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My Heart Sings Out with Joyful Praise
Author: Ruth Duck, b. 1947 Meter: 8.6.8.6 D Appears in 6 hymnals Topics: Glory and Power; Joy; Praise and Adoration; Salvation and Redemption; Seeking; Song Used With Tune: CLEANSING FOUNTAIN
My Heart Sings Out with Joyful Praise
MARIAS LOVSÅNG
Meter: 8.6.8.6 D Appears in 4 hymnals Tune Sources: Swedish folk melody Tune Key: A Major Incipit: 51131 44665 57715 Used With Text: My Heart Sings Out with Joyful Praise
MARIAS LOVSÅNG
CLEANSING FOUNTAIN
Meter: 8.6.8.6 D Appears in 630 hymnals Tune Sources: Early American melody Tune Key: B Flat Major Incipit: 13565 11651 35565 Used With Text: My Heart Sings Out with Joyful Praise
CLEANSING FOUNTAIN
My Heart Sings Out with Joyful Praise
Author: Ruth Duck Hymnal: The New Century Hymnal #106 (1995) Meter: 8.6.8.6 D Topics: Advent; Canticles Magnificat; God Covenant and Promises of; Jesus Christ Advent; Jesus Christ Savior; Visitation of Mary to Elizabeth; Year A Advent 3; Year A Visitation; Year B Advent 4; Year B Visitation; Year C Advent 4; Year C Visitation Scripture: Luke 1:46-55 Languages: English Tune Title: MARIAS LOVSÅNG
My Heart Sings Out with Joyful Praise
My Heart Sings Out with Joyful Praise
Author: Ruth Duck, b. 1947 Hymnal: New Wine In Old Wineskins #42 (2007) Meter: 8.6.8.6 D Topics: Glory and Power; Joy; Praise and Adoration; Salvation and Redemption; Seeking; Song Languages: English Tune Title: CLEANSING FOUNTAIN
My Heart Sings Out with Joyful Praise
Luke 1:46-55: My Heart Sings Out
Author: Ruth Duck, b. 1947 Hymnal: One Lord, One Faith, One Baptism #696 (2018) Meter: 8.6.8.6 D First Line: My heart sings out with joyful praise Topics: Service Music Psalms and Canticles; Comfort; Deliverance; Justice/Social Concern; Redemption; Service Music Psalms and Canticles Scripture: Luke 1:46-55 Languages: English Tune Title: CAROL
Luke 1:46-55: My Heart Sings Out
Ruth C. Duck
b. 1947 Person Name: Ruth Duck, b. 1947 Author of "My Heart Sings Out with Joyful Praise" in New Wine In Old Wineskins
Ruth C. Duck
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "KINGSFOLD" in Singing Our Faith Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Richard Storrs Willis
1819 - 1900 Person Name: Richard S. Willis, 1819-1900 Composer of "CAROL" in One Lord, One Faith, One Baptism Richard Storrs Willis (February 10, 1819 – May 10, 1900) was an American composer, notably of hymn music. One of his hymns is "It Came Upon the Midnight Clear" (1850), with lyrics by Edmund Sears. He was also a music critic and journal editor.
Willis, whose siblings included Nathaniel Parker Willis and Fanny Fern, was born on February 10, 1819, in Boston, Massachusetts. He attended Chauncey Hall, the Boston Latin School, and Yale College where he was a member of Skull and Bones in 1841.
Willis then went to Germany, where he studied six years under Xavier Schnyder and Moritz Hauptmann. While there, he became a personal friend of Felix Mendelssohn. After returning to America, Willis served as music critic for the New York Tribune, The Albion, and The Musical Times, for which he served as editor for a time. He joined the New-York American-Music Association, an organization which promoted the work native of naturalized American composers. He reviewed the organization's first concert for their second season, held December 30, 1856, in the Musical World, as a "creditable affair, all things considered".
Willis began his own journal, Once a Month: A Paper of Society, Belles-Lettres and Art, and published its first issue in January 1862.
Willis died on May 7, 1900. His interment was located at Woodlawn Cemetery.
His works and music compilations include:
Church Chorals and Choir Studies (1850)
Our Church Music (1856)
Waif of Song (1876)
Pen and Lute (1883)
--en.wikipedia.org
Richard Storrs Willis
