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Text Identifier:"^facing_a_task_unfinished$"

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Facing a Task Unfinished

Author: Frank Houghton Meter: 7.6.7.6 D Appears in 8 hymnals

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AURELIA

Meter: 7.6.7.6.7.6.7.6 Appears in 1,039 hymnals Composer and/or Arranger: Samuel Sebastian Wesley, 1810-76 Tune Key: D Major Incipit: 33343 32116 54345 Used With Text: Facing a task unfinished

MORPETH

Meter: 7.6.7.6 D Appears in 2 hymnals Composer and/or Arranger: Cyril V. Taylor, b.1907 Tune Key: G Major Used With Text: Facing a task unfinished
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NYLAND

Meter: 7.6.7.6 D Appears in 79 hymnals Composer and/or Arranger: David Evans, 1874-1948 Tune Sources: Trad. Finnish tune.; From the Revised Church Hymnary (1927) Tune Key: E Flat Major Incipit: 53212 16555 65435 Used With Text: Facing a Task Unfinished

Instances

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Published text-tune combinations (hymns) from specific hymnals

Facing a Task Unfinished (We Go to All the World)

Author: Keith Getty; Kristyn Getty; Ed Cash; Fionán de Barra Hymnal: The Mission Hymnal #2 (2016) First Line: Facing a task unfinished, that drives us to our knees Refrain First Line: We go to all the world
Text

Facing a Task Unfinished

Author: Frank Houghton Hymnal: Moravian Book of Worship #634 (1995) Meter: 7.6.7.6 D Lyrics: 1 Facing a task unfinished that drives us to our knees, a need that, undiminished, rebukes our slothful ease, we who rejoice to know you renew before your throne the solemn pledge we owe you to go and make you known. 2 Where other lords beside you hold their unhindered sway, where forces that defied you defy you still today, with none to heed their crying for life and love and light, unnumbered souls are dying and pass into the night. 3 We bear the torch that flaming fell from the hands of those who gave their lives proclaiming that Jesus died and rose; ours is the same commission, the same glad message ours; fired by the same ambition, to you we yield our pow'rs. 4 O Father, who sustained them, O Spirit, who inspired, Savior, whose love constrained them to toil with zeal untired, from cowardice defend us, from lethargy awake! Forth on your errands send us to labor for your sake. Topics: Spread of the Gospel; Christian warfare; Commitment; Deliverance; Martyrs; Sin; Spread of the Gospel Scripture: Matthew 10 Languages: English Tune Title: NYLAND

Facing a task unfinished

Author: Frank Houghton Hymnal: Songs of Fellowship #88 (1995) Scripture: Matthew 28:19 Languages: English Tune Title: AURELIA

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810-76 Composer of "AURELIA" in Complete Mission Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Frank Houghton

1894 - 1972 Person Name: Frank Houghton, 1894-1972 Author of "Facing a task unfinished" in Complete Mission Praise Born: April 24, 1894, Stafford, Staffordshire, England. Died: January 25, 1972, Cornford House, Tunbridge Wells, Kent, England. Buried: Tunbridge Wells, Kent, England. Son of Thomas Houghton, Curate of Stafford, Frank attended the University of London (BA 1913) London College of Divinity (now St. John’s College, Nottingham, graduated 1914). He was ordained a deacon in 1917, and priest the next year. He served as Curate of St. Benedict’s, Liverpool (1917-9); All Saints, Preston (1919-20). Inspired by missionary Hudson Taylor’s example, he joined the China Inland Mission, serving at Liangshan (1920-21) and Suiting (1921-24 ). In 1923, he married Dorothy Cassels, daughter of Bishop Cassels of West China. In 1924, he became principal of the Theological College in Paoning, Sichuan. He returned to England for medical reasons in 1928, expecting to stay only a short time, but he stayed to edit China’s Millions. He also served as Examining Chaplain to the Bishop of West China (1928-36). He went on to serve as Consecrated Bishop of East Szechwan at Nanchung (1934-40); General Director of the China Inland Mission (1940-51); Vicar of New Milverton, Leamington Spa (1953-60); and Rector of St. Peter, Drayton, Oxford (1960-63). Houghton retired in 1963, and he and his wife lived in Parkstone, Poole. © The Cyber Hymnal™ (www.hymntime.com/tch)

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Harmonizer of "ST THEODULPH (VALET WILL ICH DIR GEBEN)" in CPWI Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)