My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
O let him whose sorrow
Author: Frances E. Cox; Heinrich S. Oswald Appears in 72 hymnals Used With Tune: PENITENCE
O let him whose sorrow
CASWALL (WEM IN LEIDENSTAGEN)
Appears in 162 hymnals Composer and/or Arranger: F. Filitz, 1804-76 Incipit: 33221 71122 35544 Used With Text: O let him whose sorrow
CASWALL (WEM IN LEIDENSTAGEN)
Oh, Let Him Whose Sorrow
Author: H. Oswald Hymnal: Gospel Melodies #51 (1884) Languages: English Tune Title: [Oh, let him whose sorrow]
Oh, Let Him Whose Sorrow
Oh, let him whose sorrow
Author: F. E. Cox; Oswald Hymnal: The Spirit of Praise #142 (1882) Languages: English Tune Title: [Oh, let him whose sorrow]
Oh, let him whose sorrow
O Let Him Whose Sorrow
Author: Heinrich Siegmund Oswald; Frances E. Cox Hymnal: The Cyber Hymnal #5073 Meter: 6.5.6.5 D Lyrics: 1. O let him whose sorrow
no relief can find,
Trust in God, and borrow
ease for heart and mind.
Where the mourner weeping
sheds the secret tear,
God His watch is keeping,
though none else is near.
2. God will never leave thee,
all thy wants He knows,
Feels the pains that grieve thee,
sees thy cares and woes;
Raise thine eyes to Heaven
when thy spirits quail,
When, by tempests driven,
heart and courage fail.
3. All thy woe and sadness,
in this world below,
Balance not the gladness
thou in Heaven shalt know,
When thy gracious Savior
in the realms above
Crowns thee with His favor,
fills thee with His love. Languages: English Tune Title: MARY MAGDALENE (Dykes)
O Let Him Whose Sorrow
Frances Elizabeth Cox
1812 - 1897 Person Name: Frances E. Cox Translator of "O let him whose sorrow" in The Evangelical Hymnal Cox, Frances Elizabeth, daughter of Mr. George V. Cox, born at Oxford, is well known as a successful translator of hymns from the German. Her translations were published as Sacred Hymns from the German, London, Pickering. The 1st edition, pub. 1841, contained 49 translations printed with the original text, together with biographical notes on the German authors. In the 2nd edition, 1864, Hymns from the German, London, Rivingtons, the translations were increased to 56, those of 1841 being revised, and with additional notes. The 56 translations were composed of 27 from the 1st ed. (22 being omitted) and 29 which were new. The best known of her translations are "Jesus lives! no longer [thy terrors] now" ; and ”Who are these like stars appearing ?" A few other translations and original hymns have been contributed by Miss Cox to the magazines; but they have not been gathered together into a volume.
-- John Julian, Dictionary of Hymnology (1907)
Frances Elizabeth Cox
John Bacchus Dykes
1823 - 1876 Composer of "MARY MAGDALENE (Dykes)" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Anonymous
Person Name: Unknown Composer of "CLEWER" in The Book of Praise In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
