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Text Identifier:daily_daily_sing_the_praises

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City of God

Author: S. Baring-Gould Meter: 8.7.8.7 D Appears in 66 hymnals First Line: Daily, daily sing the praises Refrain First Line: O, that I had wings of angels

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DAILY, DAILY

Meter: 8.7.8.7 D Appears in 46 hymnals Composer and/or Arranger: Henri F. Hemy Tune Key: A Major Incipit: 15653 21566 43232 Used With Text: Daily, daily sing the praises
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HEAVENLY CITY

Appears in 7 hymnals Tune Key: F Major Incipit: 12354 21723 46543 Used With Text: Daily, daily, sing the praises
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DAILY, DAILY

Appears in 47 hymnals Tune Sources: Tyrolean Air Tune Key: F Major or modal Incipit: 55113 12246 53421 Used With Text: O, that I might hear the angels

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Daily, Daily Sing the Praises

Author: S. Baring-Gould Hymnal: Select Sunday School Songs #126 (1885) Refrain First Line: O that I had wings of angels Languages: English Tune Title: [Daily, daily sing the praises]
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Daily, daily

Hymnal: A First Series of Church Songs #17a (1884) First Line: Daily, daily sing the praises Refrain First Line: O that I had wings of angels Languages: English Tune Title: [Daily, daily sing the praises]
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Daily, daily sing the praises

Hymnal: The Durham Mission Tune Book #18 (1888) Languages: English Tune Title: [Daily, daily sing the praises]

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S. Baring-Gould

1834 - 1924 Author of "Daily, Daily Sing the Praises" in Select Sunday School Songs Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning." His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs. --John Julian, Dictionary of Hymnology (1907) ================== Baring-Gould, S., p. 114, i. Other hymns in common use are:— 1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874. 2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881. 3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Anonymous

Person Name: Anon. Author of "O, that I might hear the angels" in The Church Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Henri F. Hemy

1818 - 1888 Person Name: Henri Frederick Hemy Composer of "DAILY, DAILY" in The Cyber Hymnal Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music. John Perry