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Text Identifier:"^now_let_our_souls_on_wings_sublime$"

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Newry

Meter: 8.8.8.8 Appears in 159 hymnals First Line: Now let our souls on wings sublime Lyrics: 1. Now let our souls, on wings sublime, Rise from the vanities of time: Draw back the parting vail and see The glories of eternity. 2. Born by a new celestial birth, Why should we grovel here on earth? Why grasp at transitory toys, So near to heav'n's eternal joys? 3. Shall aught beguile us on the road, When we are walking back to God? For strangers into life we come, And dying is but going home. 4. Welcome sweet hour of full discharge, That sets our longing souls at large: Unbinds our chains, breaks up our cell, And gives us with our God to dwell. 5. To dwell with God, to feel his love, Is the full heav'n enjoyed above; And the sweet expectation now, Is the young dawn of heav'n below. Used With Tune: NEWRY

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NEWRY

Appears in 1,443 hymnals Incipit: 13456 71765 55565 Used With Text: Now let our souls on wings sublime
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GERMANY

Appears in 703 hymnals Composer and/or Arranger: Ludwig von Beethoven (1770-1827) Incipit: 51712 56711 17627 Used With Text: Now let our souls, on wings sublime
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BRESLAU

Appears in 211 hymnals Tune Sources: German Incipit: 11161 27667 12567 Used With Text: Now let our souls on wings sublime

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Now Let Our Souls on Wings Sublime

Author: Thomas Gibbons, 1720-1785 Hymnal: The Cyber Hymnal #4557 Meter: 8.8.8.8 Lyrics: 1. Now let our souls on wings sublime, Rise from the vanities of time, Draw back the parting veil and see, The glories of eternity. 2. Born by a new celestial birth, Why should we grovel here on earth? Why grasp at transitory toys, So near to Heav’n’s eternal joys. 3. Shall aught beguile us on the road, When we are walking back to God? For strangers into life we come, And dying is but going home. 4. Welcome sweet hour of full discharge, That sets our longing souls at large. Unbinds our chains, breaks up our cell, And gives us with our God to dwell. 5. To dwell with God, to feel His love, Is the full Heav’n enjoyed above; And the sweet expectation now, Is the young dawn of Heav’n below. Languages: English Tune Title: DUKE STREET
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Now let our souls, on wings sublime

Hymnal: A Collection of Psalms and Hymns for Publick Worship #CXLIV (1789) Lyrics: 1 Now let our souls, on wings sublime, Rise from the vanities of time; Draw back the parting veil, and see The glories of eternity. 2 Born by a new, celestial birth, Why should we grovel here on earth? Why grasp at transitory toys, So near to heavens eternal joys? 3 Shall ought beguile us on the road, When we are walking back to God? For strangers into life we come, And dying is but going home. 4 To dwell with God, to feel his love, Is the full heaven enjoy'd above; And the sweet expectation now Is the young dawn of heaven below. Topics: Life, Death, and a future State Languages: English
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Now let our souls, on wings sublime

Author: Thomas Gibbons Hymnal: Psalms and Hymns Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America #H337 (1830)

People

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Authors, composers, editors, etc.

John Warrington Hatton

1710 - 1793 Person Name: John Hatton Composer (attributed to) of "DUKE STREET" in The Cyber Hymnal John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident. Bert Polman

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig von Beethoven (1770-1827) Composer of "GERMANY" in Hymns of the Ages A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

H. F. Grant

Composer of "GRIMKE" in African Methodist Episcopal hymn and tune book