Search Results

There in God's Garden

Author: Pécseli Király Imre; Erik Routley Meter: 11.11.11.5 Appears in 14 hymnals First Line: There in God's garden stands the Tree of Wisdom

SHADES MOUNTAIN

Meter: 11.11.11.5 Appears in 13 hymnals Composer and/or Arranger: K. Lee Scott, b. 1950 Tune Key: F Major Incipit: 11522 32312 23345 Used With Text: There in God's Garden

[There in God's garden stands the tree of wisdom]

Appears in 1 hymnal Composer and/or Arranger: O. S. Tune Sources: Hungarian melody, 1744 Tune Key: f minor Used With Text: There in God's Garden

DIVA SERVATRIX (BAYEUX)

Appears in 17 hymnals Tune Sources: Bayeus Antiphoner Incipit: 33431 21232 13354 Used With Text: There in God's garden stands the tree

Instances

Published text-tune combinations (hymns) from specific hymnals

There in God's Garden Stands the Tree of Wisdom

Author: P. K. Imre; Erik Routley Hymnal: Rejoice in the Lord #307 (1985) Meter: 11.11.11.5 Topics: Jesus Christ Passion and Cross Scripture: Genesis 2:9 Languages: English Tune Title: DIVA SERVATRIX

There in God's Garden

Author: Pécselyi Kiràly Imre; Erik Routley; Dieter Trautwein; Vilmos Gyongyosi Hymnal: Sing and Rejoice! #120 (1979) First Line: There in God's garden stands the tree of wisdom Topics: Commitment; Jesus Christ - Love and Mercy; Jesus Christ - Suffering and Death Languages: English; German Tune Title: [There in God's garden stands the tree of wisdom]

There in God's Garden

Author: Király Imre von Pécselyi, c. 1590-c. 1641; Erik R. Routley, 1917-1982 Hymnal: Sing! A New Creation #138 (2002) Meter: 11.11.11.5 First Line: There in God's garden stands the Tree of Wisdom Topics: Lent Scripture: Genesis 2:17 Languages: English Tune Title: SHADES MOUNTAIN

View 11 more instances

People

Authors, composers, editors, etc.

Erik Routley

1917 - 1982 Paraphraser of "There in God's Garden Stands the Tree of Wisdom" in Rejoice in the Lord

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "DIVA SERVATRIX" in Common Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman