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The King of glory standeth
Author: Charitie L. Bancroft Appears in 16 hymnals Used With Tune: KOCHER
The King of glory standeth
The King of Glory Standeth
Author: Charitie Lees de Chenez Hymnal: The Hymnbook #410 (1955) Meter: 7.6.7.6 D Lyrics: 1 The King of Glory standeth
Beside the heart of sin;
His mighty voice commandeth
The raging waves within;
The floods of deepest anguish
Roll backward at His will,
As o'er the storm ariseth
His mandate, "Peace, be still."
2 At times, with sudden glory,
He speaks, and all is done;
Without one stroke of battle
The victory is won,
While we, with joy beholding,
Can scarce believe it true
That e'en our kingly Jesus
Can form such hearts anew.
3 O Christ, Thy love is mighty;
Long-suffering is Thy grace;
And glorious is the splendor
That beameth from Thy face.
Our hearts up-leap in gladness
When we behold that love,
As we go singing onward,
To dwell with Thee above.
Amen. Topics: Christ Conqueror; Joy; Sin; Life in Christ Joy Scripture: Psalm 33:9 Tune Title: GOSTERWOOD
The King of Glory Standeth
The King of Glory Standeth
Author: Charitie L. Bancroft Hymnal: The Cyber Hymnal #3524 Meter: 7.6.7.6 D Lyrics: 1. The King of Glory standeth
beside the heart of sin;
His mighty voice commandeth
the raging waves within;
The floods of deepest anguish
roll backward at His will,
As o’er the storm ariseth
His mandate, Peace, be still.
2. At times, with sudden glory,
He speaks, and all is done;
Without one stroke of battle
the victory is won,
While we, with joy beholding,
can scarce believe it true
That e’en our kingly Jesus
can form such hearts anew.
3. O Christ, Thy love is mighty;
long suffering is Thy grace;
And glorious is the splendor
that beameth from Thy face.
Our hearts upleap in gladness
when we behold that love,
As we go singing onward,
to dwell with Thee above. Languages: English Tune Title: GOSTERWOOD
The King of Glory Standeth
The King of Glory standeth
Author: Joseph Merlin Hodson Hymnal: Evangel Songs #118 (1894) Languages: English Tune Title: [The King of Glory standeth]
The King of Glory standeth
Charitie Lees Smith
1841 - 1923 Person Name: Charitie L. Bancroft Author of "The King of glory standeth" in Hymns of the Church Bancroft, Charitie Lees, née Smith, daughter of the Rev. Sidney Smith, D.D., Rector of Drumragh, County Tyrone, Ireland; was born at Bloomfield, Merrion, in the county of Dublin, June 21,1841; and married, in 1869, to Arthur E. Bancroft. Her hymns have appeared in periodicals, Lyra Britannica, Bishop Ryle's Spiritual Songs, and other collections, and also as leaflets. The following have come into common usage:—
1. O for the [a] robes [robe] of whiteness. Heaven desired. This favorite children's hymn was 1st pub. as a leaflet in 1860. In 1867 it was included in Lyra Britannica, and thence has passed into several collections in Great Britain and America.
2. The King of glory standeth. Christ the Saviour. Contributed in 7 stanzas of 8 1ines to the Lyra Britannica, 1867, and entitled "Mighty to save." In the Hymns & Songs of Praise, N. Y., 1874, No. 1196, it begins with stanza iii., "He comes in bloodstained garments."
3. Before the throne of God above. The Advocate. Dated 1863, and given in Spurgeon's Our Own Hymn Book, 1806, Laudes Domini, N. Y., 1884.
In 1867 Mrs. Bancroft's hymns were collected and published as Within the Veil, by C. L. S.
-- John Julian, Dictionary of Hymnology (1907)
==========================
De Chenez, Charitie L. [Bancroft] née Smith, widow of Arthur Bancroft, p. 109, ii., is by a second marriage Mrs. De Chenez.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
========================
She was apparently widowed twice. She died in Oakland, California, in 1923, at the age of 82, bearing the name Charitie de Cheney (or Chenez) - Dianne Shapiro
Charitie Lees Smith
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams Arranger of "GOSTERWOOD" in The Hymnbook Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
