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The Majesty and Holiness of God
Appears in 10 hymnals First Line: Jehovah reigns in majesty Lyrics: 1 Jehovah reigns in majesty;
Let all the nations quake.
He dwells between the cherubim;
Let earth's foundations shake.
Supreme in Zion is the Lord,
Exalted gloriously;
Ye nations, praise His name with awe,
The Holy One is He.
2 The mighty King loves justice well,
And equity ordains;
He rules His people righteously
And faithfulness maintains.
O magnify the Lord our God,
Let Him exalted be;
In worship at His footstool bow,
The Holy One is He.
3 When priests and prophets called on God,
he their petitions heard;
His cloudy pillar led them on,
And they obeyed His word.
Tho' sending judgments for their sins,
He pardoned graciously;
Exalt the Lord and worship Him,
The Holy One is He.
Topics: Adoration; Christ Exaltation of; Christ Judgeship of; Christ Present in His Church; Christ Worshiped; Christians Duties of; Church As Abode of God; God Adored and Exalted; God Glorious; God Hearer of Prayer; God Holiness of; God the judge; God Kingly Character of; God Sovereignty of ; Grace Justifying; Nations Owe Allegiance to Christ; Obedience; Pardon Set Forth; Praise By Men; Praise Calls to; Praise For God's Holiness; Retribution Belongs to God; Royalty of Christ In His Church; Royalty of Christ Judgment the Prerogative of; Worship Acts of; Worship Call to ; Worship Sincerity in Scripture: Psalm 99 Used With Tune: ELLACOMBE
The Majesty and Holiness of God
[Jehovah reigns in majesty]
Appears in 1 hymnal Composer and/or Arranger: J. B. Herbert Used With Text: The Holy One is He
[Jehovah reigns in majesty]
NONE BUT CHRIST
Meter: 8.6.8.6 D Appears in 30 hymnals Composer and/or Arranger: James McGranahan, 1840-1907 Tune Key: F Major Incipit: 51333 13555 5322 Used With Text: The LORD God Reigns in Majesty
NONE BUT CHRIST
The LORD God Reigns in Majesty
Hymnal: Psalter Hymnal (Gray) #99 (1987) Meter: 8.6.8.6 D Lyrics: 1 The LORD God reigns in majesty;
let all the nations quake.
He dwells between the cherubim;
let earth's foundations shake.
Supreme in Zion is the LORD,
exalted gloriously.
All nations, praise his name with awe:
the Holy One is he.
2 The mighty King loves justice well
and equity ordains.
He rules his people righteously
and faithfulness maintains.
In worship at his footstool bow,
let him exalted be.
O magnify the LORD our God:
the Holy One is he.
3 When priests and prophets called on God,
he their petitions heard.
His cloudy pillar led them on,
and they obeyed his word.
Though sending judgments for their sins,
he pardoned graciously.
Exalt the LORD and worship him:
the Holy One is he.
Topics: King, God/Christ as; Profession of Faith; Return of Christ; Forgiveness; King, God/Christ as; Lord's Supper; Profession of Faith; Return of Christ Scripture: Psalm 99 Languages: English Tune Title: NONE BUT CHRIST
The LORD God Reigns in Majesty
The LORD God Reigns in Majesty
Hymnal: Trinity Psalter Hymnal #99B (2018) Meter: 8.6.8.6 D Lyrics: 1 The LORD God reigns in majesty;
let all the nations quake.
He dwells between the cherubim;
let earth's foundations shake.
Supreme in Zion is the LORD,
exalted gloriously.
All nations, praise his name with awe:
the Holy One is he.
2 The mighty King loves justice well,
and equity ordains;
he rules his people righteously
and faithfulness maintains.
O magnify the LORD our God,
let him exalted be;
in worship at his footstool bow:
the Holy One is he.
3 When priests and prophets called on God,
he their petitions heard.
His cloudy pillar led them on,
and they obeyed his word.
Tho' sending judgments for their sins,
he pardoned graciously.
Exalt the LORD and worship him:
the Holy One is he. Topics: God Faithfulness of; God As King; Israel; Sin and Forgiveness; Zion Scripture: Psalm 99 Languages: English Tune Title: ELLACOMBE
The LORD God Reigns in Majesty
Jehovah Reigns in Majesty
Hymnal: Psalter Hymnal (Red) #203 (1934) First Line: God Jehovah reigns Lyrics: 1 Jehovah reigns in majesty,
Let all the nations quake;
He dwells between the cherubim,
Let earth's foundations shake.
Supreme in Zion is the Lord,
Exalted gloriously;
Ye nations, praise His Name with awe,
The Holy One is He.
2 The mighty King loves justice well,
And equity ordains;
He rules His people righteously
And faithfulness maintains.
O magnify the Lord our God,
Let Him exalted be;
In worship at His footstool bow,
The Holy One is He.
3 When priests and prophets called on God,
He their petitions heard;
His cloudy pillar led them on,
And they obeyed His word.
Though sending judgments for their sins,
He pardoned graciously;
Exalt the Lord and worship Him,
The Holy One is He. Topics: Angels; Chastisements; Glory And Majesty Of God; Grace of God; Holiness Of God; Justice of God; God as King; Kingdom of God; Nations; Praise for Blessings; Praise for God's Perfections; Praise for God's Works; Praise in Worship; Reverence Scripture: Psalm 99 Languages: English Tune Title: ELLACOMBE
Jehovah Reigns in Majesty
William Henry Monk
1823 - 1889 Harmonizer of "ELLACOMBE" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Anonymous
Author of "Jehovah Reigns in Majesty" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
James McGranahan
1840 - 1907 Person Name: James McGranahan, 1840-1907 Composer of "NONE BUT CHRIST" in Psalter Hymnal (Gray) James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
