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Text Identifier:"^on_this_blessed_easter_day$"

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Texts

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Children's Easter Praise

Appears in 4 hymnals First Line: On this blessed Easter day

Tunes

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ON THIS BLESSED EASTER DAY

Meter: 7.5.7.5 Appears in 9 hymnals Tune Sources: Unknown Tune Key: C Major Incipit: 53534 56171 65535 Used With Text: On This Blessed Easter Day

Instances

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Published text-tune combinations (hymns) from specific hymnals

On This Blessed Easter Day

Hymnal: Ambassador Hymnal #344 (1994) Meter: 7.5.7.5 Topics: Children's Hymns; Easter Languages: English Tune Title: ON THIS BLESSED EASTER DAY
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Children's Easter Praise

Hymnal: Songs for Little People #53 (1905) First Line: On this blessed Easter day Languages: English Tune Title: [On this blessed Easter day]
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Children's Easter Praise

Hymnal: Songs for Little People #74 (1915) First Line: On this blessed Easter day Topics: Easter Languages: English Tune Title: [On this blessed Easter day]

People

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "[On this blessed Easter day]" in Songs for Little People Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman