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All Things Come of Thee, O Lord
Meter: Irregular Appears in 127 hymnals First Line: All things come of Thee, O Lord: and of Thine own have we given Thee
All Things Come of Thee, O Lord
[All things come of Thee, O Lord]
Appears in 106 hymnals Composer and/or Arranger: Ludwig van Beethoven, 1770-1827 Tune Key: G Major or modal Incipit: 33211 23432 111 Used With Text: All Things Come Of Thee
[All things come of Thee, O Lord]
[All things come of Thee, O Lord]
Appears in 32 hymnals Composer and/or Arranger: Pelham Humfrey, 1647-1674 Tune Key: C Major Incipit: 11177 11171 Used With Text: Offertory Sentences
[All things come of Thee, O Lord]
[All things come to thee, O Lord]
Appears in 1 hymnal Composer and/or Arranger: S. B. Whitney Tune Key: b minor Incipit: 12343 33267 32555 Used With Text: Offertory Sentences
[All things come to thee, O Lord]
All Things Come of Thee, O Lord
Hymnal: Hymns of Faith #557 (1980) Lyrics: All things come of Thee, O Lord,
And of Thine own have we given Thee.
Amen. Topics: Service Music Offertory Responses; Service Music Offertory Responses Scripture: 1 Chronicles 29:14 Languages: English Tune Title: [All things come of Thee, O Lord]
All Things Come of Thee, O Lord
All Things Come of Thee, O Lord
Hymnal: Hymns for the Living Church #584 (1974) Lyrics: All things come of Thee, O Lord,
And of Thine own have we given Thee.
Amen. Topics: Offertory Sentences; Responses Offertory Scripture: 1 Chronicles 29:14 Languages: English Tune Title: [All things come of Thee, O Lord]
All Things Come of Thee, O Lord
All Things Come of Thee, O Lord
Hymnal: The Worshiping Church #814 (1990) Lyrics: All things come of thee, O Lord,
and of thine own have we given thee. Scripture: 1 Chronicles 29:14 Languages: English Tune Title: [All Things Come of Thee, O Lord] (Wilson)
All Things Come of Thee, O Lord
Anonymous
Person Name: Anon. Composer of "OFFERING" in The United Methodist Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Ludwig van Beethoven
1770 - 1827 Person Name: Ludwig van Beethoven, 1770-1827 Composer (attributed to) of "[All things come of Thee, O Lord]" in Revival Hymns and Choruses A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
E. J. Hopkins
1818 - 1901 Person Name: Edward Hopkins Composer of "[All things come of Thee, O Lord]" in Praise for the Lord (Expanded Edition) Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
