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Text Identifier:"^father_of_jesus_christ_my_lord_my_savior$"

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Father of Jesus Christ, my Lord

Author: Charles Wesley Appears in 60 hymnals Used With Tune: DEDHAM

Tunes

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HEBER

Appears in 226 hymnals Composer and/or Arranger: George Kingsley Incipit: 34555 36665 32165 Used With Text: Father of Jesus Christ, my Lord
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WOODLAND

Appears in 122 hymnals Composer and/or Arranger: Nathaniel D. Gould Incipit: 13353 23235 51233 Used With Text: Father of Jesus Christ, my Lord
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AUBURN

Appears in 1 hymnal Incipit: 15536 51765 52343 Used With Text: Father of Jesus Christ, my Lord

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Father of Jesus Christ, My Lord

Author: Charles Wesley Hymnal: The Cyber Hymnal #1480 Meter: 8.6.8.6 Lyrics: 1. Father of Jesus Christ, my Lord, My Savior and my head; I trust in Thee, whose powerful Word Hath raised Him from the dead. 2. In hope, against all human hope, Self desperate, I believe; Thy quickening Word shall raise me up, Thou shalt Thy Spirit give. 3. Faith, mighty faith, the promise sees, And looks to that alone; Laughs at impossibilities, And cries, It shall be done! 4. To Thee the glory of Thy power And faithfulness I give; I shall in Christ, at that glad hour, And Christ in me shall live. 5. Obedient faith that waits on Thee, Thou never wilt reprove; But Thou wilt form Thy Son in me, And perfect me in love. Languages: English Tune Title: EVANSTON
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Father of Jesus Christ, my Lord

Hymnal: A Collection of Hymns and A Liturgy #163 (1814) Meter: 8.6.8.6 Lyrics: 1 Father of Jesus Christ, my Lord, My Saviour and my head! I trust in thee, whose pow'rful word Hath rais'd Him from the dead. 2 Eternal life to all mankind Thou hast in Jesus giv'n; And all who seek thro' him, shall find The happiness of heav'n. 3 Obedient faith that waits on thee, Thou never wilt reprove; But thou wilt form thy Son in me, And perfect me in love. 4 To Thee the glory of thy pow'r And faithfulness I give; I shall in Christ, at that glad hour, And Christ in me shall live. Topics: Resurrection and Glory of Christ Languages: English
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Father of Jesus Christ, my Lord

Author: C. Wesley Hymnal: Church Book #198 (1890) Meter: 8.6.8.6 Lyrics: 1 Father of Jesus Christ, my Lord, My Saviour, and my Head, I trust in Thee, whose powerful word Hath raised Him from the dead. 2 Thou knowest for my offence He died, And rose again for me; Fully and freely justified, That I might live to Thee. 3 Eternal life to all mankind Thou hast in Jesus given; And all who seek, in Him, shall find The happiness of Heaven. 4 Obedient faith, that waits on Thee, Thou never wilt reprove; But Thou wilt form Thy Son in me, And perfect me in love. 5 To Thee the glory of Thy power And faithfulness I give. I shall in Christ, at that glad hour, And Christ in me shall live. Topics: Easter; Easter Sunday; Easter Season, Second Sunday; Eleventh Sunday after Trinity; Sixteenth Sunday after Trinity; Twenty Fourth Sunday after Trinity Languages: English Tune Title: MANCHESTER

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Authors, composers, editors, etc.

Karl P. Harrington

1861 - 1953 Person Name: Karl Pomeroy Harrington Composer of "EVANSTON" in The Cyber Hymnal Born: June 13, 1861, Somersworth, New Hampshire. Died: November 14, 1953, Berkeley, California. Buried: Middletown, Connecticut. Son of Calvin S. and Eliza Chase Harrington, Karl earned his AB degree in 1882, and his AM in 1885, from Wesleyan University in Middletown, Connecticut. He studied at the University of Berlin (1887-89) and Yale University (1890-91). He taught high school in Westfield, Massachusetts (1882-85); Latin at Wesleyan Academy in Wilbraham, Massachusetts (1885-87); was a Latin tutor at Wesleyan University (1889-91); Latin professor at the University of North Carolina, Chapel Hill (1891-99); University of Maine (1899-1905); and Wesleyan University (1905). While at the University of North Carolina, he directed the Glee Club. His works include: The Roman Elegiac Poets, circa 1914 Richard Alsop, "a Hartford Wit" Walks and Climbs in the White Mountains, 1926 --www.hymntime.com/tch/

William Gardiner

1770 - 1853 Person Name: William Gardner Composer of "DEDHAM" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Charles Wesley

1707 - 1788 Person Name: C. Wesley Author of "Father of Jesus Christ, my Lord" in African Methodist Episcopal hymn and tune book Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.