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Psalm 146 (Antiphonal)

Appears in 11 hymnals First Line: It is the Lord who keeps faith for ever

Appears in 5 hymnals Composer and/or Arranger: Richard Proulx; Howard Hughes, SM; Joseph Gelineau, SJ Tune Key: C Major Incipit: 55615 Used With Text: Psalm 146: O Lord, Come and Save Us

[O Lord, come and save us]

Appears in 2 hymnals Composer and/or Arranger: RL Tune Key: C Major Incipit: 56176 5 Used With Text: O Lord, come and save us

[Alaba, alma mía, al Señor]

Appears in 3 hymnals Composer and/or Arranger: TA Tune Key: F Major Used With Text: Alaba, alma mía, al Señor (Praise the Lord, my soul!)

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Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 146: O Lord, Come and Save Us

Hymnal: RitualSong #195a (1996) First Line: It is the Lord who keeps faith for ever Refrain First Line: O Lord, come and save us Topics: 23rd Sunday in Ordinary Time Year B; 26th Sunday in Ordinary Time Year C; 32nd Sunday in Ordinary Time Year B; Advent; Advent 3 Year A; Faithfulness of God; Hunger; Interfaith; Kingdom / Reign of God; Morning; Petition; Praise; Presence of God; Salvation; Second Coming; Seeking; Social Concern; Stranger Scripture: Psalm 146:6-10 Languages: English Tune Title: [O Lord, come and save us]

Psalm 146: O Lord, Come and Save Us

Hymnal: RitualSong #195b (1996) First Line: It is the Lord who keeps faith for ever Refrain First Line: Praise the Lord, my soul! Topics: 23rd Sunday in Ordinary Time Year B; 26th Sunday in Ordinary Time Year C; 32nd Sunday in Ordinary Time Year B; Advent; Advent 3 Year A; Faithfulness of God; Hunger; Interfaith; Kingdom / Reign of God; Morning; Petition; Praise; Presence of God; Salvation; Second Coming; Seeking; Social Concern; Stranger Scripture: Psalm 146:6-10 Languages: English Tune Title: [Praise the Lord, my soul]

Psalm 146: Praise the Lord, My Soul

Hymnal: Singing Our Faith #53 (2001) First Line: Praise the Lord, my soul! Languages: English Tune Title: [Praise the Lord, my soul]

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People

Authors, composers, editors, etc.

Richard Proulx

1937 - 2010 Composer (antiphon) of "[Praise the Lord, my soul]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Praise the Lord, my soul]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com