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Text Identifier:"^thou_god_all_glory_honor_power$"

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Thou, God, all glory, honour, power

Meter: 8.6.8.6 Appears in 34 hymnals Used With Tune: ARLINGTON

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[Thou, God, all glory, honor, power]

Meter: 8.6.8.6 Appears in 821 hymnals Tune Sources: Scotch Psalter Tune Key: E Flat Major Incipit: 13451 23432 11715 Used With Text: Thou, God, all glory, honor, power
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ARLINGTON

Meter: 8.6.8.6 Appears in 1,033 hymnals Tune Key: F Major Incipit: 13332 11123 54332 Used With Text: Thou, God, all glory, honour, power
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BEDFORD

Appears in 109 hymnals Composer and/or Arranger: W. Wheall Tune Key: E Flat Major Incipit: 53165 43251 76653 Used With Text: Thou, God, all glory, honour, power

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Thou, God, all glory, honor, power

Author: N. Tate; N. Brady Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #456a (1894) Meter: 8.6.8.6 Lyrics: 1 Thou, God, all glory, honor, power, Art worthy to receive; Since all things by Thy power were made, And by Thy bounty live. 2 And worthy is the Lamb all power, Honor, and wealth to gain, Glory and strength; Who for our sins A sacrifice was slain. 3 All worthy Thou, Who hast redeemed And ransomed us to God, From every nation, every coast, By Thy most precious blood. 4 Blessing and honor, glory, power, By all in earth and heaven, To Him that sits upon the throne, And to the Lamb, be given. Topics: Adoration; Praise Languages: English Tune Title: [Thou, God, all glory, honor, power]
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Thou, God, all glory, honor, power

Author: N. Brady; N. Tate Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #456b (1894) Meter: 8.6.8.6 Lyrics: 1 Thou, God, all glory, honor, power, Art worthy to receive; Since all things by Thy power were made, And by Thy bounty live. 2 And worthy is the Lamb all power, Honor, and wealth to gain, Glory and strength; Who for our sins A sacrifice was slain. 3 All worthy Thou, Who hast redeemed And ransomed us to God, From every nation, every coast, By Thy most precious blood. 4 Blessing and honor, glory, power, By all in earth and heaven, To Him that sits upon the throne, And to the Lamb, be given. Topics: Adoration; Praise Languages: English Tune Title: [Thou, God, all glory, honor, power]
Text

Thou God, all glory, honor, power

Hymnal: Appendix, Containing a Number of Hymns Taken Chiefly from Dr. Watts's Scriptural Collection #XXIX (1765) Lyrics: 1 Thou, God, all Glory, Honour, Pow'r, art worthy to receive; Since all Things by thy Pow'r were made, and by thy Bounty live. 2 And worthy is the Lamb all Pow'r, Honour and Wealth to gain, Glory and Strength, who for our Sins a Sacrifice was slain. 3 All worthy Thou, who hast redeem'd and ransom'd us to God, From ev'ry Nation, ev'ry Coast, by thy most precious Blood. 4 Blessing and Honour, Glory, Pow'r, by all in Earth and Heav'n, To Him that sits upon the Throne, and to the Lamb, be giv'n. Scripture: Revelation 4:11 Languages: English

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Nicholas Brady

1659 - 1726 Person Name: N. Brady Author of "Thou, God, all glory, honor, power" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Nicholas Brady, the son of an officer in the Royalist army, was born in Brandon, Ireland, 1659. He studied at Westminster School, and at Christ Church College, oxford, and graduated at Trinity College, Dublin. He held several positions in the ministry, but later in life retired to Richmond Surrey, where he established a school. Here he translated some of the Psalms. Several volumes of his sermons and smaller works were published, but his chief work, like that of his co-colabourer Tate, was the "Metrical Version of Psalms." This version was authorized by King William in 1696, and has, since that time, taken the place of the earlier translation by Sternhold and Hopkins, which was published in 1562. The whole of the Psalms, with tunes, appeared in 1698, and a Supplement of Church Hymns in 1703. Of this version, which has little poetic merit, Montgomery says "It is nearly as inanimate as the former, though a little more refined." None of the "Metrical Psalms" are to be compared with the Psalms of the Prayer Book Psalter, and very few of them are worthy a place in a collection of hymns. --Annotations of the Hymnal, Charles Hutchins, 1872.

Nahum Tate

1652 - 1715 Person Name: N. Tate Author of "Thou, God, all glory, honor, power" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715. --The Hymnal 1940 Companion See also in: Hymn Writers of the Church

Edward Hodges

1796 - 1867 Person Name: Edward Hodges, Mus. Doc. Composer of "[Thou, God, all glory, honor, power]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: Ju­ly 20, 1796, Bris­tol, Eng­land. Died: Sep­tem­ber 1, 1867, Clif­ton, Bris­tol, Eng­land. Buried: Church of St. Mary the Vir­gin, Stan­ton Drew (about eight miles south of Bristol). Hodges’ mu­sic­al gift showed it­self at an ear­ly age; by 1819, he was play­ing the or­gan at St. James’ Church in Bris­tol, and at St. Nicholas’, 1821-1838. He al­so had an in­ter­est­ing me­chan­ic­al bent, and spurred sev­er­al tech­ni­cal im­prove­ments in or­gan de­sign. He com­posed a num­ber of serv­ic­es and an­them piec­es, and Cam­bridge Un­i­ver­si­ty award­ed him a doc­tor­ate in mu­sic in 1825. Hodges event­u­al­ly em­i­grat­ed, ac­cept­ing a post at the ca­thed­ral in To­ron­to, Ca­na­da, in 1838. The next year, he be­came mu­sic di­rect­or at Trin­i­ty Par­ish in New York Ci­ty. He be­came the or­gan­ist at Trin­i­ty Church when it opened in 1846 (the church had its or­gan built to his spe­ci­fi­ca­tions). He re­tired for health rea­sons in 1859, and re­turned to his native Eng­land in 1863. Hodges’ works in­clude: An Apol­o­gy for Church Mu­sic and Mu­sic­al Fes­tiv­als, in Ans­wer…to the Stan­dard and the Re­cord (Lond­on: 1834) Essays on the Ob­jects of Mu­sic­al Study (Bris­tol, Eng­land: 1838) An Es­say on the Cul­ti­va­tion of Church Mu­sic (New York: 1841) Contributions to the Quar­ter­ly Mu­sic­al Mag­a­zine & Mu­sic­al World Trin­i­ty Col­lect­ion of Church Mu­sic (Bos­ton, Mass­a­chu­setts: 1864) (ed­it­or) Music-- BRISTOL GLOUCESTER HABAKKUK HYMN TO JOY --www.hymntime.com/