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O God of Every Nation
Author: William Watkins Reid Meter: 7.6.7.6 D Appears in 32 hymnals
O God of Every Nation
LLANGLOFFAN
Meter: 7.6.7.6 D Appears in 174 hymnals Tune Sources: Welsh tune, 19th cent. Tune Key: g minor Incipit: 51122 32114 43325 Used With Text: O God of Every Nation
LLANGLOFFAN
ST. THEODULPH
Meter: 7.6.7.6 D Appears in 579 hymnals Composer and/or Arranger: Melchior Teschner, 1584-1635 Tune Key: B Flat Major Incipit: 15567 11321 17151 Used With Text: O God of Every Nation
ST. THEODULPH
O God of Every Nation
Author: William W. Reid, Jr. Hymnal: Psalter Hymnal (Gray) #606 (1987) Meter: 7.6.7.6.7.6.7.6 Lyrics: 1 O God of every nation,
of every race and land,
redeem the whole creation
with your almighty hand.
Where hate and fear divide us
and bitter threats are hurled,
in love and mercy guide us,
and heal our strife-torn world.
2 From search for wealth and power
and scorn of truth and right,
from trust in bombs that shower
destruction through the night,
from pride of race and nation
and blindness to your way,
deliver every nation,
eternal God, we pray!
3 Lord, strengthen all who labor
that we may find release
from fear of rattling saber,
from dread of war's increase.
When hope and courage falter,
Lord, let your voice be heard;
with faith that none can alter,
your servants undergird.
4 Keep bright in us the vision
of days when war shall cease,
when hatred and division
give way to love and peace,
till dawns the morning glorious
when truth and justice reign,
and Christ shall rule victorious
o'er all the world's domain.
Topics: Industry & Labor; King, God/Christ as; Society/Social Concerns; War & Revolution; Industry & Labor; King, God/Christ as; Nation; New Creation; Peace; Society/Social Concerns; War & Revolution Scripture: Isaiah 2:4 Languages: English Tune Title: LLANGLOFFAN
O God of Every Nation
O God of Every Nation
Author: William Watkins Reid, Jr. Hymnal: Voices United #677 (1996) Meter: 7.6.7.6 D Lyrics: 1 O God of every nation,
of every race and land,
redeem the whole creation
with your almighty hand;
where hate and fear divide us
and bitter threats are hurled,
in love and mercy guide us
and heal our strife-torn world.
2 From search for wealth and power
and scorn of truth and right,
from trust in bombs that shower
destruction through the night,
from pride of race and nation
and blindness to your way,
deliver every nation,
eternal God, we pray.
3 Give strength to those who labour
that all may find release
from fear of rattling sabre,
from dread of war's increase;
when hope and courage falter,
your still small voice be heard:
with faith that none can alter,
your servants undergird.
4 Keep bright in us the vision
of days when war shall cease,
when hatred and division
give way to love and peace,
till dawns the morning glorious
when peace on earth shall reign
and Christ shall rule victorious
o'er all the world's domain. Topics: The Church in the World Commitment: Peace and Justice; Brotherhood/Sisterhood; Commitment; Courage; God Power/Might; Guidance; Healing; Justice; Kingdom of God; Nation; Peace (World); Penitence; Petition; Social Concerns; Strength; Work and Recreation; World; Advent 1 Year A; Proper 24 Year A; Advent 1 Year B; Advent 3 Year C; Epiphany 7 Year C; Proper 6 Year C; Proper 15 Year C; All Saints Year C; Proper 28 Year C Tune Title: LLANGLOFFAN
O God of Every Nation
O God of Every Nation
Author: William W. Reid, Jr. Hymnal: Celebrating Grace Hymnal #46 (2010) Meter: 7.6.7.6 D Lyrics: 1 O God of every nation,
of every race and land,
redeem the whole creation
with Your almighty hand.
Where hate and fear divide us
and bitter threats are hurled,
in love and mercy guide us,
and heal our strife-torn world.
2 From search for wealth and power
and scorn of truth and right,
from trust in bombs that shower
destruction through the night,
from pride of race and nation
and blindness to Your way,
deliver every nation,
eternal God, we pray!
3 Lord, strengthen all who labor
that we may find release
from fear of rattling saber,
from dread of war's increase.
When hope and courage falter,
Lord, let Your voice be heard;
with faith that none can alter,
Your servants under-gird.
4 Keep bright in us the vision
of days when war shall cease,
when hatred and division
give way to love and peace,
till dawns the morning glorious
when truth and justice reign,
and Christ shall rule victorious
o'er all the world's domain. Topics: God the Father Redeemer; Kingdom; Peace Languages: English Tune Title: BLOW THE CANDLES OUT
O God of Every Nation
Hans Leo Hassler
1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Composer of "PASSION CHORALE" in Lead Me, Guide Me (2nd ed.) Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany.
John Perry
Hans Leo Hassler
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach, 1685-1750 Harmonizer of "PASSION CHORALE" in Lead Me, Guide Me (2nd ed.) Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Melchior Teschner
1584 - 1635 Person Name: Melchior Teschner, 1584-1635 Composer of "ST. THEODULPH" in Hymns of the Saints Melchior Teschner (b. Fraustadt [now Wschowa, Poland], Silesia, 1584; d. Oberpritschen, near Fraustadt, 1635) studied philosophy, theology, and music at the University of Frankfurt an-der-Oder and later studied at the universities of Helmstedt and Wittenberg, Germany. From 1609 until 1614 he served as cantor in the Lutheran church in Fraustadt, and from 1614 until his death he was pastor of the church in Oberpritschen.
Bert Polman
Melchior Teschner
