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Text Identifier:"^my_times_are_in_thy_hand_my_god_i_wish$"

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My Times Are in Thy Hand

Author: William Freeman Lloyd Meter: 6.6.8.6 Appears in 301 hymnals First Line: My times are in Thy hand, My God I wish them there

Tunes

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DENNIS

Appears in 1,313 hymnals Composer and/or Arranger: Johann G. Nägeli, 1773-1836; Lowell Mason, 1792-1872 Tune Key: F Major Incipit: 33132 72111 61151 Used With Text: My Times Are in Thy Hand
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FRANCONIA

Appears in 220 hymnals Composer and/or Arranger: Johann G. Ebeling, c. 1620-1676 Incipit: 12345 35614 32517 Used With Text: My times are in Thy hand
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FERGUSON

Meter: 6.6.8.6 Appears in 125 hymnals Incipit: 55311 76534 5342 Used With Text: 一生在神手中 (My times are in Thy hand)

Instances

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My Times Are In Thy Hand

Author: William F. Lloyd, 1791-1853 Hymnal: The A.M.E. Zion Hymnal #78 (1999) Meter: 6.6.8.6 Lyrics: 1 My times are in Thy hand, My God, I wish them there; My life, my friends, my soul I leave Entirely to Thy care. 2 My times are in Thy hand, Whatever they may be; Pleasing or painful, dark or bright, As best may seem to Thee. 3 My times are in Thy hand, Why should I doubt or fear? My Father’s hand will never cause His child a needless tear. 4 My times are in Thy hand, I’ll always trust in Thee; And, after death, at Thy right hand I shall for ever be. AMEN. Topics: God's Providential Care Languages: English Tune Title: FERGUSON
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My Times are in Thy Hand

Author: W. F. Lloyd Hymnal: Living Hymns #440 (1890) First Line: "My times are in thy hand:" Lyrics: 1 "My times are in thy hand:" My God, I wish them there; My life, my friends, my soul, I leave Entirely to thy care, My life, my friends, my soul I leave Entirely to thy care. 2 "My times are in thy hand," Whatever they may be; Pleasing or painful, dark or bright, As best may seem to thee. 3 "My times are in thy hand;" Why should I doubt or fear? My Father's hand will never cause His child a needless tear. 4 "My times are in thy hand," Jesus, the crucified! The hand my cruel sins had pierced Is now my guard and guide. 5 "My times are in thy hand;" I'll always trust in thee; And, after death, at thy right hand I shall forever be. Languages: English Tune Title: SELVIN
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My Times Are in Thy Hand

Author: William F. Lloyd Hymnal: The Cyber Hymnal #4383 Meter: 6.6.8.6 Lyrics: 1. My times are in Thy hand; My God, I wish them there; My life, my friends, my soul I leave Entirely to Thy care. 2. My times are in Thy hand; Whatever they may be; Pleasing or painful, dark or bright, As best may seem to Thee. 3. My times are in Thy hand; Why should I doubt or fear? My Father’s hand will never cause His child a needless tear. 4. My times are in Thy hand, Jesus, the crucified! Those hands my cruel sins had pierced Are now my guard and guide. 5. My times are in Thy hand, Jesus, my advocate: Nor shall Thine hand be stretched in vain, For me to supplicate. 6. My times are in Thy hand, I’ll always trust in Thee; And, after death, at Thy right hand I shall forever be. Languages: English Tune Title: VIGIL (Albans)

People

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Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Composer of "MONSELL" in The Book of Praise Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Joseph Haydn

1732 - 1809 Person Name: Franz Josef Haydn, 1732-1809 Composer of "HAYDN" in Hymnal and Liturgies of the Moravian Church Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Henry J. Gauntlett

1805 - 1876 Composer of "NEWLAND" in The Haverford School Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman