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O Love of God, How Strong and True
Author: Horatius Bonar Meter: 8.8.8.8 Appears in 110 hymnals
O Love of God, How Strong and True
JERUSALEM (PARRY)
Meter: 8.8.8.8 D Appears in 66 hymnals Composer and/or Arranger: C. Hubert H. Parry; Janet Wyatt Tune Key: C Major Incipit: 13561 65456 54532 Used With Text: O Love of God, How Strong and True
JERUSALEM (PARRY)
O Love of God, How Strong and True!
Author: Horatiu s Bonar (1808-1889) Hymnal: Seventh-day Adventist Hymnal #79 (1985) Meter: 8.8.8.8 Lyrics: 1 O love of God, how strong and true!
Eternal, and yet ever new;
Uncomprehended and unbought,
Beyond all knowledge and all thought.
2 O love of God, how deep and great,
Far deeper than man’s deepest hate;
Self-fed, self-kindled like the light,
Changeless, eternal, infinite.
3 We read thee best in Him who cam
To bear for us the cross of shame;
Sent by the Father from on high,
Our life to live, our death to die.
4 We read thy power to bless and save,
E’en in the darkness of the grave;
Still more in resurrection light
We read the fullness of thy might.
5 O love of God, our shield and stay
Through all the perils of our way!
Eternal love, in thee we rest,
Forever safe, forever blest. Topics: God the Father Love of God Tune Title: OMBERSLEY
O Love of God, How Strong and True!
O Love of God, How Strong and True
Author: Horatius Bonar Hymnal: Trinity Hymnal (Rev. ed.) #81 (1990) Meter: 8.8.8.8 D Lyrics: 1 O love of God, how strong and true!
eternal and yet ever new,
uncomprehended and unbought,
beyond all knowledge and all thought!
O love of God, how deep and great,
far deeper than man's deepest hate;
self-fed, self-kindled like the light,
changeless, eternal, infinite.
2 O heav'nly love, how precious still,
in days of weariness and ill,
in nights of pain and helplessness,
to heal, to comfort, and to bless!
O wide-embracing, wondrous love!
We read you in the sky above,
we read you in the earth below,
in seas that swell, and streams that flow.
3 We read you best in him who came
to bear for us the cross of shame;
sent by the Father from on high,
our life to live, our death to die.
We read your pow'r to bless and save,
e'en in the darkness of the grave;
still more in resurrection light
we read the fulness of your might.
4 O love of God, our shield and stay
through all the perils of our way!
Eternal love, in you we rest,
forever safe, forever blest.
We will exalt you, God and King,
and we will ever praise your name;
we will extol you ev'ry day,
and evermore your praise proclaim.
Topics: God His Love and Grace; Christ Substitute; God Incomprehensibility of; God Infinity of; God in Nature; Preparatory Service; Union with Christ Scripture: Ephesians 3:17-19 Languages: English Tune Title: JERUSALEM (PARRY)
O Love of God, How Strong and True
O Love of God, How Strong and True
Author: Horatius Bonar Hymnal: Trinity Psalter Hymnal #240 (2018) Meter: 8.8.8.8 D Lyrics: 1 O love of God, how strong and true,
eternal and yet ever new,
uncomprehended and unbought,
beyond all knowledge and all thought!
O love of God, how deep and great,
far deeper than man's deepest hate;
self-fed, self-kindled like the light,
changeless, eternal, infinite.
2 O heav'nly love, how precious still,
in days of weariness and ill,
in nights of pain and helplessness,
to heal, to comfort, and to bless!
O wide-embracing, wondrous love!
We read you in the sky above,
we read you in the earth below,
in seas that swell and streams that flow.
3 We read you best in him who came
bearing for us the cross of shame;
sent by the Father from on high,
our life to live, our death to die.
We read your pow'r to bless and save,
e'en in the darkness of the grave;
still more in resurrection light
we read the fullness of your might.
4 O love of God, our shield and stay
through all the perils of our way!
Eternal love, in you we rest,
forever safe, forever blest.
We will exalt you, God and King,
and we will ever praise your name;
we will extol you ev'ry day,
and evermore your praise proclaim. Topics: Christ As Substitute; God; God Incomprehensibility; God Infinity and Eternity of; God Love and Grace of; God in Nature; Preparatory Service; Union with Christ Scripture: Psalm 145:1-2 Languages: English Tune Title: JERUSALEM (Parry)
O Love of God, How Strong and True
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in The Book of Worship of the Church School John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
Ludwig van Beethoven
1770 - 1827 Composer of "ALSACE" in College Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
C. Hubert H. Parry
1848 - 1918 Composer of "JERUSALEM (PARRY)" in Trinity Hymnal (Rev. ed.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
