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Farewell, my dear brethren, the time is at hand

Meter: 11.11.11.11 Appears in 146 hymnals Lyrics: 1. Farewell, my dear brethren, the time is at hand, When That we must be parted from this social band: Our several engagements now call us away, Our parting is needful, and we must obey. 2. Farewell, faithful soldiers, you'll soon be discharged, The war will be ended, your bounty enlarged, With shouting and singing, though Jordan may roar, You'll enter fair Canaan, and rest on the shore. 3. Farewell, younger brethren, just listed for war, Sore trials await you, but Jesus is near; Although you must travel the dark wilderness, Your Captain's before you, he'll lead you to peace. 4. Farewell, trembling mourners, with sad broken hearts, O hasten to Jesus, and choose the good part! He's full of compassion, and mighty to save, His arms are extended, your souls to receive. 5. Farewell, careless sinners, for you I must mourn, To think of your danger, if still unconcerned; I read of the judgment, where all must appear, How will you stand trembling with tormenting fear! 6. Farewell, my dear brethren, farewell all around, Perhaps we'll not meet till the last trump shall sound to meet you in glory I give you my hand, Our Savior to praise in a pure social band. Used With Tune: THE CHRISTIAN'S FAREWELL

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THE CHRISTIAN'S FAREWELL

Meter: 11.11.11.11 Appears in 412 hymnals Incipit: 56161 51131 35561 Used With Text: Farewell, my dear brethren, the time is at hand
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FAREWELL

Appears in 4 hymnals Composer and/or Arranger: Annabel Morris Buchanan Tune Sources: Traditional Southern folk-hymn Tune Key: d minor Incipit: 13332 4455 Used With Text: Farewell, loving Christians, the time is at hand
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THE FAREWELL

Appears in 1 hymnal Incipit: 13213 22166 55111 Used With Text: Farewell, my dear brethren, the time is at hand

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Farewell, my dear brethren, the time is at hand

Hymnal: The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) #334 (1854) Meter: 11.11.11.11 Lyrics: 1. Farewell, my dear brethren, the time is at hand, When That we must be parted from this social band: Our several engagements now call us away, Our parting is needful, and we must obey. 2. Farewell, faithful soldiers, you'll soon be discharged, The war will be ended, your bounty enlarged, With shouting and singing, though Jordan may roar, You'll enter fair Canaan, and rest on the shore. 3. Farewell, younger brethren, just listed for war, Sore trials await you, but Jesus is near; Although you must travel the dark wilderness, Your Captain's before you, he'll lead you to peace. 4. Farewell, trembling mourners, with sad broken hearts, O hasten to Jesus, and choose the good part! He's full of compassion, and mighty to save, His arms are extended, your souls to receive. 5. Farewell, careless sinners, for you I must mourn, To think of your danger, if still unconcerned; I read of the judgment, where all must appear, How will you stand trembling with tormenting fear! 6. Farewell, my dear brethren, farewell all around, Perhaps we'll not meet till the last trump shall sound to meet you in glory I give you my hand, Our Savior to praise in a pure social band. Languages: English Tune Title: THE CHRISTIAN'S FAREWELL
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Farewell, my dear brethren, the time is at hand

Hymnal: The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) #34b (1854) Meter: 11.11.11.11 Lyrics: 1. Farewell, my dear brethren, the time is at hand, When we must be parted from this social band: Our several engagements now call us away, Our parting is needful, and we must obey. Languages: English Tune Title: IMANDRA NEW
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Farewell, my dear brethren, the time is at hand

Author: Thomas Cleland Hymnal: The Sacred Harp #45b (1991) Meter: 11.11.11.11 Lyrics: Farewell, my dear brethren, the time is at hand, When we must be parted from this social band; Our several engagements now call us away, Our parting is needful and we must obey. Languages: English Tune Title: IMANDRA NEW

People

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Anonymous

Person Name: Anon. Author of "Farewell, my dear brethren, the time is at hand" in The Choice In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Josiah Hopkins

1786 - 1862 Person Name: Josiah Hopkins Composer of "EXPOSTULATION" in Hymns and Tunes Hopkins, Josiah , D.D., was born at Pittsford, Vermont, April 13, 1786. From 1809 to 1830 he was pastor of a Congregational Church, at New Haven, Vermont; and from 1830 to 1848 of the First Presbyterian Church, Auburn, New York. He died at Geneva, New York, July 27, 1862. He was the editor of Conference Hymns , Auburn, 1846, and contributed hymns to the Christian Lyre , N. Y., 1830. From the latter work his hymns in common use are taken:— 1. 0 turn ye, 0 turn ye, for why will ye die. Expostulation. 2. Why sleep we, my brethren. Expostulation. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Ananias Davisson

1780 - 1857 Composer of "IMANDRA" in Primitive Baptist Hymn and Tune Book Ananias Davisson (February 2, 1780 – October 21, 1857) was a singing school teacher, printer and compiler of shape note tunebooks. Davisson was born February 2, 1780 in Shenandoah County, Virginia. He spent his last years living on a farm at Weyer's Cave, about 14 miles from Dayton, Virginia, and died October 21, 1857. He is buried in the Massanutten-Cross Keys Cemetery, Rockingham County, Virginia. Davisson was a member and ruling elder of the Presbyterian Church. He is best known for his 1816 compilation the Kentucky Harmony (Harrisonburg, Virginia), which is generally considered the first Southern shape-note tunebook. Composer and publisher William B. Blake said it was "a book characteristic of that period, abounding in minor tunes." Other books published by Davisson were A Supplement to the Kentucky Harmony (Harrisonburg, Virginia: 1820), Introduction to Sacred Music, Extracted from the Kentucky Harmony and Chiefly Intended for the Benefit of Young Scholars, (Harrisonburg, Virginia: 1821), and A Small Collection of Sacred Music (Harrisonburg, Virginia: 1825). According to musicologist George Pullen Jackson, Davisson's compilations are "pioneer repositories of a sort of song that the rural South really liked." Perhaps his best-known tune is "Idumea," a minor tune very popular in Southern shape note circles and featured in the movie Cold Mountain. In addition to his own tunebooks, Davisson also printed Songs of Zion by James P. Carrell (1821) --en.wikipedia.org/wiki/