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Eternal Father, Strong to Save
Author: William Whiting Meter: 8.8.8.8.8.8 Appears in 425 hymnals Scripture: Psalm 107:23-30 Lyrics: 1 Eternal Father, strong to save,
whose arm hath bound the restless wave,
who bidd'st the mighty ocean deep
its own appointed limits keep:
O hear us when we cry to thee
for those in peril on the sea.
[Copyrighted verses 2 & 3 have been omitted]
4 O Trinity of love and power,
thy children shield in danger's hour;
from rock and tempest, fire and foe,
protect them wheresoe'er they go;
thus evermore shall rise to thee
glad hymns of praise from land and sea. Topics: God in Creation God's Work in Nature; Travel; God Creator; God Father; National Life; Travel; Trinity Used With Tune: MELITA Text Sources: A Missionary Service Book, 1937, stanzas 2-3
Eternal Father, Strong to Save
Psalm 107 Part 1
Author: Isaac Watts Meter: 8.8.8.8 Appears in 128 hymnals Scripture: Psalm 107 First Line: Give thanks to God; he reigns above Lyrics:
Give thanks to God; he reigns above;
Kind are his thoughts, his name is Love;
His mercy ages past have known,
And ages long to come shall own.
Let the redeemed of the Lord
The wonders of his grace record;
Isr'el, the nation whom he chose,
And rescued from their mighty foes.
[When God's almighty arm had broke
Their fetters and th' Egyptian yoke,
They traced the desert, wand'ring round
A wild and solitary ground.
There they could find no leading road,
Nor city for a fixed abode;
Nor food, nor fountain, to assuage
Their burning thirst or hunger's rage.]
In their distress, to God they cried
God was their Savior and their Guide;
He led their march far wand'ring round,
'Twas the right path to Canaan's ground.
Thus, when our first release we gain
From sin's old yoke, and Satan's chain,
We have this desert world to pass,
A dangerous and a tiresome place.
He feeds and clothes us all the way,
He guides our footsteps lest we stray,
He guards us with a powerful hand,
And brings us to the heav'nly land.
O let the saints with joy record
The truth and goodness of the Lord!
How great his works! how kind his ways!
Let every tongue pronounce his praise.
Topics: Providence in air, earth, and sea; Weather; Israel saved from Egypt, and brought to Canaan; Providence recorded; Church restored by prayer; Israel punished and pardoned; Saints conducted to heaven; Saints punished and pardoned; Colonies Planted; Deliverance from shipwreck; Drunkard and glutton; Glutton and drunkard; Intemperance and pardoned; Israel travels in the wilderness; Luxury pardoned; Mariner's psalm; Mercies recorded; Nation's blest and punished; New England psalm; Psalm for gluttons and drunkards; Psalm for mariners; Psalm for New England; Seamen's song; Shipwreck prevented
Psalm 107 Part 1
Now Thank We All Our God
Author: Martin Rinckart; Catherine Winkworth Meter: 6.7.6.7.6.6.6.6 Appears in 688 hymnals Scripture: Psalm 107:1-31 Lyrics: 1 Now thank we all our God
with heart and hands and voices,
who wondrous things has done,
in whom his world rejoices;
who from our mothers' arms
has blessed us on our way
with countless gifts of love,
and still is ours today.
2 O may this bounteous God
through all our life be near us,
with ever joyful hearts
and blessed peace to cheer us,
to keep us in his grace,
and guide us when perplexed,
and free us from all ills
of this world in the next.
3 All praise and thanks to God
the Father now be given,
the Son and Spirit blest,
who reign in highest heaven
the one eternal God,
whom heaven and earth adore;
for thus it was, is now,
and shall be evermore.
Topics: Doxologies; Praise & Adoration; Creation and Providence; Doxologies; Praise & Adoration; Providence; Refuge; Thanksgiving & Gratitude; Trinity Used With Tune: NUN DANKET
Now Thank We All Our God
NUN DANKET
Meter: 6.7.6.7.6.6.6.6 Appears in 541 hymnals Composer and/or Arranger: Johann Crüger Scripture: Psalm 107:1-31 Tune Sources: Felix Mendelssohn's Lobegesang, Opus 52, 1840, harm. based on Tune Key: E Flat Major Incipit: 55566 53432 32155 Used With Text: Now Thank We All Our God
NUN DANKET
Jesu, lover of my soul
Author: Charles Wesley, 1707-1788 Hymnal: Common Praise #96a (2000) Meter: 7.7.7.7 D Scripture: Psalm 107:30 Lyrics: 1 Jesu, lover of my soul,
let me to thy bosom fly,
while the nearer waters roll,
while the tempest still is high:
hide me, O my Saviour, hide,
till the storm of life is past;
safe into the haven guide,
O receive my soul at last.
2 Other refuge have I none,
hangs my helpless soul on thee;
leave, ah, leave me not alone,
still support and comfort me.
All my trust on thee is stayed,
all my help from thee I bring;
cover my defenceless head
with the shadow of thy wing.
3 Thou, O Christ, art all I want;
more than all in thee I find;
raise the fallen, cheer the faint,
heal the sick, and lead the blind.
Just and holy is thy name,
I am all unrighteousness;
false and full of sin I am,
thou art full of truth and grace.
4 Plenteous grace with thee is found,
grace to cover all my sin;
let the healing streams abound,
make and keep me pure within.
Thou of life the fountain art:
freely let me take of thee,
spring thou up within my heart,
rise to all eternity. Topics: Lent; Fourth Sunday Before Lent Year B; Ash Wednesday; Proper 17 Year C Languages: English Tune Title: HOLLINGSIDE
Jesu, lover of my soul
Jesu, lover of my soul
Author: Charles Wesley, 1707-1788 Hymnal: Common Praise #96b (2000) Meter: 7.7.7.7 D Scripture: Psalm 107:30 Lyrics: 1 Jesu, lover of my soul,
let me to thy bosom fly,
while the nearer waters roll,
while the tempest still is high:
hide me, O my Saviour, hide,
till the storm of life is past;
safe into the haven guide,
O receive my soul at last.
2 Other refuge have I none,
hangs my helpless soul on thee;
leave, ah, leave me not alone,
still support and comfort me.
All my trust on thee is stayed,
all my help from thee I bring;
cover my defenceless head
with the shadow of thy wing.
3 Thou, O Christ, art all I want;
more than all in thee I find;
raise the fallen, cheer the faint,
heal the sick, and lead the blind.
Just and holy is thy name,
I am all unrighteousness;
false and full of sin I am,
thou art full of truth and grace.
4 Plenteous grace with thee is found,
grace to cover all my sin;
let the healing streams abound,
make and keep me pure within.
Thou of life the fountain art:
freely let me take of thee,
spring thou up within my heart,
rise to all eternity. Topics: Lent; Fourth Sunday Before Lent Year B; Ash Wednesday; Proper 17 Year C Languages: English Tune Title: ABERYSTWYTH
Jesu, lover of my soul
Jesus, Lover of my soul
Author: C. Wesley Hymnal: The Presbyterian Book of Praise #162a (1897) Meter: 7.7.7.7 D Scripture: Psalm 107:30 Topics: The Christian Life Faith, Penitence and Confession Languages: English Tune Title: HOLLINGSIDE
Jesus, Lover of my soul
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Scripture: Psalm 107:23-30 Composer of "MELITA" in The Worshiping Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Whiting
1825 - 1878 Scripture: Psalm 107:23-30 Author (stanzas 1, 4) of "Eternal Father, Strong to Save" in The Worshiping Church William Whiting was born in Kensington, November 1, 1825, and was educated at Clapham and Winchester Colleges. He was later master of Winchester College Choristers' School, where he wrote Rural Thoughts and Other Poems, 1851. He died at Winchester.
--The Hymnal 1940 Companion
===============
Whiting, William, was born in Kensington, London, Nov. 1, 1825, and educated at Clapham. He was for several years Master of the Winchester College Choristers' School. His Rural Thoughts and other poems were published in 1851; but contained no hymns. His reputation as a hymnwriter is almost exclusively confined to his “Eternal Father, strong to save". Other hymns by him were contributed to the following collections:—
i. To the 1869 Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns
1. O Lord the heaven Thy power displays. Evening.
2. Onward through life Thy children stray. Changing Scenes of Life.
ii. To an Appendix to Hymns Ancient & Modern issued by the Clergy of St. Philip's, Clerkenwell, 1868.
3. Jesus, Lord, our childhood's Pattern. Jesus the Example to the Young.
4. Lord God Almighty, Everlasting Father. Holy Trinity.
5. Now the harvest toil is over. Harvest.
6. 0 Father of abounding grace. Consecration of a Church.
7. We thank Thee, Lord, for all. All Saints Day.
iii. To The Hymnary, 1872.
8. Amen, the deed in faith is done. Holy Baptism.
9. Jesus Christ our Saviour. For the Young.
10. Now the billows, strong and dark. For Use at Sea.
11. 0 Father, Who the traveller's way. For Travellers by Land.
12. When Jesus Christ was crucified. Holy Baptism.
Mr. Whiting's hymns, with the exception of his “Eternal Father," &c, have not a wide acceptance. He died in 1878.
-- John Julian, Dictionary of Hymnology (1907)
William Whiting
Isaac Watts
1674 - 1748 Scripture: Psalm 107 Author of "Psalm 107 Part 1" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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