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For All Thy Saints
Author: Richard Mant Meter: 6.6.8.6 Appears in 157 hymnals First Line: For all Thy saints, O Lord Topics: Funeral Hymns Scripture: Hebrews 11:4 Used With Tune: CARLISLE
For All Thy Saints
FESTAL SONG
Meter: 6.6.8.6 Appears in 190 hymnals Composer and/or Arranger: William H. Walter, 1825-1893 Tune Key: B Flat Major Incipit: 51535 65671 76523 Used With Text: For All Your Saints, O Lord
FESTAL SONG
ST. MICHAEL
Appears in 318 hymnals Composer and/or Arranger: Anon. Incipit: 51322 35432 21176 Used With Text: For all Thy saints, O Lord
ST. MICHAEL
ST. THOMAS
Appears in 986 hymnals Composer and/or Arranger: William Tansur (1699-1774) Incipit: 51132 12345 43432 Used With Text: For all Thy saints, O Lord
ST. THOMAS
For all Thy saints, O Lord
Author: Bishop R. Mant Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #181 (1894) Lyrics: 1 For all Thy saints, O Lord,
Who strove in Thee to live,
Who followed Thee, obeyed, adored,
Our grateful hymn receive.
2 For Thy dear saints, O Lord,
Who strove in Thee to die,
Who counted Thee their great reward,
Accept our thankful cry.
3 Thine earthly members fit
To join Thy saints above,
In one communion ever knit,
One fellowship of love.
4 Jesus, Thy Name we bless
And humbly pray that we
May follow them in holiness
Who lived and died for Thee.
Amen. Topics: All Saints; Burial of the Dead Languages: English Tune Title: [For all Thy saints, O Lord]
For all Thy saints, O Lord
For All Thy Saints, O Lord
Author: Richard Mant Hymnal: The Hymnal and Order of Service #206 (1937) Lyrics: 1 For all Thy saints, O Lord,
Who strove in Thee to live,
Who followed Thee, obeyed, adored,
Our grateful hymns receive.
2 For all Thy saints, O Lord,
Accept our thankful cry;
Who counted Thee their great Reward,
And strove in Thee to die.
3 They all, in life or death,
With Thee, their Lord, in view,
Learned from Thy Holy Spirit's breath
To suffer and to do.
4 For this, Thy name we bless,
And humbly pray that we
May follow them in holiness,
And live and die in Thee.
Amen.
For All Thy Saints, O Lord
For All Thy Saints, O Lord
Author: Richard Mant Hymnal: The Hymnal and Order of Service #206 (1926) Meter: 6.6.8.6 Lyrics: 1 For all Thy saints, O Lord,
Who strove in Thee to live,
Who followed Thee, obeyed, adored,
Our grateful hymns receive.
2 For all Thy saints, O Lord,
Accept our thankful cry;
Who counted Thee their great Reward,
And strove in Thee to die.
3 They all, in life or death,
With Thee, their Lord, in view,
Learned from Thy Holy Spirit's breath
To suffer and to do.
4 For this, Thy name we bless,
And humbly pray that we
May follow them in holiness,
And live and die in Thee.
Amen. Topics: Church Year Minor Festivals; St. Stephen's Day; All Saint' Day; Names and Office of Christ Lamb; Names and Office of Christ Lord; Names and Office of Christ Reward; Name of Jesus and Christ; Saints Languages: English Tune Title: FERGUSON
For All Thy Saints, O Lord
Henry J. Gauntlett
1805 - 1876 Composer of "ST. GEORGE" in The Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
William Henry Monk
1823 - 1889 Person Name: Wiliam H. Monk, 1823-89 Composer of "ENERGY" in Christian Worship (1993) William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach Composer of "POTSDAM" in University Hymns Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
