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All Mankind Fell in Adam's Fall

Author: Lazarus Spengler; Matthias Loy Meter: 8.8.8.8 Appears in 15 hymnals

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WENN WIR IN HÖCHSTEN NÖTEN SEIN

Meter: 8.8.8.8 Appears in 151 hymnals Composer and/or Arranger: Louis Bourgeois, c. 1510-c. 1561 Tune Key: F Major Incipit: 11232 43213 43217 Used With Text: All Mankind Fell in Adam's Fall
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WINDHAM

Appears in 209 hymnals Composer and/or Arranger: Daniel Read Tune Key: G Major Incipit: 13455 32113 23543 Used With Text: Our nature fell in Adam's fall
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DEO GRACIAS

Meter: 8.8.8.8 Appears in 99 hymnals Composer and/or Arranger: Carl Schalk Tune Sources: English, 15th cent. Tune Key: c minor Incipit: 11717 76511 75454 Used With Text: Creation Fell in Adam's Fall

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All Mankind Fell in Adam's Fall

Author: Lazarus Spengler; Matthias Loy Hymnal: The Cyber Hymnal #103 Meter: 8.8.8.8 Lyrics: 1. All mankind fell in Adam’s fall, One common sin infects us all; From sire to son the bane descends, And over all the curse impends. 2. Thro’ all man’s powers corruption creeps And him in dreadful bondage keeps; In guilt he draws his infant breath And reaps its fruits of woe and death. 3. From hearts depraved, to evil prone, Flow thoughts and deeds of sin alone; God’s image lost, the darkened soul Nor seeks nor finds its heav’nly goal. 4. But Christ, the second Adam, came To bear our sin and woe and shame, To be our Life, our Light, our Way, Our only Hope, our only Stay. 5. As by one man all mankind fell And, born in sin, was doomed to hell, So by one Man, who took our place, We all received the gift of grace. 6. We thank Thee, Christ; new life is ours, New light, new hope, new strength, new powers: This grace our every way attend Until we reach our journey’s end! Languages: English Tune Title: WENN WIR IN HÖCHSTEN NÖTEN

All Mankind Fell in Adam's Fall

Author: Lazarus Spengler (1479-1534); Matthias Loy Hymnal: The Christian Hymnary. Bks. 1-4 #214 (1972) Topics: Book One: Hymns, Songs, Chorales; The Holy Scriptures Fall, Depravity, Guilt of Man Scripture: Romans 5:12 Languages: English Tune Title: GERICHT
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All Mankind Fell in Adam's Fall

Author: Lazarus Spengler; Matthias Loy Hymnal: The Lutheran Hymnal #369 (1941) Meter: 8.8.8.8 Lyrics: 1 All mankind fell in Adam's fall, One common sin infects them all; From sire to son the bane descends, And over all the curse impends. 2 Thro' all man's pow'rs corruption creeps And him in dreadful bondage keeps; In guilt he draws his infant breath And reaps its fruits of woe and death. 3 From hearts depraved, to evil prone, Flow tho'ts and deeds of sin alone; God's image lost, the darkened soul Nor seeks nor finds its heav'nly goal. 4 But Christ, the second Adam, came To bear our sin and woe and shame, To be our Life, our Light, our Way, Our only Hope, our only Stay. 5 As by one man all mankind fell And, born in sin, was doomed to hell, So by one Man, who took our place, We all received the gift of grace. 6 We thank Thee, Christ; new life is ours, New light, new hope, new strength, new powers: May grace our every way attend Until we reach our journey's end! Amen. Topics: Faith and Justification Scripture: Romans 8:12 Languages: English Tune Title: WENN WIR IN HÖCHSTEN NÖTEN

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Louis Bourgeois

1510 - 1561 Person Name: Louis Bourgeois, c. 1510-c. 1561 Composer of "WENN WIR IN HÖCHSTEN NÖTEN SEIN" in Lutheran Service Book Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Anonymous

Composer of "WENN WIR IN HÖCHSTEN NÖTEN" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Carl Schalk

1929 - 2021 Harmonizer of "DEO GRACIAS " in Singing the New Testament Carl F. Schalk (b. Des Plaines, IL, 1929; d. 2021) is professor of music emeritus at Concordia University, River Forest, Illinois, where he taught church music since 1965. He completed gradu­ate work at the Eastman School of Music in Rochester, New York, and at Concordia Seminary, St. Louis, Missouri. From 1952 to 1956 he taught and directed music at Zion Lutheran Church in Wausau, Wisconsin, and from 1958 to 1965 served as director of music for the International Lutheran Hour. Honored as a Fellow of the Hymn Society in the United States and Canada in 1992, Schalk was editor of the Church Music journal (1966-1980), a member of the committee that prepared the Lutheran Book of Worship (1978), and a widely published composer of church music. Included in his publications are The Roots of Hymnody in The Lutheran Church-Missouri Synod (1965), Key Words in Church Music (1978), and Luther on Music: Paradigms of Praise (1988). His numerous hymn tunes and carols are collected in the Carl Schalk Hymnary (1989) and its 1991 Supplement. Bert Polman