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Text Identifier:"^o_lord_while_we_confess_the_worth$"

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O Lord, while we confess the worth

Author: Mary Bowley Peters Appears in 32 hymnals Topics: Church Baptism Used With Tune: ST. AGNES

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MARLOW

Meter: 8.6.8.6 Appears in 225 hymnals Composer and/or Arranger: John Chetham Tune Key: F Major Incipit: 13331 55553 14321 Used With Text: O Lord, While We Confess
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ST. AGNES

Appears in 1,057 hymnals Composer and/or Arranger: Rev. John B. Dykes Incipit: 33323 47155 53225 Used With Text: O Lord, while we confess the worth
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SERENITY

Meter: 8.6.8.6 Appears in 366 hymnals Composer and/or Arranger: Uzziah Christopher Burnap Tune Sources: Waft, Ye Winds, by Will­iam V. Wall­ace, 1836 Tune Key: E Flat Major Incipit: 33343 33225 23435 Used With Text: O Lord, While We Confess the Worth

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O Lord, While We Confess the Worth

Author: Mary Bowley Peters, 1813-1856 Hymnal: Worship and Service Hymnal #173 (2006) Lyrics: 1 O Lord, while we confess the worth Of this, the outward seal, Do Thou, the truths herein set forth To ev'ry heart reveal. 2 Death to the world we here avow, Death to each fleshly lust; Newness of life our calling now, A risen Lord our trust. 3 And we, O Lord, who now partake Of resurrection life, With ev'ry sin, for Thy dear sake, Would be at constant strife. 4 Baptized into the Father’s name, We’d walk as sons of God; Baptized in Thine, we own Thy claim As ransomed by Thy blood. 5 Baptized into the Holy Ghost, We’d keep His temple pure; And make Thy grace our only boast, And by Thy strength endure. Amen. Topics: The Church Baptism Languages: English Tune Title: ST. BERNARD
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O Lord, While We Confess the Worth

Author: Mary B. Peters Hymnal: The Cyber Hymnal #5166 Meter: 8.6.8.6 Lyrics: 1. O Lord, while we confess the worth Of this the outward seal, Do Thou the truths herein set forth To every heart reveal. 2. Death to the world we here avow, Death to each fleshly lust; Newness of life our calling now, A risen Lord our trust. 3. And we, O Lord, who now partake Of resurrection life, With every sin, for Thy dear sake, Would be at constant strife. 4. Baptized into the Father’s name, We’d walk as sons of God; Baptized in Thine, we own Thy claim As ransomed by Thy blood. 5. Baptized into the Holy Ghost, We’d keep His temple pure, And make Thy grace our only boast, And by Thy strength endure. Languages: English Tune Title: SERENITY
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O Lord, While We Confess

Author: Mary P. Bowly, 19th Century Hymnal: Christian Hymnal (Rev. ed.) #168 (1959) First Line: O Lord, while we confess the worth Languages: English Tune Title: [O Lord, while we confess the worth]

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Mary Peters

1813 - 1856 Person Name: Mary B. Peters Author of "O Lord, While We Confess the Worth" in The Cyber Hymnal Also known as Mary P. Bowly ======= Peters, Mary, née Bowly, daughter of Richard Bowly, of Cirencester, was born in 1813, and subsequently married to the Rev. John McWilliam Peters, sometime Rector of Quennington, Gloucestershire, and died at Clifton, July 29, 1856. Her prose work, The World’s History from the Creation to the Accession of Queen Victoria, was published in seven volumes. Several of her hymns were contributed to the Plymouth Brethren's Psalms, Hymns, and Spiritual Songs, London, D. Walther, 1842. These with others, 58 in all, were published by Nisbet & Co., London, 1847, as Hymns intended to help the Communion of Saints. Dr. Walker introduced several from these collections into his Cheltenham Psalms & Hymns, 1855. Many of these have been repeated in Snepp's Songs of Grace & Glory, 1872. and other Church of England hymnbooks. These include, besides those annotated under their respective first lines :— i. From Psalms, Hymns, & Sacred Songs, 1842:— 1. Blessed Lord, our hearts are panting. Buria. Given in later collections as "Blessed Lord, our souls are longing." 2. How can there be one holy thought! Holiness through Christ. 3. Jesus, how much Thy Name unfolds. The Name of Jesus. 4. Lord, we see the day approaching. Second Advent. 5. 0 Lord, we know it matters not. Taught by the Spirit. 6. The murmurs of the wilderness. Praise to Jesus. 7. The saints awhile dispersed abroad. God within us. 8. Unworthy is thanksgiving. Jesus the Mediator. 9. Whom have we, Lord, but Thee. Christ All in All. 10. With thankful hearts we meet, 0 Lord. Public Worship. From her Hymns, &c, 1847:— 11. Earth's firmest ties will perish. Burial. 12. Enquire, my soul, enquire. Second Advent. 13. Hallelujah, we are hastening. Journeying Heavenward. 14. Holy Father, we address Thee. Holy Trinity. 15. Jesus, of Thee we ne'er would tire. Holy Communion. 16. Lord Jesus, in Thy Name alone. Holy Communion. 17. Lord, through the desert drear and wide. Prayer for Perseverance. 18. Many sons to glory bring. Security in Christ. 19. 0 Lord, whilst we confess the worth. Dead in Christ. Sometimes it begins with st. ii., "Dead to the world we here avow." 20. Our God is light, we do not go. Christ the Guide. 21. Praise ye the Lord, again, again. Public Worship. 22. Salvation to our God. Passiontide. 23. The holiest we enter. Public Worship. Sometimes given as "The holiest now we enter." 24. Through the love of God our Saviour. Security in Christ. 25. Thy grace, 0 Lord, to us hath shown. Offertory. 26. We're pilgrims in the wilderness. Life a Pilgrimage. -- John Julian, Dictionary of Hymnology (1907)

John Bacchus Dykes

1823 - 1876 Composer of "ST. AGNES" in The Evangelical Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William B. Bradbury

1816 - 1868 Person Name: W. B. Bradbury Composer of "BROWN" in Sacred Hymns and Tunes William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry