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God the Father, God the Word
Appears in 17 hymnals Used With Tune: LITANY OF THE BLESSED SACRAMENT Text Sources: Committe of Clergy
God the Father, God the Word
[God the Father, God the Word]
Appears in 1 hymnal Composer and/or Arranger: Geo. H. Westbury Used With Text: God the Father, God the Word
[God the Father, God the Word]
PROMPTO GENTES ANIMO
Appears in 7 hymnals Composer and/or Arranger: R. Vaughan Williams, 1872-1958 Tune Sources: Rouen Church Melody Tune Key: A Major Incipit: 15654 34512 34321 Used With Text: Litany of the Passion
PROMPTO GENTES ANIMO
God the Father, God the Word
Author: Anonymous Hymnal: The Cyber Hymnal #1916 Meter: 7.7.6.7.7.6 Lyrics: 1. God the Father, God the Word,
God the Holy Ghost adored:
Spare us, holy Trinity.
2. Spotless Lamb of God most high,
Manna coming from the sky:
Hear us, holy Jesus.
3. Very Man and Word divine,
Hidden under bread and wine:
Hear us, holy Jesus.
4. Purest Victim, stainless Priest,
Thou the Host, and Thou the Feast:
Hear us, holy Jesus.
5. Bread of life, the angels’ food,
Cup of blessing, precious blood:
Hear us, holy Jesus.
6. Off’ring of most perfect might,
Bond, Thy faithful to unite:
Hear us, holy Jesus.
7. From the tempting lures of sin,
From all pride and lusts within:
Keep us, holy Jesus.
8. From all unbelief in Thee,
Veiled in this great mystery:
Keep us, holy Jesus.
9. By Thy sitting down to meat,
That last Passover to eat:
Keep us, holy Jesus.
10. Through the dread and holy rite,
Founded on that awful night:
Keep us, holy Jesus.
11. Through Thy presence with us here,
When we draw Thine altar near:
Keep us, holy Jesus.
12. Help us, guide us, make us pure,
Give us blessings which endure:
Save us, holy Jesus.
13. Lead Thy pilgrims on their way,
Shine on us, unending Day:
Keep us, holy Jesus.
14. When we draw our latest breath,
Feed us at the time of death:
Keep us, holy Jesus. Languages: English Tune Title: PROMPTO GENTES ANIMO
God the Father, God the Word
God the Father, God the Word
Hymnal: Hymns for the Children of the Church #348a (1907) Languages: English Tune Title: [God the Father, God the Word]
God the Father, God the Word
God the Father, God the Word
Hymnal: Hymns for the Children of the Church #348b (1907) Languages: English Tune Title: [God the Father, God the Word]
God the Father, God the Word
Anonymous
Author of "God the Father, God the Word" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Arthur Sullivan
1842 - 1900 Composer of "EVELYN" in Hymns of the Faith Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams, 1872-1958 Arranger of "PROMPTO GENTES ANIMO" in E. A. C. C. Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
