Christ, Whose glory fills the skies

Full Text

1. Christ, Whose glory fills the skies,
Christ, the true, the only light,
Sun of Righteousness, arise!
Triumph o'er the shades of night;
Day-spring from on high, be near;
Day-star, in my heart appear.

2. Dark and cheerless is the morn
Unaccompanied by Thee;
Joyless is the day's return,
Till Thy mercy's beams I see;
Till they inward light impart,
Glad my eyes, and warm my heart.

3. Visit then this soul of mine;
Pierce the gloom of sin and grief;
Fill me, Radiancy Divine;
Scatter all my unbelief;
More and more Thyself display,
Shining to the perfect day.

Hymnal: according to the use of the Protestant Episcopal Church in the United States of America, 1871

Author: Charles Wesley

Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone,… Go to person page >

Notes

Scripture References:
st. 1 =John 8:12, 2 Pet. 1:19, Luke 1:78, Mal. 4:2, Ps.27:1

Written by the great hymn writer Charles Wesley (PHH 267), this text was published in three stanzas in Hymns and Sacred Poems, compiled in 1740 by Charles Wesley and his" brother John. James Montgomery called it "one of Charles Wesley's loveliest progeny.”

Titled "Morning Hymn" by Wesley, it is unusual in that it does not contain the customary reference to the previous night's rest or to the work and dangers of the day ahead. The text begins by placing the focus entirely on Christ, the "light of the world," the sun of Righteousness who rises with healing in his wings"; he is the "Dayspring" and "Daystar." Thus the "light of Christ" is to fill our lives and lead us forward "to the perfect day."

Liturgical Use:
As a morning hymn during the Easter vigil service and during Advent; other services that have as their theme Christ as "light."

--Psalter Hymnal Handbook
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Christ, Whose glory fills the skies, Christ the true, &c. C. Wesley. [Morning.] First published in J. and C. Wesley's Hymns and Sacred Poems, 1740, p. 61, in 3 stanzas of 6 lines, and entitled "A Morning Hymn" (Poetical Works, 1868-72, vol. i. p. 224). In 1776, A. M. Toplady included it, unaltered, in his Psalms and Hymns, No. 296, and for many years it was quoted as his production. Montgomery, however, corrected the error in his Christian Psalmist in 1825. Its extensive use in the Church of England, and by Nonconformists, is due mainly to Toplady and Montgomery. The latter held it in special esteem, and regarded it as "one of C. Wesley's loveliest progeny." In its complete form it was not included in the Wesleyan Hymn Book until 1875. Its use is very extensive. The hymn:—"Thou, Whose glory fills the skies," as found in the People's Hymnal, 1867, No. 570, is the same hymn with slight alterations. In the Society for Promoting Christian Knowledge Church Hymns, the doxology is from the Cooke and Denton Hymnal, 1853; stanzas ii. and iii. have also been used in the cento "O disclose Thy lovely face," q. v. It has been rendered into Latin by the Rev. R. Bingham, in his Hymnologia Christiana Latina, 1871, as "Christe, cujus gloriae." The American use of the original is extensive.

--John Julian, Dictionary of Hymnology (1907)

Tune

RATISBON


LUX PRIMA (Gounod)

French romanticist composer Charles F. Gounod (PHH 165) wrote LUX PRIMA, which means "first light" in Latin. When the Franco-Prussian War broke out in 1870, Gounod left his native Paris and settled in England for five years. This sturdy tune was published in the Scottish Hymnary in 1872. It uses sev…

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The Cyber Hymnal #1132
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  • Noteworthy Composer score (NWC)
  • XML score (XML)
Psalter Hymnal (Gray) #481
The United Methodist Hymnal #173
Worship and Rejoice #91

Instances

Instances (30)TextImageAudioScoreFlexscore
Church Family Worship #134
Church Hymnal, Fifth Edition #52
Church Hymnary (4th ed.) #578bText
Church Hymnary (4th ed.) #578aText
Common Praise (1998) #5Text
Common Praise: A new edition of Hymns Ancient and Modern #2Text
Complete Anglican Hymns Old & New #107
Complete Mission Praise #79
Evangelical Lutheran Worship #553Image
Glory to God: the Presbyterian Hymnal #662TextImageAudioFlexscore
Hymnal 1982: according to the use of the Episcopal Church #6TextImage
Hymnal 1982: according to the use of the Episcopal Church #7TextImage
Hymns Ancient & Modern, New Standard Edition #4
Hymns for Today's Church (2nd ed.) #266
Lift Up Your Hearts: psalms, hymns, and spiritual songs #667ImageAudioFlexscore
Lutheran Service Book #873Text
Presbyterian Hymnal: hymns, psalms, and spiritual songs #462TextImage
Presbyterian Hymnal: hymns, psalms, and spiritual songs #463TextImage
Psalter Hymnal (Gray) #481TextImageAudioScore
Rejoice in the Lord #463Text
Seventh-day Adventist Hymnal #233
Sing Glory: Hymns, Psalms and Songs for a New Century #170
The Covenant Hymnal: a worshipbook #308
The Cyber Hymnal #1132TextAudioScore
The United Methodist Hymnal #173TextImageAudioScore
The Worshiping Church #562TextImage
Together in Song: Australian Hymn Book II #212
Trinity Hymnal (Rev. ed.) #398TextImage
Voices United: The Hymn and Worship Book of The United Church of Canada #336Text
Worship and Rejoice #91TextImageAudioScore



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