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Let Zion in Her Beauty Rise
Author: Edward Partridge, 1793–1840 Appears in 18 hymnals Lyrics: 1. Let Zion in her beauty rise;
Her light begins to shine.
Ere long her King will rend the skies,
Majestic and divine,
The gospel spreading thru the land,
A people to prepare
To meet the Lord and Enoch’s band
Triumphant in the air.
2. Ye heralds, sound the golden trump
To earth’s remotest bound.
Go spread the news from pole to pole
In all the nations round:
That Jesus in the clouds above,
With hosts of angels too,
Will soon appear, his Saints to save,
His enemies subdue.
3. That glorious rest will then commence
Which prophets did foretell,
When Saints will reign with Christ on earth,
And in his presence dwell
A thousand years, oh, glorious day!
Dear Lord, prepare my heart
To stand with thee on Zion’s mount
And nevermore to part. Topics: Jesus Christ Second Coming; Millennium; Missionary Work; Restoration; Zion Used With Tune: ELLACOMBE
Let Zion in Her Beauty Rise
[Let Zion in her beauty rise]
Appears in 1 hymnal Incipit: 51131 35654 23453 Used With Text: Let Zion in her beauty
[Let Zion in her beauty rise]
[Let Zion in her beauty rise]
Appears in 312 hymnals Composer and/or Arranger: Mason Tune Key: D Major Incipit: 55551 33351 11235 Used With Text: Let Zion in Her Beauty Rise
[Let Zion in her beauty rise]
Let Zion in Her Beauty Rise
Author: Edward Partridge Hymnal: Latter-Day Saints Congregational Hymns #30 (1919) Lyrics: 1. Let Zion in her beauty rise,
Her light begins to shine,
Ere long her King will rend the skies,
Majestic and devine,
The Gospel spreading thro' the land,
A people to prepare
To meet the Lord and Enoch's band,
Triumphant in the air.
2. Ye heralds, sound the Gospel trump
To earth's remotest bound;
Go spread the news from pole to pole,
In all the nations round,
That Jesus in the clouds above,
With hosts of angels too,
Will soon appear His Saints to save,
His enemies subdue.
3. But ere that great and solemn day,
The stars from heav'n shall fall,
The moon be turned into blood!
The water into gall;
The sun with blackness will be cloth'd,
All nature look afright,
While men, rebellious, wicked men,
Gaze trembling on the sight.
4. The earth shall reel the heavens shake,
The sea move to the north,
The veil shall roll up like a scroll,
When God's command goes forth,
The mountains sink, the valleys rise,
And flow'rs adorn the plain;
The islands and the continents
Will then unite again.
5. The awful day will soon arrive
When rebels to God's grace
Will call for rocks to fall on them
And hide them from His face
Not so with those who keep His law;
They'll joy to meet the Lord
In clouds above, with those who sleep
In Christ, their sure reward
6. That glorious rest will then commence,
Which prophets did foretell,
When Saints will reign with Christ on earth,
And in his presence dwell
A thousand years, O glorious day!
Dear Lord, prepare my heart
To stand with thee on Zion's mount,
And never more to part.
7. Then when a thousand years are past,
And Satan is unbound.
The wicked hosts will be destroyed
By fire from heaven sent down;
And when the great, last change shall come
To immortalize this clay
Then we in the celestial world
Will spend eternal day. Languages: English Tune Title: [Let Zion in her beauty rise]
Let Zion in Her Beauty Rise
Let Zion in Her Beauty Rise
Author: Edward Partridge Hymnal: The Songs of Zion #171 (1918) Languages: English Tune Title: [Let Zion in her beauty rise]
Let Zion in Her Beauty Rise
Let Zion in her beauty
Hymnal: A Collection of Sacred Hymns for the use of the Latter-Day Saints #11 (1844) First Line: Let Zion in her beauty rise Languages: English Tune Title: [Let Zion in her beauty rise]
Let Zion in her beauty
Anonymous
Person Name: Anon. Composer of "ELLACOMBE" in Hymns of the Church of Jesus Christ of Latter-day Saints In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Lowell Mason
1792 - 1872 Person Name: Mason Composer of "[Let Zion in her beauty rise]" in Latter-Day Saints Congregational Hymns Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Edward Partridge
1793 - 1840 Person Name: Edward Partridge, 1793–1840 Author of "Let Zion in Her Beauty Rise" in Hymns of the Church of Jesus Christ of Latter-day Saints
Edward Partridge
