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Hymnal, Number:chrc1920

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The Church Hymnal

Publication Date: 1920 Publisher: Parish Choir Publication Place: Boston Editors: Rev. Charles L. Hutchins, D.D.

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Ah, holy Jesus, how hast Thou offended

Author: R. Bridges; J. Heermann Appears in 135 hymnals Lyrics: 1 Ah, holy Jesus, how hast Thou offended, That man to judge Thee hath in hate pretended? By foes derided, by Thine own rejected, O most afflicted. 2 Who was the guilty! Who brought this upon Thee? Alas, my treason, Jesus, hath undone Thee. 'Twas I, Lord Jesus, I it was denied Thee: I crucified Thee. 3 Lo, the good Shepherd for the sheep is offered; The slave hath sinned, and the Son hath suffered; For man's atonement, while he nothing heedeth, God intercedeth. 4 For me, kind Jesus, was Thy incarnation, Thy mortal sorrow, and Thy life's oblation; Thy death of anguish and Thy bitter passion, For my salvation. 5 Therefore, kind Jesus, since I cannot pay Thee, I do adore Thee, and will ever pray Thee, Think on Thy pity and Thy love unswerving, Not my deserving. Topics: Lent Holy Week Used With Tune: HERZLIEBSTER
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Alleluia! Alleluia! Hearts and voices heav'n-ward raise

Author: C. Wordsworth Appears in 219 hymnals Lyrics: 1 Alleluia! Alleluia! Hearts and voices heav'n-ward raise; Sing to God a hymn of gladness, Sing to God a hymn of praise: He, Who on the Cross a Victim, For the world's salvation bled, Jesus Christ, the King of glory, Now is risen from the dead. 2 Now the iron bars are broken, Christ from death to life is born, Glorious life, and life immortal, On this holy Easter morn: Christ has triumphed and we conquer By His mighty enterprise, We with Him to life eternal By His resurrection rise. 3 Christ is risen, Christ, the first-fruits Of the holy harvest-field, Which will all its full abundance At His second coming yield: Then the golden ears of harvest Will their heads before Him wave, Ripened by His glorious sunshine From the furrows of the grave. 4 Christ is risen, we are risen! Shed upon us heavenly grace, Rain and dew and gleams of glory From the brightness of Thy face: That, with hearts in heaven dwelling, We on earth may fruitful be, And by angel-hands be gathered, And be ever, Lord, with Thee. 5 Alleluia! Alleluia! Glory be to God on high; Alleluia to the Saviour Who has won the victory; Alleluia to the Spirit, Fount of love and sanctity; Alleluia! Alleluia! To the Triune Majesty. Topics: Lent Eastertide Used With Tune: LUX EOI
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Alleluia! song of gladness

Author: J. M. Neale Appears in 94 hymnals Lyrics: 1 Alleluia! song of gladness, Voice of joy that cannot die; Alleluia is the anthem Ever dear to choirs on high; In the house of God abiding Thus they sing eternally. 2 Alleluia thou resoundest, True Jerusalem and free; Alleluia joyful mother, All thy children sing with thee; But by Babylon's sad waters Mourning exiles now are we. 3 Alleluia cannot always Be our song while here below; Alleluia our transgressions Make us for a while forego: For the solemn time is coming When our tears for sin must flow. 4 Therefore in our hymns we pray Thee, Grant us blessed Trinity, At the last to keep Thine Easter In our home beyond the sky; There to Thee for ever singing Alleluia joyfully. Topics: The Christian Year Sundays Before Lent Used With Tune: DULCE CARMEN

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INNOCENTS

Appears in 437 hymnals Tune Key: E Major Incipit: 34517 65123 54323 Used With Text: Songs of praise the angels sang
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DARWALL

Appears in 486 hymnals Composer and/or Arranger: J. Darwall Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Ye holy angels bright
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ASCENSION

Appears in 86 hymnals Composer and/or Arranger: W. H. Monk Tune Key: G Major or modal Incipit: 35112 43351 21351 Used With Text: Hail the day that sees Him rise

Instances

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New every morning is the love

Author: J. Keble Hymnal: CHRC1920 #1 (1920) Lyrics: 1 New every morning is the love Our wakening and uprising prove; Thro' sleep and darkness safely brought Restor'd to life, and pow'r, and thought. 2 New mercies, each returning day, Hover around us while we pray; New perils past, new sins forgiven, New thoughts of God, new hopes of heaven. 3 If on our daily course our mind Be set to hallow all we find, New treasures still, of countless price, God will provide for sacrifice. 4 Old friends, old scenes, will lovelier be As more of heaven in each we see; Some softening gleam of love and prayer Shall dawn on every cross and care. 5 The trivial round, the common task, Will furnish all we need to ask; Room to deny ourselves, a road To bring us daily nearer God. 6 Only, O Lord, in Thy dear love, Fit us for perfect rest above; And help us, this and every day, To live more nearly as we pray. Topics: Daily Prayer Morning Languages: English Tune Title: MELCOMBE
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Awake, my soul, and with the sun

Author: Thomas Ken Hymnal: CHRC1920 #2 (1920) Lyrics: 1 Awake, my soul, and with the sun Thy daily stage of duty run; Shake off dull sloth, and early rise To pay thy morning sacrifice. 2 Redeem thy misspent time that's past, And live this day as if thy last; Improve thy talent with due care; For the great Day thyself prepare. 3 Let all Thy converse be sincere, Thy conscience as the noonday clear; Think how all-seeing God thy ways And all thy secret thoughts surveys. 4 Wake, and lift up thyself, my heart, And with the an-gels bear thy part, Who all night long, unwearied, sing High praise to the eternal King. 5 All praise to Thee, Who safe has kept, And hast refreshed me while I slept; Grant, Lord, when I from death shall wake I may of endless light partake. 6 Lord, I my vows to Thee renew; Scatter my sins as morning dew; Guard my first springs of thought and will, And with Thyself my spirit fill. 7 Direct, control, suggest, this day, All I design, or do, or say; That all my pow'rs, with all their might, In Thy sole glory may unite. 8 Praise God, from Whom all blessings flow, Praise Him, all creatures here below; Praise Him above, angelic host: Praise Father, Son, and Holy Ghost. Topics: Daily Prayer Morning Languages: English Tune Title: MORNING HYMN
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Come, my soul, thou must be waking!

Author: H. J. Buckoll; F. R. L. Canitz Hymnal: CHRC1920 #3 (1920) Lyrics: 1 Come, my soul, thou must be waking! Now is breaking O'er the earth another day: Come, to Him Who made this splendour, See thou render All thy feeble strength can pay. 2 Gladly hail the sun returning, Ready burning Be the incense of thy powers; For the night is safely ended, God hath tended With His care thy helpless hours. 3 Pray that He may prosper ever Each endeavour, When thine aim is good and true; But that He may ever thwart thee, And convert thee, When thou evil would'st pursue. 4 Think that He thy ways beholdeth; He unfoldeth Every fault that lurks within; He the hidden shame glossed over Can discover, And discern each deed of sin. 5 Mayest thou on life's last morrow, Free from sorrow, Pass away in slumber sweet; And, released from death's dark sadness, Rise in gladness, That far brighter Sun to greet. 6 Only God's free gifts abuse not, Light refuse not, But His Spirit's voice obey; Thou with Him shall dwell, behold Light enfolding All things in unclouded day. Topics: Daily Prayer Morning Languages: English Tune Title: HAYDN

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Robert Bridges

1844 - 1930 Person Name: R. Bridges Hymnal Number: 98 Translator of "Ah, holy Jesus, how hast Thou offended" in The Church Hymnal Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Isaac Watts

1674 - 1748 Person Name: I. Watts Hymnal Number: 499 Author of "Am I a soldier of the Cross" in The Church Hymnal Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Charles Coffin

1676 - 1749 Person Name: C. Coffin Hymnal Number: 24 Author of "As now the sun's declining rays" in The Church Hymnal Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)