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Father, We Thank Thee
Author: Rebecca J. Weston Meter: 8.8.8.8 Appears in 173 hymnals First Line: Father, we thank Thee for the night
Father, We Thank Thee
WAINWRIGHT
Meter: 8.8.8.8 Appears in 21 hymnals Composer and/or Arranger: Richard Wainwright Tune Key: D Major Incipit: 11326 54355 51643 Used With Text: Father, we thank thee for the night
WAINWRIGHT
[Father, we thank Thee for the night]
Appears in 5 hymnals Tune Key: F Major Incipit: 11111 71222 22212 Used With Text: Father, We Thank Thee
[Father, we thank Thee for the night]
Father, We Thank Thee for the Night
Author: Rebecca J. Weston Hymnal: The Little Golden Book of Hymns #12 (1947) Languages: English Tune Title: [Father, we thank Thee for the night]
Father, We Thank Thee for the Night
Father, We Thank Thee for the Night
Author: Rebecca J. Weston Hymnal: Hymns for Primary Worship #43 (1946) Languages: English Tune Title: [Father, we thank Thee for the night]
Father, We Thank Thee for the Night
Father, We Thank Thee For the Night
Author: Rebecca J. Weston Hymnal: Living Hymns #109 (1923) Topics: Primary Languages: English Tune Title: [Father, we thank Thee for the night]
Father, We Thank Thee For the Night
Samuel Sebastian Wesley
1810 - 1876 Composer of "WINSCOTT" in The Book of Common Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
Ellen Jane Lorenz
1907 - 1996 Arranger of "ONSLOW" in The Hymnal of The Evangelical United Brethren Church Ellen Jane Lorenz (Ellen Jane Lorenz Porter) was born in 1907 in Dayton, OH. A descendant of the well known publishing family of Lorenz, she served as editor for the company for 36 years. She earned a Masters of Sacred Music degree from Wittenberg University in 1971. Her PhD thesis was transformed into the book Glory, Hallelujah: the Story of the Campmeeting Spiritual published by Abingdon Press in 1980. She was well known as a composer and received many commissions for anthems, cantatas, vocal and instrumental works. See also the Ellen Jane Lorenz Porter archival collection at Wright State University Special Collections and Archives.
Also used pseudonyms:
Hadler, Rosemary, 1907-1996
James, Allen, 1907-1996
Mary Louise VanDyke
Ellen Jane Lorenz
William Henry Monk
1823 - 1889 Person Name: William H. Monk Arranger of "HURSLEY" in Church Hymnal, Mennonite William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
