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God Is Here! As We His People
Author: Fred Pratt Green, b. 1903 Meter: 8.7.8.7 D Appears in 47 hymnals Scripture: 2 Corinthians 4:5 Lyrics: 1 God is here! As we his people,
Meet to offer praise and prayer,
May we find in fuller measure
What it is in Christ we share:
Here, as in the world around us,
All our varied skills and arts
Wait the coming of his Spirit
Into open minds and hearts.
2 Here are symbols to remind us
Of our lifelong need of grace;
Here are table, font, and pulpit;
Here the cross has central place.
Here in honesty of preaching,
Here in silence, as in speech,
Here in newness and renewal
God the Spirit comes to each.
3 Here our children find a welcome
In the Shepherd's flock and fold,
Here, as bread and wine are taken,
Christ sustains us as of old;
Here the servants of the Servant
Seek in worship to explore
What it means in daily living
To believe and to adore.
4 Lord of all, of church and kingdom,
In an age of change and doubt,
Keep us faithful to the gospel,
Help us work your purpose out:
Here, in this day's dedication,
All we have to give, receive;
We who cannot live without you,
We adore you! We believe!
Used With Tune: ABBOT'S LEIGH
God Is Here! As We His People
God, whose almighty word
Author: John Marriott (1780-1825); Thomas Raffles (1788-1863) Meter: 6.6.4.6.6.6.4 Appears in 446 hymnals Scripture: 2 Corinthians 4:6 Lyrics: 1 God, whose almighty word
chaos and darkness heard,
and took their flight;
hear us, we humbly pray,
and where the gospel-day
sheds not its glorious ray,
let there be light.
2 Saviour, who came to bring,
on your redeeming wing,
healing and sight,
health to the sick in mind,
sight to the inly blind,
now to all humankind
let there be light.
3 Spirit of truth and love,
life-giving, holy dove,
speed forth your flight;
move o'er the water's face,
bearing the lamp of grace,
and in earth's darkest place
let there be light.
4 Blessèd and holy Three,
glorious Trinity,
Wisdom, Love, Might,
boundless as ocean's tide
rolling in fullest pride,
through the world far and wide
let there be light. Topics: The Holy Spirit in the Church Enlivening and Renewing the Church; The Being of God Holy and One; God In Creation; God in Trinity; Gospel Call; Healing; Word of God Used With Tune: ITALIAN HYMN
God, whose almighty word
Christ, whose glory fills the skies
Author: Charles Wesley (1707-1788) Meter: 7.7.7.7.7.7 Appears in 475 hymnals Scripture: 2 Corinthians 4:6 Lyrics: 1 Christ, whose glory fills the skies,
Christ, the true, the only Light,
Sun of Righteousness, arise,
triumph o'er the shades of night.
Dayspring from on high, be near;
Daystar, in my heart appear.
2 Dark and cheerless is the morn
unaccompanied by thee;
joyless is the day’s return,
till thy mercy’s beams I see,
till they inward light impart,
glad my eyes, and warm my heart.
3 Visit, then, this soul of mine;
pierce the gloom of sin and grief;
fill me, Radiancy Divine:
scatter all my unbelief;
more and more thyself display,
shining to the perfect day. Topics: Our Response to Christ In Devotion; Our Response to God in the morning and evening; Jesus Names and images for; Light; Morning Used With Tune: SKIES OF GLORY
Christ, whose glory fills the skies
ABBOT'S LEIGH
Meter: 8.7.8.7 D Appears in 164 hymnals Composer and/or Arranger: Cyril V. Taylor, 1907-1991 Scripture: 2 Corinthians 4:5 Tune Key: C Major Incipit: 53111 76655 34565 Used With Text: God Is Here! As We His People
ABBOT'S LEIGH
ITALIAN HYMN
Meter: 6.6.4.6.6.6.4 Appears in 1,306 hymnals Composer and/or Arranger: Felice de Giardini (1716-1796); David Evans (1874-1948) Scripture: 2 Corinthians 4:6 Tune Sources: Harmony adapted Church Hymnary, Fourth Edition, 2005 Tune Key: G Major Incipit: 53121 71123 45432 Used With Text: God, whose almighty word
ITALIAN HYMN
SHINE, JESUS, SHINE
Meter: Irregular with refrain Appears in 37 hymnals Composer and/or Arranger: Graham Kendrick Scripture: 2 Corinthians 4:6 Tune Key: A Major Incipit: 55654 53255 55654 Used With Text: Shine, Jesus, Shine
SHINE, JESUS, SHINE
My Faith Looks Up to Thee
Author: Ray Palmer, 1808-1887 Hymnal: One Lord, One Faith, One Baptism #159 (2018) Meter: 6.6.4.6.6.6.4 Scripture: 2 Corinthians 4:16 Lyrics: 1 My faith looks up to Thee,
Thou Lamb of Calvary,
Savior divine!
Now hear me while I pray,
Take all my guilt away,
O let me from this day
Be wholly Thine!
2 May Thy rich grace impart
Strength to my fainting heart,
My zeal inspire;
As Thou hast died for me,
Oh, may my love to Thee
Pure, warm and changeless be,
A living fire!
3 While life's dark maze I tread,
And griefs around me spread,
Be Thou my guide;
Bid darkness turn to day,
Wipe sorrow's tears away,
Nor let me ever stray
From Thee aside.
4 When ends life's transient dream,
When death's cold, sullen stream
Shall o'er me roll;
Blest Savior, then, in love,
Fear and distrust remove;
Oh, bear me safe above,
A ransomed soul! Topics: The Assembly at Worship Prayer; Commitment/Dedication; Faith; Grief; Petition; Prayer; Sorrow Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
My Faith Looks Up to Thee
Author: Ray Palmer Hymnal: Psalter Hymnal (Gray) #262 (1987) Meter: 6.6.4.6.6.6.4 Scripture: 2 Corinthians 4:16 Lyrics: 1 My faith looks up to thee,
thou Lamb of Calvary,
Savior divine!
Now hear me while I pray,
take all my guilt away.
O let me from this day
be wholly thine!
2 May thy rich grace impart
strength to my fainting heart,
my zeal inspire.
As thou hast died for me,
O may my love to thee
pure, warm, and changeless be,
a living fire!
3 While life's dark maze I tread
and griefs around me spread,
be thou my guide.
Bid darkness turn to day,
wipe sorrow's tears away,
nor let me ever stray
from thee aside.
4 When life's swift race is run,
death's cold work almost done,
be near to me.
Blest Savior, then in love
fear and distrust remove.
O bear me safe above,
redeemed and free!
Topics: Biblical Names & Places Calvary; Funerals; Love Our Love to God; Confession and Forgiveness; Biblical Names & Places Calvary; Confession of Sin; Forgiveness; Funerals; Lamb of God; Pilgrimage & Conflct; Prayer Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
My Faith Looks Up to Thee
Author: Ray Palmer Hymnal: Lift Up Your Hearts #426 (2013) Meter: 6.6.4.6.6.6.4 Scripture: 2 Corinthians 4:16 Lyrics: 1 My faith looks up to thee,
thou Lamb of Calvary,
Savior divine!
Now hear me while I pray,
take all my guilt away.
O let me from this day
be wholly thine!
2 May thy rich grace impart
strength to my fainting heart,
my zeal inspire.
As thou hast died for me,
O may my love to thee,
pure, warm, and changeless be,
a living fire!
3 While life’s dark maze I tread
and griefs around me spread,
be thou my guide.
Bid darkness turn to day,
wipe sorrow’s tears away,
nor let me ever stray
from thee aside.
4 When life’s swift race is run,
death’s cold work almost done,
be near to me.
Blest Savior, then in love
fear and distrust remove.
O bear me safe above,
redeemed and free! Topics: Biblical Names and Places Calvary; Powers of Darkness; Difficult Times; Eternal Life; Faith; Jesus Christ Lamb; Love Our Love for Jesus Christ; Occasional Services Funeral/Witness to the Resurrection; Occasional Services Healing Service; Hymns That Are Prayer Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
Charles Wesley
1707 - 1788 Scripture: 2 Corinthians 4:14 Author of "Come, Thou Long-Expected Jesus" in Sing With Me Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Fred Pratt Green
1903 - 2000 Person Name: Fred Pratt Green, b. 1903 Scripture: 2 Corinthians 4:5 Author of "God Is Here! As We His People" in Gather Comprehensive The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies.
Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more."
--Seven New Hymns of Hope , 1971. Used by permission.
Fred Pratt Green
Ralph Vaughan Williams
1872 - 1958 Scripture: 2 Corinthians 4:18 Arranger of "HYFRYDOL" in Hymns for the Living Church Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
