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Richard Redhead

1820 - 1901 Person Name: R. Redhead Composer of "REDHEAD, No. 47" in Worship Song Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

John Fawcett

1740 - 1817 Person Name: J. Fawcett Composer of "MELLING" in The Church and School Hymnal An orphan at the age of twelve, John Fawcett (b. Lidget Green, Yorkshire, England, 1740; d. Hebden Bridge, Yorkshire, 1817) became apprenticed to a tailor and was largely self-educated. He was converted by the preaching of George Whitefield at the age of sixteen and began preaching soon thereafter. In 1765 Fawcett was called to a small, poor, Baptist country church in Wainsgate, Yorkshire. Seven years later he received a call from the large and influential Carter's Lane Church in London, England. Fawcett accepted the call and preached his farewell sermon. The day of departure came, and his family's belongings were loaded on carts, but the distraught congregation begged him to stay. In Singers and Songs of the Church (1869), Josiah Miller tells the story associated with this text: This favorite hymn is said to have been written in 1772, to commemorate the determination of its author to remain with his attached people at Wainsgate. The farewell sermon was preached, the wagons were loaded, when love and tears prevailed, and Dr. Fawcett sacrificed the attraction of a London pulpit to the affection of his poor but devoted flock. Fawcett continued to serve in Wainsgate and in the nearby village of Hebden Bridge for the remainder of his active ministry. Bert Polman =============== Fawcett, John, D.D., was born Jan. 6, 1739 or 1740, at Lidget Green, near Bradford, Yorks. Converted at the age of sixteen under the ministry of G. Whitefield, he at first joined the Methodists, but three years later united with the Baptist Church at Bradford. Having begun to preach he was, in 1765, ordained Baptist minister at Wainsgate, near Hebden Bridge, Yorks. In 1772 he was invited to London, to succeed the celebrated Dr. J. Gill, as pastor of Carter's Lane; the invitation had been formally accepted, the farewell sermon at Wainsgate had been preached and the wagons loaded with his goods for removal, when the love and tears of his attached people prevailed and he decided to remain. In 1777 a new chapel was built for him at Hebden Bridge, and about the same time he opened a school at Brearley Hall, his place of residence. In 1793 he was invited to become President of the Baptist Academy at Bristol, but declined. In 1811 he received from America the degree of D.D., and died in 1817, at the age of 78. Dr. Fawcett was the author of a number of prose works on Practical Religion, several of which attained a large circulation. His poetical publications are:— (1) Poetic Essays, 1767; (2) The Christian's Humble Plea, a Poem, in answer to Dr. Priestley against the Divinity of our Lord Jesus Christ, 1772; (3) Three hymns, in the Gospel Magazine, 1777; (4) The Death of Eumenio, a Divine Poem, 1779; (5) Another poem, suggested by the decease of a friend, The Reign of Death, 1780; and (6) Hymns adapted to the circumstances of Public Worship and Private Devotion, Leeds, G. Wright & Son. 1782. They are 166 in number, and were mostly composed to be sung after sermons by the author. Whilst not attaining a high degree of excellence as poetry, they are "eminently spiritual and practical," and a number of them are found in all the Baptist and Congregational hymn-books that have appeared during the last 100 years. The best known of these are, “Infinite excellence is Thine;" "How precious is the Book divine;" "Thus far my God hath led me on;" "Religion is the chief concern;" "Blest be the tie that binds;" “I my Ebenezer raise;" and "Praise to Thee, Thou great Creator." These hymns, together with others by Fawcett, are annotated under their respective first lines. [Rev. W. R. Stevenson, M.A.] In addition the following hymns, also by Fawcett, but of less importance, are in common use: 1. Behold the sin-atoning Lamb. Passiontide. No. 60 of his Hymns, 1782, in 7 stanzas of 4 lines. In several hymnals in Great Britain and America. 2. I my Ebenezer raise. Birthday. No. 102 of his Hymns, in 10 stanzas of 4 lines. Usually given in an abbreviated form. 3. Infinite excellence is Thine. Jesus the Desire of Nations. No. 42 of his Hymns, in 12 stanzas of 4 lines. In several hymn-books in Great Britain and America in an abridged form. 4. Jesus, the heavenly Lover, gave. Redemption in Christ. No. 10 of his Hymns, &c., 1782, in 7 stanzas of 4 lines, and headed, "The marriage between Christ and the Soul." In Snepp's Songs of Grace & Glory, 1872, it reads, “Jesus, the heavenly Bridegroom, gave," and stanza v. is omitted. 5. Lord, hast Thou made me know Thy ways? Perseverance. No. 122 of his Hymns, &c., 1782, in 8 stanza of 4 lines. In the Baptist Hymnal, 1879, No. 451, stanzas iv.-vii. are omitted. 6. 0 God, my Helper, ever near. New Year. No. 108 of his Hymns, &c., 1782, in 6 stanzas of 4 lines. The New Congregational Hymn Book, 1859-69 omits st. vi. 7. 0, my soul, what means this sadness? Sorrow turned to Joy. No. 111 of his Hymns, &c., 1782, in 5 stanzas of 6 lines, and based upon the words, "Why art Thou cast down, O my soul?" &c. It is in common use in America, and usually with the omission of stanza ii. as in Dr. Hatfield's Church Hymn Book, 1872. 8. Sinners, the voice of God regard. Invitation to Repentance. No. 63 of his Hymns, &c., 1782, in 7 stanzas of 4 lines on Isaiah lv. 7, "Let the wicked forsake his way," &c. It is in common use in America, but usually in an abbreviated form. 9. Thy presence, gracious God, afford. Before Sermon. No 165 in his Hymns, &c., in 4 stanzas of 4 lines, and a chorus of two lines. In Dr. Hatfield's Church Hymnbook, 1872, No. 126, the chorus is omitted. Fawcett has another hymn on the same subject (No. 79) and beginning, "Thy blessing, gracious God, afford," but this is not in common use. 10. Thy way, 0 God, is in the sea. Imperfect Knowledge of God. No. 66 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on 1 Corinthians xiii. 9, "We know in part," &c. It is in several American collections, usually abbreviated, and sometimes as, "Thy way, O Lord, is in the sea." In this form it is in The Sabbath Hymn Book, 1858, &c. 11. With humble heart and tongue. Prayer for Guidance in Youth. No. 86 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on Psalms cxix. 9. "Wherewith shall a young man cleanse his way." It is No. 954 in the Baptist Psalms and Hymns, 1858-80. About 20 of Fawcett's hymns are thus still in common use. Two hymns which have been ascribed to him from time to time, but concerning which there are some doubts, are fully annotated under their respective first lines. These are," Humble souls that seek salvation," and "Lord, dismiss us with Thy blessing." -- John Julian, Dictionary of Hymnology (1907)

William Blake

1757 - 1827 Person Name: William Blake, 1757-1827 Author of "Can I See Another's Woe?" in Singing the Living Tradition Blake, William, poet and painter, born 1757, and died 1827. Published Songs of Innocence in 1789, in which appeared a poem in 9 stanzas of 4 lines beginning. "Can I see another's woe" (Sympathy), and headed "On Another's Sorrow." (See also The Poems of William Blake, &c, Lond., W. Pickering, 1874, p. 105.) This poem is repeated in Martineau's Hymns, &c, 1873, and others. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==================== Blake, William, p. 1553, ii. Another poem from his Songs of Innocence is "To Mercy, Pity, Peace and Love." In 1789 ed., p. 17, it is entitled "The Divine Image." The English Hymnal, 1906, No. 506, ranks it among General Hymns. It is certainly difficult to call it a hymn at all, or to assign it to any special purpose. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Jeremiah Clarke

1669 - 1707 Person Name: Jeremiah Clark, 1670-1707 Composer of "TUNBRIDGE" in The Cambridge Hymnal

Elizabeth Poston

1905 - 1987 Person Name: E. P. Descant of "TUNBRIDGE" in The Cambridge Hymnal Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, and writer. See more in: Wikipedia

Seth Calvisius

1556 - 1615 Person Name: Seth Calvisius, 1556-1615 Harmonizer of "NUN KOMM, DER HEIDEN HEILAND" in Singing the Living Tradition Seth Calvisius Originally named Seth Kalwitz, Calvisius (b. Gorsleben, Thuringia, Germany, 1556; d. Leipzig, Germany, 1615) became known as the leading music theoretician of his time. He was educated at the universities of Helmstedt and Leipzig and spent much of his life teaching and writing about music history and theory. He taught at the Fürstenschule in Schulpforta from 1582 to 1594 and at the University of Leipzig from 1594 until his death. He also served as cantor at several churches. In addition to his theoretical work, Calvisius wrote psalm and hymn tunes and anthems, and he edited the first hymn book published in Leipzig, Harmonia cantionum ecclesiasticarum (1597). Bert Polman

John Dowland

1563 - 1626 Person Name: J. Dowland, 1563-1626 Composer of "GALLIARD" in Songs of Praise John Dowland, (born 1562/63, Westminster, London, England—died January 21, 1626, London), English composer, virtuoso lutenist, and skilled singer, one of the most famous musicians of his time. Nothing is known of Dowland’s childhood, but in 1580 he went to Paris as a “servant” to Sir Henry Cobham, the ambassador to the French court. In 1588 he received a bachelor of music degree from the University of Oxford. His conversion to Roman Catholicism, he believed, caused his rejection for a post as a court lutenist in 1594, and after that disappointment he left England to travel on the Continent. He visited the duke of Brunswick at Wolfenbüttel and the landgrave of Hesse at Kassel and was received with esteem at both courts. His travels also took him to Nürnberg, Genoa, Florence, and Venice, and by 1597 he had returned to England. In 1598 Dowland became lutenist to Christian IV of Denmark, but he was dismissed for unsatisfactory conduct in 1606. Between 1609 and 1612 he entered the service of Theophilus, Lord Howard de Walden, and in 1612 he was appointed one of the “musicians for the lutes” to James I. Although a respecter of tradition, Dowland worked during a time of musical transition and absorbed many of the new ideas he had encountered on the Continent. His 88 lute songs (printed 1597–1612) particularly reflect those influences. The early songs are presented with an alternative version for four voices. Possessing enchanting melodies, they show simple strophic settings, often in dance forms, with an almost complete absence of chromaticism. Later, in such through-composed songs as "In Darkness Let Me Dwell" (1610), "From Silent Night" (1612), and "Lasso vita mia" (1612), he introduced the Italian declamatory style, chromaticism, and dissonance; no alternative four-voice versions are given. Dowland composed about 90 works for solo lute; many are dance forms, often with highly elaborate divisions to the repeats. His famous Lachrimae, or Seaven Teares Figured in Seaven Passionate Pavans (1604), became one of the most widely known compositions of the time. In his chromatic fantasies, the finest of which are "Forlorne Hope Fancye" and "Farewell," he developed this form to a height of intensity unequaled by any other writer for the Renaissance lute. His compositions also include several psalm harmonizations and sacred songs printed in contemporary music books. --www.britannica.com/