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Savior, Prince of Israel's Race
Author: Charles Wesley Meter: 7.7.7.7.7.7 Appears in 46 hymnals Lyrics: 1. Savior, Prince of Israel’s race,
See me from Thy lofty throne;
Give the sweet relenting grace,
Soften this obdurate stone!
Stone to flesh, O God, convert;
Cast a look, and break my heart!
2. By Thy Spirit, Lord, reprove,
All my inmost sins reveal,
Sins against Thy light and love
Let me see, and let me feel;
Sins that crucified my God,
Spilt again Thy precious blood.
3. Jesu, seek Thy wandering sheep,
Make me restless to return;
Bid me look on Thee, and weep,
Bitterly as Peter mourn,
Till I say, by grace restored,
Now Thou know’st I love Thee, Lord
4. Might I in Thy sight appear,
As the publican distressed,
Stand, not daring to draw near,
Smite on my unworthy breast,
Groan the sinner’s only plea,
God, be merciful to me!
5. O remember me for good,
Passing through the mortal vale!
Show me the atoning blood,
When my strength and spirit fail;
Give my gasping soul to see
Jesus crucified for me! Used With Tune: REDHEAD Text Sources: Hymns and Sacred Poems, 1749
Savior, Prince of Israel's Race
SPANISH CHANT
Appears in 528 hymnals Incipit: 11716 15314 21713 Used With Text: Saviour, Prince of Israel's race
SPANISH CHANT
CHRISTOPHER
Meter: 7.7.7.7.7.7 Appears in 3 hymnals Composer and/or Arranger: C. Peter, 1626-69 Tune Key: c minor Incipit: 12345 17123 34431 Used With Text: Saviour, Prince of Israel's race
CHRISTOPHER
Savior, Prince of Israel's Race
Author: Charles Wesley Hymnal: The Cyber Hymnal #5891 Meter: 7.7.7.7.7.7 Lyrics: 1. Savior, Prince of Israel’s race,
See me from Thy lofty throne;
Give the sweet relenting grace,
Soften this obdurate stone!
Stone to flesh, O God, convert;
Cast a look, and break my heart!
2. By Thy Spirit, Lord, reprove,
All my inmost sins reveal,
Sins against Thy light and love
Let me see, and let me feel;
Sins that crucified my God,
Spilt again Thy precious blood.
3. Jesu, seek Thy wandering sheep,
Make me restless to return;
Bid me look on Thee, and weep,
Bitterly as Peter mourn,
Till I say, by grace restored,
Now Thou know’st I love Thee, Lord
4. Might I in Thy sight appear,
As the publican distressed,
Stand, not daring to draw near,
Smite on my unworthy breast,
Groan the sinner’s only plea,
God, be merciful to me!
5. O remember me for good,
Passing through the mortal vale!
Show me the atoning blood,
When my strength and spirit fail;
Give my gasping soul to see
Jesus crucified for me! Languages: English Tune Title: REDHEAD
Savior, Prince of Israel's Race
Savior, Prince of Israel's race
Hymnal: The New Harmonia Sacra #214a (1915) Languages: English Tune Title: PETERSFIELD
Savior, Prince of Israel's race
Saviour, Prince of Israel's race
Hymnal: A Collection of Hymns for the Use of the Methodist Episcopal Church #52 (1821) Languages: English
Saviour, Prince of Israel's race
Charles Wesley
1707 - 1788 Author of "Savior, Prince of Israel's Race" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Richard Redhead
1820 - 1901 Composer of "REDHEAD" in The Cyber Hymnal Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
Christoph Peter
1626 - 1669 Person Name: C. Peter, 1626-69 Composer of "CHRISTOPHER " in The Methodist Hymn-Book with Tunes Born: 1626 - Weida, Vogtland, Thuringia, Germany
Died: December 4, 1669 - Guben
Christoph Peter [Petraeus] was a German composer and music editor. His first appointment was as schoolmaster and Kantor at Grossenhain, Saxony. He moved in 1655 to Guben, where he was Kantor until his death. He worked closely there with the poet and civic official Johann Franck. 40 melodies in the latter’s Geistliches Sion (1672), the first part of his Teutsche Gedichte, are by Peter, and he referred to Peter’s skills in the second part, Irdischer Helicon (1674). Peter’s Andachts-Zymbeln is an anthology of chorales by various composers which also contains preliminary instructional matter, a letter of 1524 from Martin Luther to Spalatin, and testimonials to Peter from Franck and others. It may well be significant that he inscribed it to the mayor and corporation of Guben in the year in which he arrived at Guben and that he received rights of citizenship there early the following year. Precationis thuribulum (RISM 16691) consists of masses by Saxon composers based on familiar chorales and set for various combinations of voices and instruments with continuo. The Geistliche Arien includes settings of poems by, among others, Johann Franck, Johann Rist and Paul Gerhardt, and Peter explained that they are for solo voice (with instruments) ‘so that the words can be better understood’.
--Bach Cantatas Website
Christoph Peter
