One of his greatest joys was the meeting of the Evangelical Alliance at Geneva (1861). He left no sect; one of his latest orders was the demolition of his decayed chapel, in which he had preached for 43 years. He died at Vandoeuvres, near Geneva, in 1864, leaving a numerous family, one of whom, the Rev. S. C. Malan, D.D., sometime Vicar of Broadwindsor, is well known as a linguist and a theologian of the English Church. To English readers Malan is chiefly known as a hymn-writer through translations of his "Non, ce n'est pas mourir" (q.v.): "It is not death to die", &c. About a dozen of his hymns appear in a translated form in the Friendly Visitor for 1826. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= http://en.wikipedia.org/wiki/César_Malan

Anonymous

Person Name: Anon. Author of "Sleep not, soldier of the cross" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

F. E. Belden

1858 - 1945 Composer of "ROOT" in Christ in Song Belden was born in Battle Creek, Michigan in 1858. He began writing music in his late teenage years after moving to California with his family. For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early 1880s, and there he became involved in Adventist Church publishing. F. E. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered. He also wrote songs for evangelist Billy Sunday. Though Belden’s later years were marred by misunderstandings with the church leadership over his royalties, he did donate his papers and manuscripts to the church’s seminary at his death. He died on December 2, 1945 in Battle Creek, Michigan. N.N., Hymnary. Source: http://www.hymntime.com/tch/bio/b/e/l/belden_fe.htm

John Wilkes

1782 - 1882 Person Name: John P. Wilkes Composer of "MONKLAND" in New Christian Hymn and Tune Book John Wilkes (b. England, date unknown; d. England, 1882) simplified the tune MONKLAND and introduced it to Henry W. Baker (PHH 342), who published it in the English Hymns Ancient and Modern (1861) to his own harvest-theme text, "Praise, O Praise Our God and King." Wilkes named the tune after the village where he was organist and Baker was vicar–Monkland–located near Leominster in Herefordshire, England. Wilkes died around 1882; he should not be confused with the better-known John Bernard Wilkes (1785-1869). --Psalter Hymnal Handbook, 1998

Elizabeth C. Gaskell

1810 - 1865 Person Name: Mrs. E. C. Gaskell Author of "Sleep Not, Soldier" in The Voice of Thanksgiving Elizabeth Cleghorn Gaskell: AKA Elizabeth Cleghorn Stevenson Born: 29-Sep-1810 Birthplace: London, England Died: 12-Nov-1865 Location of death: Alton, Hampshire, England Cause of death: Heart Failure Remains: Buried, Brook Street Unitarian Chapel, Knutsford, Cheshire, England Gender: Female Religion: Unitarian Race or Ethnicity: White Sexual orientation: Straight Occupation: Author Nationality: England Executive summary: Cranford English novelist and biographer, born on the 29th of September 1810 in Lindsay Row, Chelsea, London, since destroyed to make way for Cheyne Walk. Her father, William Stevenson, came from Berwick-on-Tweed, and had been successively Unitarian minister, farmer, boarding-house keeper for students at Edinburgh, editor of the Scots Magazine, and contributor to the Edinburgh Review, before he received the post of Keeper of the Records to the Treasury, which he held until his death. His first wife, Elizabeth Holland, was Elizabeth Gaskell's mother. She was a Holland of Sandlebridge, Knutsford, Cheshire, in which county the family name had long been and is still of great account. She died a month after her daughter was born, and the babe was carried into Cheshire to Knutsford to be adopted by her aunt, Mrs. Lumb. Thus her childhood was spent in the pleasant environment that she has idealized in Cranford. At fifteen years of age she went to a boarding-school at Stratford-on-Avon, kept by Miss Byerley, where she remained until her seventeenth year. Then came occasional visits to London to see her father and his second wife, and after her father's death in 1829 to her uncle, Swinton Holland. Two winters seem to have been spent in Newcastle-on-Tyne in the family of William Turner, a Unitarian minister, and a third in Edinburgh. On the 30th of August 1832 she was married in the parish church of Knutsford to William Gaskell, minister of the Unitarian chapel in Cross Street, Manchester, and the author of many treatises and sermons in support of his own religious denomination. William Gaskell held the chair of English history and literature in Manchester New College. Henceforth Mrs. Gaskell's life belonged to Manchester. She and her husband lived first in Dover Street, then in Rumford Street, and finally in 1850 at 84 Plymouth Grove. Her literary life began with poetry. She and her husband aspired to emulate George Crabbe and write the annals of the Manchester poor. One poetic "Sketch", which appeared in Blackwood's Magazine for January 1837, seems to have been the only outcome of this ambition. Henceforth, while in perfect union in all else, husband and wife were to go their separate literary ways, Mrs. Gaskell to become a successful novelist, whose books were to live side by side with those of greater masters, Mr. Gaskell to be a distinguished Unitarian divine, whose sermons, lectures and hymns are now all but forgotten. In her earlier married life Mrs. Gaskell was mainly occupied with domestic duties -- she had seven children -- and philanthropic work among the poor. Her first published prose effort was probably a letter that she addressed to William Howitt on hearing that he contemplated a volume entitled Visits to Remarkable Places. She then told the legend of Clopton Hall, Warwickshire, as she had heard it in schooldays, and Howitt incorporated the letter in that book, which was published in 1840. Serious authorship, however, does not seem to have been commenced until four or five years later. In 1844 the Gaskells visited North Wales, where their only son Willie died of scarlet fever at the age of ten months, and it was, it is said, to distract Mrs. Gaskell from her sorrow that her husband suggested a long work of fiction, and Mary BartonHowitt's Journal, where "Libbie Marsh's Three Eras" and "The Sexton's Hero" appeared in 1847. But it was Mary Barton: A Tale of Manchester Life that laid the foundation of Mrs. Gaskell's literary career. It was completed in 1847 and offered to a publisher who returned it unread. It was then sent to Chapman & Hall, who retained the manuscript for a year without reading it or communicating with the author. A reminder, however, led to its being sought for, considered and accepted, the publishers agreeing to pay the author £100 for the copyright. It was published anonymously in two volumes in 1848. This story had a wide popularity, and its author secured first the praise and then the friendship of Carlyle, Landor and Dickens. Dickens indeed asked her in 1850 to become a contributor to his new magazine Household Words, and here the whole of Cranford appeared at intervals from December 1851 to May 1853, exclusive of one sketch, reprinted in the "World's Classics" edition (1907), that was published in All the Year Round for November 1863. Earlier than this, indeed, for the very first number of Household Words she had written "Lizzie Leigh." Mrs. Gaskell's second book, however, was The Moorland Cottage, a dainty little volume that appeared at Christmas 1850 with illustrations by Birket Foster. In the Christmas number of Household Words for 1853 appeared "The Squire's Story", reprinted in Lizzie Leigh and other Tales in 1865. In 1853 appeared another long novel, Ruth, and the incomparable Cranford. This last -- now the most popular of her books -- is an idyll of village life, largely inspired by girlish memories of Knutsford and its people. In Ruth, which first appeared in three volumes, Mrs. Gaskell turned to a delicate treatment of a girl's betrayal and her subsequent rescue. Once more we are introduced to Knutsford, thinly disguised, and to the little Unitarian chapel in that town where the author had worshipped in early years. In 1855 North and South was published. it had previously appeared serially in Household Words. Then came in 1857 the Life of Charlotte Brontë, in two volumes. Miss Bronte, who had enjoyed the friendship of Mrs. Gaskell and had exchanged visits, died in March 1855. Two years earlier she had begged her publishers to postpone the issue of her own novel Villette in order that her friend's Ruth should not suffer. This biography, by its vivid presentation of the sad, melancholy and indeed tragic story of the three Brontë sisters, greatly widened the interest in their writings and gave its author a considerable place among English biographers. But much matter was contained in the first and second editions that was withdrawn from the third. Certain statements made by the writer as to the school of Charlotte Brontë's infancy, an identification of the "Lowood" of Jane Eyre with the existing school, and the acceptance of the story of Bramwell Brontë's ruin having been caused by the woman in whose house he had lived as tutor, brought threats of libel actions. Apologies were published, and the third edition of the book was modified, as Mrs. Gaskell declares, by "another hand." The book in any case remains one of the best biographies in the language. An introduction by Mrs. Gaskell to the then popular novel, Mabel Vaughan, was also included in her work of this year 1857, but no further book was published by her until 1859, when, under the title of Round the Sofa, she collected many of her contributions to periodical literature. Round the Sofa appeared in two volumes, the first containing only "My Lady Ludlow", the second five short stories. These stories reappeared the same year in one volume as My Lady Ludlow and other Tales. In the next year 1860 appeared yet another volume of short stories, entitled Right at Last and other Tales. The title story had appeared two years earlier in Household Words as "The Sin of a Father." In 1862 Mrs. Gaskell wrote a preface to a little book by Colonel Vecchj, translated from the Italian -- Garibaldi and Caprera, and in 1863 she published her last long novel, Sylvia's Lovers, dedicated "to My dear Husband by her who best knows his Value." After this we have in 1863 a one-volume story, A Dark Night's Work, and in the same year Cousin Phyllis and other Tales appeared. Reprinted short stories from All the Year Round, Cornhill Magazine, and other publications, tend to lengthen the number of books published by Mrs. Gaskell during her lifetime. The Grey Woman and other Tales appeared in 1865. Elizabeth Gaskell died on the 12th of November 1865 at Holyburn, Alton, Hampshire, in a house she had just purchased with the profits of her writings as a present for her husband. She was buried in the little graveyard of the Knutsford Unitarian church. Her unfinished novel Wives and Daughters/ was published in two volumes in 1866. Gaskell has enjoyed an ever gaining popularity since her death. Cranford has been published in a hundred forms and with many illustrators. It is unanimously accepted as a classic. Scarcely less recognition is awarded to the Life of Charlotte Brontë, which is in every library. The many volumes of novels and stories seemed of less secure permanence until the falling in of their copyrights revealed the fact that a dozen publishers thought them worth reprinting. The most complete editions, however, are the "Knutsford Edition", edited with introductions by A. W. Ward, in eight volumes (Smith, Elder), and the "World's Classics" edition, edited by Clement Shorter, in 10 volumes (Henry Froude, 1908). --www.nndb.com/people/

Thibaud I

1201 - 1253 Person Name: Theobald, King of Navarre Composer of "[Sleep not, soldier of the cross]" in The Voice of Thanksgiving

William Gaskell

1805 - 1884 Person Name: W. Gaskell Author of "Sleep not, soldier of the cross!" in Songs for the Service of Prayer Gaskell, William, M.A., son of Mr. William Gaskell, was born at Latchford (a suburb of Warrington, on the Cheshire side of the Mersey), 24 July, 1805. He was educated at Manchester New College and at the University of Glasgow, where he graduated M.A. in 1825. In 1828 he became co-pastor with the Rev. J. G. Robberds at Cross Street Unitarian Chapel, Manchester, a position he held until his death. Mr. Gaskell was a man of cultivated mind and considerable literary ability. His publications include Lectures on the Lancashire Dialect, 1853, a small volume of Temperance Rhymes, 1839, and various theological works. In 1832 he married Elizabeth Cleghorn Stevenson, who afterwards attained celebrity as the authoress of Mary Barton, and of other popular tales. He died June 11, 1884, and is buried at Knutsford. To the second edition, 1856, of the 1st Series of Lyra Germanica Mr. Gaskell contributed "A sure Stronghold our God is He," a translation of Luther's “ Ein' feste Burg" (q.v.), replacing a version by Miss Winkworth in the first edition. He also contributed 79 hymns to Beard's Unitarian Collection of Hymns for Public and Private Worship, 1837. [George Arthur Crawford, M.A.] The following hymns by Gaskell still in common use are found chiefly in Unitarian hymnbooks, including Martineau's Hymns, &c, 1840, and Hymns of Praise and Prayer, 1873; Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S.A., 1853; Longfellow & Johnson's Book of Hymns, Boston, 1848, and their Hymns of the Spirit, Boston, 1864; and the American Unitarian Association's Hymn [& Tune] Book, &c, Boston, 1868 :— 1. Dark, dark indeed the grave would be. Death and Burial. 2. Darkness o'er the world was brooding. The Dayspring. 3. Dark were the paths our Master trod. Sympathy with Christ. 4. Father, glory be to Thee. Doxology. 5. Forth went the heralds of the cross. Power of Faith. 6. How long, O Lord, his brother's blood? In time of War. From this "O hush, great God, the sounds of war," is taken. 7. I am free, I am free, I have broken away. The New Birth. 8. In vain we thus recall to mind. Holy Communion. 9. Mighty God, the first, the last. Infinite Knowledge. 10. No more, on earth no more. Death and Heaven. 11. Not in this simple rite alone. Holy Communion. 12. Not on this day, 0 God, alone. Sunday. 13. O God, the darkness roll away. Missions. 14. O God, to Thee our hearts would pay. Old Year. 15. 0 God, who knowest how frail we are. Seeking Strength. 16. 0 not to crush with abject fear. Christ's Work. 17. Our Father, through the coining year. The original begins, "Father, throughout the coming year." 18. Press on, press on, ye sons of light. Continuance in well-doing. 19. Sleep not, soldier of the cross. Faithfulness. 20. Thanks, thanks unto God! Who in mercy hath spoken. Gratitude for the Gospel. 21. Through all this life's eventful road. Walking with God. 22. To Thee, the Lord Almighty. Doxology. 23. Unto Thy temple, God of Love. Divine Worship. 24. We join to [crave] pray with wishes kind. Holy Matrimony. 25. We would leave, 0 God, to Thee. Original: "We would cast, 0 God, on Thee." Rest in God. 26. When arise the thoughts of sin. Looking to Jesus. These hymns all appeared in Beard's Collection, 1837. In addition there are:— 27. Calmly, calmly lay him down. 28. 0 Father, [gladly] humbly we repose. 29. 0 hush, great God, the sounds of war. For Peace. The dates of these hymns we have not been able to determine. No. 27 is in Hopps's Hymns for Public Worship, 1858 ; and Nos. 28 and 29 are in Hedge & Huntington's Hymns for the Church of Christ, 1853. -- John Julian, Dictionary of Hymnology (1907)