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Text Identifier:"^captains_of_the_saintly_band$"

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Captains of the saintly band

Author: Jean Baptiste de Santeuil, died 1697; Sir H. W. Baker, died 1877 Appears in 25 hymnals Used With Tune: REDHEAD, NO. 45

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REDHEAD, NO. 45

Appears in 214 hymnals Composer and/or Arranger: R. Redhead Incipit: 12312 71556 34553 Used With Text: Captains of the saintly band
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HARTS

Meter: 7.7.7.7 Appears in 76 hymnals Composer and/or Arranger: Benjamin Milgrove, 1731-1810 Tune Key: G Major Incipit: 55112 23114 32123 Used With Text: Captains of the saintly band
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UNIVERSITY COLLEGE

Appears in 166 hymnals Composer and/or Arranger: H. J. Gauntlett Incipit: 31654 32315 55453 Used With Text: Captains of the saintly band

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Captains of the saintly band

Author: J. B. de Santeuil, 1630-1697; Henry Williams Baker, 1821-1877 Hymnal: Complete Anglican Hymns Old and New #91 (2000) Meter: 7.7.7.7 Lyrics: 1 Captains of the saintly band, lights who lighten ev'ry land, princes who with Jesus dwell, judges of his Israel. 2 On the nations sunk in night ye have shed the Gospel light; sin and error flee away; truth reveals the promised day. 3 Not by warrior’s spear and sword, not by art of human word, preaching but the Cross of shame, rebel hearts for Christ ye tame. 4 Earth, that long in sin and pain groaned in Satan’s deadly chain, now to serve its God is free in the law of liberty. 5 Distant lands with one acclaim tell the honour of your name, who, wherever man has trod, teach the mysteries of God. 6 Glory to the Three in One while eternal ages run, who from deepest shades of night called us to his glorious light. Topics: All Saints; Evening; The Body of Christ; The Communion of Saints Scripture: 2 Corinthians 4:6 Languages: English Tune Title: HARTS
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Captains of the Saintly Band

Author: Jean de Santeüil; Henry W. Baker Hymnal: The Cyber Hymnal #748 Meter: 7.7.7.7 Lyrics: 1. Captains of the saintly band, Lights who lighten every land, Princes who with Jesus dwell, Judges of His Israel: 2. On the nations sunk in night Ye have shed the Gospel light; Sin and error flee away; Truth reveals the promised day. 3. Not by warrior’s spear and sword, Not by art of human word, Preaching but the Cross of shame, Rebel hearts for Christ ye tame. 4. Earth, that long in sin and pain Groaned in Satan’s deadly chain, Now to serve its God is free In the law of liberty. 5. Distant lands with one acclaim Tell the honor of your name, Who, wherever man has trod, Teach the mysteries of God. 6. Glory to the Three in One While eternal ages run, Who from deepest shades of night Called us to His glorious light. Languages: English Tune Title: UNIVERSITY COLLEGE
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Captains of the saintly band

Author: Jean de Santeul, 1630-1697; H. W. Baker, 1821-1877 Hymnal: Common Praise #212 (2000) Meter: 7.7.7.7 Lyrics: 1 Captains of the saintly band, lights who lighten every land, princes who with Jesus dwell, judges of his Israel; 2 On the nations sunk in night ye have shed the Gospel light; sin and error flee away, truth reveals the promised day. 3 Not by warrior’s spear and sword, not by art of human word, preaching but the cross of shame, rebel hearts for Christ ye tame. 4 Earth, that long in sin and pain groaned in Satan’s deadly chain, now to serve its God is free in the law of liberty. 5 Distant lands with one acclaim tell the honour of your name, who, wherever man has trod, teach the mysteries of God. 6 Glory to the Three in One while eternal ages run, who from deepest shades of night called us to his glorious light. Topics: Saints; Proper 5 Year C; Second Sunday Before Advent Year A Scripture: 1 Corinthians 1:23 Languages: English Tune Title: UNIVERSITY COLLEGE

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H. W. Baker

1821 - 1877 Person Name: Sir H. W. Baker, died 1877 Translator of "Captains of the saintly band" in The Order for Evensong Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett Composer of "UNIVERSITY COLLEGE" in The Cyber Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Justin Heinrich Knecht

1752 - 1817 Person Name: Justin Heinrich Knecht 1752-1817 Composer (melody) of "VIENNA" in The Australian Hymn Book with Catholic Supplement Justin Heinrich Knecht Germany 1752-1817. Born at Biberach Baden-Wurttemberg, Germany, he attended a Lutheran college in Esslingen am Neckar from 1768-1771. Having learned the organ, keyboard, violin and oratory, he became a Lutheran preceptor (professor of literature) and music director in Biberach. It was a free imperial city until 1803 and had a rich cultural life. He became organist of St. Martin’s Church in 1792, used by both Lutherans and Catholics, and was there for many years. He led an energetic, busy musical life, composing for both the theatre and church, organizing subscription concerts, teaching music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, affiliated to the Musikschule in 1806. He went to Stuttgart in 1806 in hopes of a post there as Kapellmeister, serving two years as Konzertmeister, but he was appointed Direktor Beim Orchester by the King of Wurttemberg in 1807. However, he returned to his former life in 1808 and remained there the rest of his life. He died at Biberach. He wrote 10 vocals, 11 opera and stage works, one symphony, 3 chamber music instrumentals, 7 organ works, 4 piano works, and 6 music theories. He was an author composer, editor, contributor, musician, compiler, and lyricist. John Perry