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Text Identifier:"^deliver_me_from_evil_preseve_me_lord$"

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Deliver Me From Evil

Author: Bert Witvoet Meter: 7.6.7.6 D Appears in 10 hymnals Topics: Powers of Darkness; God as Deliverer; Lament General; Responses To Confession; Elements of Worship Confession Scripture: Psalm 140 Used With Tune: HERZLICH TUT MICH VERLANGEN Text Sources: Psalter, 1912

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HERZLICH TUT MICH VERLANGEN

Meter: 7.6.7.6.7.6.7.6 Appears in 513 hymnals Composer and/or Arranger: Hans Leo Hassler; Johann Sebastian Bach; Johann Sebastian Bach Tune Key: a minor or modal Incipit: 51765 45233 2121 Used With Text: Deliver Me from Evil
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PETITION

Meter: 7.6.7.6 D Appears in 35 hymnals Composer and/or Arranger: F. Joseph Haydn Tune Key: A Flat Major Incipit: 53217 76514 32117 Used With Text: Deliver Me from Evil
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MUNICH

Meter: 7.6.7.6 D Appears in 334 hymnals Tune Sources: Meiningen Gesangbuch, 1693 Tune Key: E Flat Major Incipit: 12365 43335 43221 Used With Text: Deliver Me from Evil

Instances

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Published text-tune combinations (hymns) from specific hymnals

Deliver Me from Evil

Author: Bert Witvoet Hymnal: Christian Worship #140B (2021) Meter: 7.6.7.6.7.6.7.6 Topics: Affliction; God as Deliverer; God as Rescuer; Lord's Prayer 7th Petition (Deliver us from evil); Prayer; Rescue Scripture: Psalm 140 Languages: English Tune Title: HERZLICH TUT MICH VERLANGEN
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Deliver Me from Evil

Hymnal: Psalms and Hymns to the Living God #140 (2023) Meter: 7.6.7.6.7.6.7.6 Lyrics: 1 Deliver me from evil, preserve me, LORD, from wrong; against the foes that gather be Thou my Helper strong. From those who plot to hurt me and spread their treach'rous snare preserve me, LORD, and keep me safeguarded in Thy care. 2 O LORD, I have confessed Thee to be my God alone; O hear my supplication and be Thy mercy shown; O God the LORD, my Savior, my Shield amid the strife, let not the wicked triumph who plot against my life. 3 Let evil smite the evil and cause their overthrow; the needy and afflicted the LORD will help, I know; Thy saints, redeemed from evil, their thanks to Thee shall give; the righteous and the upright shall in Thy presence live. Topics: Supplication Scripture: Psalm 140 Languages: English Tune Title: PASSION CHORALE
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Deliver Me from Evil

Hymnal: Psalter Hymnal (Red) #307 (1934) Meter: 7.6.7.6 D Lyrics: 1 Deliver me from evil, Preserve me, Lord, from wrong; Against the foes that gather, Be Thou my Helper strong; From those who plot to hurt me And spread their treacherous snare Preserve me, Lord, and keep me Safeguarded in Thy care. 2 O Lord, I have confessed Thee To be my God alone; O hear my supplication And be Thy mercy shown; O God the Lord, my Savior, My shield amid the strife, Let not the wicked triumph Who plot against my life. 3 Let evil smite the evil And cause their overthrow; The needy and afflicted The Lord will help, I know; Thy saints, redeemed from evil, Their thanks to Thee shall give; The righteous and the upright Shall in Thy presence live. Topics: Evil Character; Deliverance From Enemies; Imprecatory Psalms; Preservation Of Believers Scripture: Psalm 140 Languages: English Tune Title: PETITION

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Anonymous

Author of "Deliver Me from Evil" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Sebastian Bach

1685 - 1750 Person Name: Johann S. Bach, 1685-1750 Harmonizer and Adapter of "PASSION CHORALE (HERZLICH TUT MICH VERLANGEN)" in Psalms for All Seasons Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Joseph Haydn

1732 - 1809 Person Name: Haydn Composer of "PETITION" in The Psalter Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman